Anna Kavan - Let Me Alone

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Anna Kavan's reputation is escalating internationally, and translations of her books are appearing in many languages. This early novel is therefore of especial interest, as an account of personal stresses which she was later to use and develop in more subjective and experimental ways. Indeed, it was the name of the central character of
that the author chose when she changed her name as a writer (and her personal identity) from Helen Ferguson to Anna Kavan.
Sharp characterization combines with fine descriptive writing, especially of the Burmese countryside. In addition to is literary interest, the book, originally published in 1930, evokes life in England and is colonies from the early years of the century through the period following the First World War.

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The marriage was to take place on a Thursday. Matthew was staying Wednesday night at an hotel in the district, not at Blue Hills. There was, apparently, some rule of etiquette that debarred him from spending that particular night under the same roof as his prospective bride. But he came to the house for dinner and to spend the evening.

Anna watched him attentively when he appeared. She wanted to see what it was she was letting herself in for so calmly.

The man was presentable enough in his dinner-jacket and his impeccably white shirt front. He looked quite a gentleman. Yet the way he moved, keeping his shoulders stiff, and the way he listened and smiled attentively, even rather assiduously, to the person to whom he was talking, was all a little uncomfortable and odd. She wished that his head were not quite so round, not quite so much like a smooth, dark ball bobbing up and down. It had — she could not help thinking it — a foolish and somehow unnerving look. The covering of hair appeared so very dry and dead and insentient. So much more like a stiff covering than a living, growing part of a human body.

And when he came over to speak to her, she was conscious of a slight shrinking. He was such a very peculiar creature. Such a surprise packet still, after all. And she was going to marry him. She was going to spend the rest of her life with that strange round head, those blue, glass-bright eyes. It seemed ridiculous. She wanted to laugh at the idea.

‘What a lovely frock,’ Matthew said to her.

She was wearing a new dress of heavy silk stuff with a small, intricate pattern running across. The rich, darkish material made her face, and her bare arms and shoulders, appear somewhat fragile and immature. The contrast between the sophisticated, opulent stuff and the straight, slight, virginal body had the effect of emphasizing a certain defencelessness, a vulnerability in the pale girl. She looked younger than her nineteen years: almost like a little girl dressed up in somebody else’s evening clothes. But Matthew watched her, smiling complacently. It seemed as if he did not think of her at all. He did not even seem to think about her in relation to himself. It was hard to believe that he realized her in any way. So that she almost ceased to realize herself. And yet he stared at her with his bright blue eyes; as if he would stare her out of existence altogether.

Anna scarcely heard what he was saying to her. She sat with her hands in her lap, feeling far away. What had she to do with this man, with this situation? She knew that all the people in the room were thinking about her, and looking at her: that she was the centre of interest for the moment. This made her feel rather important. But nothing more — nothing in the world. Matthew sat on, and inclined his shoulders towards her, and beamed upon her. Why? — what was it all about?

She wondered when it would be time to go to bed. Her head felt empty and light. Without a thought in her head, she sat and waited for the time to pass. At last the clock struck eleven, and Matthew went away, off to his hotel.

Lauretta came to Anna’s room for a last-night talk. Her slightly theatrical sense of the appropriate demanded an intimate little midnight conversation. She wanted to play the part of the wise, understanding, experienced woman of the world enlightening and encouraging the timid neophyte. She wanted Anna to be in a state of hesitant trepidation: then she would talk to her, so tactfully, so beautifully. The sentences formed themselves in her mind as she came along. She went into Anna’s room, and found the girl in one of her queer, hard moods.

‘Our last night together, dear,’ said Lauretta, with somewhat over-emphasized affection, smiling her charming smile.

The tone in which she spoke revealed vast implications of sentimental posturing, a whole liturgy of artificial emotionalism. Anna lifted her cool grey eyes, undeceived, half-derisive, towards her aunt, half clouded with heavy indifference.

‘Yes,’ she said, smiling coolly. ‘My last night at Blue Hills. What a relief for you.’

Lauretta started and frowned, shaken rudely out of her histrionic glow. But she clung to the skirts of her role.

‘Whatever makes you say that?’ she asked, falsely smooth. ‘Surely you can’t imagine that we want to get rid of you, you foolish child!’ She kept smiling; but her smoothness was costing her an effort.

‘Of course you want to get rid of me,’ said Anna bluntly.

Lauretta made a quick, irritable movement of her hands, clenching them. The rings flashed in the light, spinning swift webs of brilliance.

‘Don’t be absurd,’ she said, on an edge of sharpness, looking away.

Anna laughed rudely.

‘You know perfectly well you’ve forced me into this marriage,’ she retorted.

Lauretta was shocked and offended. In a way, she was even a little alarmed. She was always rather defeated by that insolent hardness that came out occasionally in the girl and was so uncomfortably reminiscent of James Forrester. It put her out of action for the moment.

‘How can you say such a thing?’ she exclaimed, clasping her hands in agitation.

‘But you know it’s true,’ said Anna, staring at her in a way that was highly disconcerting. There was neither anger nor resentment in her eyes, nor heat of any kind. Nothing but a cold, insulting perspicacity, like an affront.

Lauretta was deeply offended. But she dared not reveal her feelings, just then. She quailed too much before Anna’s disquieting inheritance from James Forrester. Nothing is so upsetting as a resurrection.

‘Of course you mustn’t marry Matthew against your will,’ said poor Lauretta. ‘It’s not too late even now.’ She glanced round at the packed luggage, all in readiness for the following day.

‘Oh yes, it is. Much too late. You’re quite safe now,’ said Anna, smiling coldly. She looked callously, even brutally, at her aunt. ‘You’ve got me nicely landed.’

Lauretta’s rings span distracted little rainbows in the air. She was really horrified by Anna’s remarks — not merely offended, but horrified. There seemed to be something so heartless and repulsive about the girl just now; unnatural. And it really was rather shocking the way she spoke, so coldly and tauntingly, with the insolent perspicacious look on her young face, inhumanly direct, as though some mitigating skin of illusion were missing. And Anna intended to be shocking and brutal and repulsive. The more repulsive the better. It was the dark, alien strain in her blood urging her to a curious perverseness. Lauretta couldn’t stand any more of it.

‘You’re tired and overwrought,’ she said, as soothingly as she could manage. ‘You’ll feel quite different in the morning after a good sleep.’ And she went away, her charming part of womanly adviser and confidante unacted.

Anna got into bed and lay staring at the wall. She was glad that she had behaved brutally to Lauretta. A little demon of perverseness made her smile even now. But the hard mood was not quite genuine, all the same. There was more indifference than hardness in her heart. She wanted to escape, to break loose from Matthew and from everyone, to run away and be by herself somewhere. She wanted to want these things. But she couldn’t. No, she really couldn’t want her freedom or anything else. Not actively. A horrid dead-weight of indifference crushed her down.

The next day was blustery, with great clouds lurching across the sky, and occasional vicious onslaughts of cold, grey rain. Next, the sun swinging out into a torn fragment of pale-washed blue, and the wet paths drying quickly in the high wind, puddles gleaming like grey, dropped mirrors. Then the clouds closing up again over the pallid blue, and the fierce, chilly rattle of the rain once more.

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