Karen Russell - Swamplandia!

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The Bigtree alligator wrestling dynasty is in decline — think Buddenbrooks set in the Florida Everglades — and Swamplandia! their island home and gator-wrestling theme park, is swiftly being encroached upon by a sophisticated competitor known as the World of Darkness.
Ava, a resourceful but terrified twelve year old, must manage seventy gators and the vast, inscrutable landscape of her own grief. Her mother, Swamplandia!’s legendary headliner, has just died; her sister is having an affair with a ghost called the Dredgeman; her brother has secretly defected to the World of Darkness in a last-ditch effort to keep their sinking family afloat; and her father, Chief Bigtree, is AWOL. To save her family, Ava must journey on her own to a perilous part of the swamp called the Underworld, a harrowing odyssey from which she emerges a true heroine.

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We were still calling this thing the Bigtree Wrestler Spectacular.

I started to miss the same tourists I’d always claimed to despise: the translucent seniors from Michigan. The ice-blond foreign couples yoked into thick black camera straps like teams of oxen. The fathers, sweating everywhere, with their trembling dew mustaches. The young mothers humping up and down the elevated walkway to the Swamp Café, holding their babies aloft like blaring radios.

Where had all the families gone? The families were gone. All at once, it felt like. Families had been our keystone species of tourists on Swamplandia! and now they were rarer than panthers. Red-eyed men with no kids in tow started showing up at the Saturday shows. Solitaries. Sometimes they debarked the ferry with perfumed breath, already drunk. Sometimes they motored over from the Flamingo Marina in Loomis County on their own junker boats, and always they seemed far more interested in the cheap beer and the woodsmoke black racks of the fried frog legs than our tramway tours or our alligator wrestling — somehow Swamplandia! seemed to have earned a truck-stop reputation as a good place to “get obliterated” on a weekend night. One guy I found urinating on the side of our gift shop — the actual wall, even though the public bathrooms with the vault toilets were just a five-minute walk down the trail! I hated them. When we had a crowd of these red-eyes, the Chief would not let me wrestle and performed the whole show himself. The Chief liked most every tourist with a wallet but he cooled on these guys. He blamed the World of Darkness for them, too.

“We’ll get the families back,” the Chief promised us one night after a particularly scary set of individuals had mobbed up to see our show. These guys drank so much beer that Gus and Kiwi had to help them back onto the ferry; I’d caught one of them throwing up into the bushes behind the musuem. Another one had cozied up to the ticket booth window and whispered strange jokes to my sister, leaning into his elbows like a grasshopper, so that from where I was standing it looked like he was trying to kiss her through the glass. The Chief had started screaming at these men on the ferry dock, but now that we were home he seemed angry with us: “What’s wrong with you girls? You need to calm down.” He patted Ossie stiffly. “Those clowns are gone. Those fools are just paying our rent until we get the families back. This is like bad weather, you understand? It’s gonna blow over.”

But I couldn’t sleep — because what horizon did we think the sun was dropping into? If the World of Darkness stayed open and Mom stayed in her grave, how, exactly, were we supposed to get the families back? We ate our dinners beneath a reticent crescent moon. The Chief picked at his molars with a yellow toothpick, Kiwi read, Ossie kept her head down and ate off everybody’s plates. She ate with her fingers, peeling colorless grains of rice off Mom’s blue tablecloth. But I couldn’t stop imagining our fate up there, the black balloon. A thin globe of air clearly visible behind the toothy palms. I could see that balloon and the moon shining through it but I couldn’t begin to imagine what was going to happen to us.

