Stuart Dybek - Ecstatic Cahoots - Fifty Short Stories

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Ecstatic Cahoots: Fifty Short Stories: краткое содержание, описание и аннотация

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In this remarkable collection of bite-size stories, Stuart Dybek, one of our most prodigious writers, explores the human appetite for rapture and for trust. With fervent intensity and sly wit, he gives each tale his signature mix of characters — some almost ghostly, others vividly real — who live in worlds tinged with surreal potential. There are crazed nuns hijacking streetcars, eerie adventures across frozen ponds, and a boy who is visited by a miniature bride and groom every night in his uncle’s doomsday compound. Whether they are about a simple transaction, a brave inquiry, a difficult negotiation, or shared bliss, the stories in
target the friction between our need for ecstatic self-transcendence and our passionate longing for trust between lovers, friends, family, and even strangers.
Call it micro-fiction or mini-fiction, flash fiction or short shorts. Whatever the label, the marvelous encounters here are marked by puzzlement, anguish, and conspiratorial high spirits. In this thrilling collection, Stuart Dybek has once again re-envisioned the possibilities of fiction, creating myriad human situations that fold endlessly upon each other, his crackling prose drawing out the strange, the intimate, and the mysterious elements in each.

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Transaction

“I wouldn’t mind selling my body if somebody’d offer to buy.”

“You’re kidding,” George said.

“Actually, George, it’s not an especially original female fantasy. But besides the fantasy turn-on, there’s something attractively up-front about it. A simple transaction seems honest compared to the bullshit I’ve seen that passes for a quote ‘relationship’ between men and women.”

George raised his coffee cup and sipped. The pause was a part of a conversation in which he was at a momentary loss for words. From across the green Formica table of their vinyl booth, he eyed Britt skeptically. “How much would you charge?”

“How much do you have?”

“What do you mean?”

“What do you mean, ‘what do you mean’? It wasn’t a rhetorical question, George. How much do you have on you?”

George shrugged, then made a show of checking. He put his ballpoint pen, cell phone, and key ring on the table in order to do a thorough job of searching his pockets. “Thirty-two dollars and thirteen cents, and I have to pay for lunch.”

“You can put lunch on plastic. Me, it’s cash only.”

“You wouldn’t take a personal check from someone you know?”

“George, you’re married. To a lawyer. You’re my supervisor, we shouldn’t even be having lunch, and you’re talking about leaving a paper trail. Cold hard cash.”

“So, what would thirty-two thirteen buy?”

“I’m open to negotiation. The ball’s in your court, George.”

He seemed at a loss for words again, outflanked, clearly surprised, though still capable of sneaking an appraising look at Britt as if she’d been suddenly transformed from a receptionist in a gray pantsuit to a courtesan dressed for evening. She winked and brushed his ankle under the table with the toe of her shoe.

“You’ve got to get into the spirit of this to take it further, George,” she said, dropping her voice. “My just telling you in plain English what’s possible will cost something. Per word. Sorry if that sounds mercenary, but that’s the culture we live in. The more explicit I am — per word — the more expensive just listening will be, and the less you’ll have to spend on the very things being discussed. If you can’t think of something to ask for, tell me a fantasy. I already told you one of mine.”

“I never called one of those phone-sex numbers or anything like that,” George said. “Some people are naturally verbal. I don’t think I could say anything straight out. How did we even get on this subject?”

“As I recall, I asked why you always spend lunch with a spy novel, and you explained that spy novels aren’t so much about plot twists as they are about alienation, and from there you started talking about the deception and loneliness of the average daily life.”

“Exactly right,” George said.

“And somehow you jumped from that into how you didn’t understand how loneliness could send a man to a prostitute, as afterward he’d only be lonelier. Frankly, George, that sounds to me like you’ve been entertaining the thought of a little covert action. Here. If you can’t say your secret desires aloud, then write.” She stripped a napkin from the dispenser on the table and pushed it over to him.