CHAPTER TWO. The Advent of the World of Darkness

Incredibly, Mom stayed dead but the sky changed. Rains fell. Alligators dug and tenanted new lakes. It became (how?) early April. We were doing four or five shows a week, at most, for pitiful numbers of people. Some audiences were in the single digits. I read my comics and memorized the speech bubbles of heroes. I dusted our Seth clock, a gruesome and fantastic timepiece the Chief had made: just an ordinary dishlike kitchen clock set inside a real alligator’s pale stomach. The clock hung from a hook next to the blackboard menu in our Swamp Café. TIME TO EAT! somebody — probably Grandpa — had scratched into the boards above it. Water overflowed the sloughs and combed the black mudflats. Mangroves hugged soil and vegetation into pond-lily islands; gales tore the infant matter apart along the Gulf. Our swamp got blown to green bits and reassembled, daily, hourly. The wet season was a series of land-versus-water skirmishes: marl turned to chowder and shunted the baby-green cocoplums into the sea; tides maniacally revised the coastlines. Whole islands caught fire from lightning strikes, and you could sometimes watch deer and marsh rabbits leaping into the sea of saw grass on gasps of smoke.

Some days Gus Waddell — our fat angel at the ferry’s helm — was our only visitor. Of course, we couldn’t tally Gus as a Swamplandia! tourist because he didn’t pay money to see us. Gus Waddell was the ferryboat captain, as per his monogrammed life vest and his little captain’s hat and his squishy-foam I’M THE CAPTAIN drink cozy. Uncle Gus brought us mainland provisions: bagged butcher-shop meats and various zoo supplies and gallons of whole milk, big sandbags of rice. Several boxes of our favorite mainland cereal, Peanut Butter Boos. For the Chief, a rubber-banded roll of emerald Win This Lotto! tickets and the “Ziggurat”-size carton of Sir Puffsters cigarettes.

Back when Mom was healthy, we’d see the flash of orange paint behind the mangroves that meant the ferry had arrived and go scrambling for our staff positions, like mainland kids who hear a school bell. And then all day my siblings and I would barely see each other — we’d be too busy busing tables in the Swamp Café or selling tickets or giving a tram tour. Sometimes the first minute that we spent together didn’t come until 3:30 p.m., when we met onstage for the Bigtree Wrestler Spectacular. But now Kiwi and Ossie and I were always lumping up in the Gator Pit, trying to figure out: what are we supposed to do? When Gus showed up with supplies and no people he gave us an uneasy gift: time. Free time. Many blank, untouristed hours of it. That’s how my sister’s metamorphosis started to happen, I think — inside that white cocoon.

We started spending the no-tourist days on the Library Boat — even Ossie, who had never been what you would call a bookworm. We boarded an airboat and motored over to the long bottleneck cove of a nameless pine island about a quarter mile west of Swamplandia! A coppery green twenty-foot schooner was at permanent anchor there, listing in the rocks. This was the Library Boat. Like Gus’s ferry, the Library Boat was another link to the mainland, although this boat never moved. It held a cargo of books. In the thirties and forties, Harrel M. Crow, a fisherman and bibliophile, had piloted the schooner around our part of the swamp delivering books to the scattered islanders. Then Harrel M. Crow died and I guess that was it for the door-to-door service. But his Library Boat, miraculously, had survived on the rocky island, unscavenged and undestroyed by hurricanes. It was an open secret, utilized by all our neighbors. You could row over to the site of the wreck, descend into H. M. Crow’s hold, return with an armload of semidamp reading material. People contributed newer books, too — the bottom shelves had filled with trashy romance novels, mysteries, somebody’s underlined Bible, a mostly filled-in book of jumble puzzles, the plays of Shakespeare. So the collection was always evolving.

I can’t remember when I first saw The Spiritist’s Telegraph lying around the house, but once I’d noticed the book it seemed to be everywhere — in our kitchen, facedown in the café. Ossie was never without it. I was surprised she’d found it out there. The Spiritist’s Telegraph looked old, ancient, centuries older than Harrel M. Crow. It was a spell book, Gideon-thick. We didn’t think it was from our country, even though the writing was English. Inside the print was so tiny — in places it was almost impossible to read — and Ossie said this was because each chapter had been written as a whisper to the reader.

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