He smiled and shook his head as if surrendering to her comical ingenuity. Instead of writing, he clicked his ballpoint pen and drew a stick figure: round head, two arms and legs, then added a stick erection.

“Is that drawn to scale?” Britt asked.

He started again: a new stick figure, this one minus the erection but wearing a top hat.

“Why not give him a cane, too? What do we have here — you and your shadow strolling down the avenue? Which of those is you, George, and which one is George’s evil twin?”

“Maybe this is the covert Fred Astaire — me,” George said.

“I don’t do twins,” she said. “Too kinky. No threesomes. You could have thirty-two thousand dollars and thirteen cents and it wouldn’t be enough for a group rate, George.”

“I wasn’t suggesting anything of the kind,” George said, then added quietly, “I’d want you to myself.” He crossed out the two stick men on the napkin and drew another. To indicate gender, instead of an erection or a hat, he added antlers.

“No animals, either,” Britt said. “Or is that a shaman? No shamans. For God’s sake, no wonder you were afraid to say these things aloud. Orgies, gangbangs, bestiality, human sacrifice. We’re talking about a crummy thirty-two dollars and thirteen stinking cents here, George. Unlike love, the art of negotiation takes place at the intersection of realistic expectations.”

“According to whom?”

“I think Gandhi said that, George.”

He turned the napkin over and drew a stick figure with a circle head, on which he sketched hair meant to mimic Britt’s moussed spiky hairstyle. He added Orphan Annie eyes, a big happy smile, and two tiny circles punctuated with periods for breasts. The figure, wearing high heels à la Minnie Mouse, stood with legs akimbo. At the V of her stick legs he scribbled in pubic hair.

“George, the sixties bush is out.”

He ignored her comment and drew an unadorned stick man kneeling before the female figure, with his oval head seemingly pressed to her scraggly crotch. “It was the word ‘intersection.’ I’m very impressionable,” he explained apologetically.

Britt blushed, then tried to grab the napkin. “It’s for my Great Moments scrapbook,” she said.

George managed to crush it up first. He stuffed it in his shirt pocket. “No paper trail,” he told her.

The waitress came by. “Everything okay? Dessert?” she asked.

“Just the bill, please,” George said, glancing at his watch.

The waitress set the bill on the table and George placed his credit card on top of it without bothering to check the amount.

“You pay at the cashier,” the waitress said, “but I’ll take it up for you if you want.”

“No, that’s okay,” George said.

“It’s no problem,” the waitress said.

“I’ll follow protocol,” George said. “I’ll put the tip on the credit card.”

“More coffee?” the waitress asked.

“We’re good, thank you,” George said.

After the waitress walked off, George put his key ring, cell phone, and ballpoint pen back in his pockets and slid the coffee cups and water glasses to the side with the salt and pepper shakers so that the stretch of table between him and Britt was clear.

“I’m sure she’d rather have the tip in cash, then you don’t have to report it,” he said. He wiped the trail that the water glasses left on the Formica with a napkin, then folded the wet napkin and placed it on top of the napkin dispenser. She silently watched him tidying up.

“You don’t have to tell me — I know I’m anal,” George said.

“Not for thirty-two thirteen you’re not.”

He stacked the money, the coins on top of the bills — it looked like a sizable tip — then slid it across the table. Britt didn’t reach for it. She remained seated, looking at the money piled before her.

“The ball’s in your court now,” George said.

“You want to see me take it, don’t you? That’s a turn-on. What if I don’t touch it? Just leave it between us? Would you pick it back up?”

George said nothing.

“Don’t worry, I won’t put you in that position.”

She lifted her purse from the seat, a pink-striped blue straw bag stuffed with her gym shoes, opened it at the edge of the table, and, as one might brush off crumbs, scooped the bills and change from the Formica into her purse.

“Did you like that?”

“It should be more,” George said.

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