Thomas Pletzinger
Funeral for a Dog
(On love as a relationship between the sexes there is nothing new to report, literature has depicted it in all its variations, once and for all, it is no longer a subject for literature that is worthy of the name — such pronouncements are being made; they fail to recognize that the relation between the sexes changes, that other love stories will take place.)
— Max Frisch–
hardly art, hardly garbage
— The Thermals–
(I)
My dear Elisabeth,
You want to know where I’ve been? I’m sending you seven postcards and a stack of paper, 322 pages. This stack is about me. And about memory and the future. I’ve been reading and sorting all afternoon. You were right, Elisabeth: Svensson is a strange man, and: yes, there is a story here. Svensson’s children’s book is only the last chapter. He’s been carrying a whole suitcase of stories around with him, a suitcase full of…
[Image: Hamburg Volkspark Stadium , aerial view, 1999]
(II)
…tales told and secrets kept, full of stones and flowers. I’ve saved what I could. This stack of paper is my days with Svensson, my notes and interviews, Svensson’s desert and his rain forest, beer cans and streamers, dogs, rats, pigeons, gulls, horses, ravens, swans, snakes, butterflies, fish, the downtrodden animals of creation (black), Svensson’s dead, his Seraverde and his Williamsburg. Sometimes I feel like I’m Svensson, I’ve…
[Image : Monte Brè at Evening , poster by Daniele Buzzi, 1950]
(III)
…mixed up our stories. I asked the waiter with the sweaty mustache. Prego , he said, it’s Wednesday. My reply: Mille grazie e un altro bicchiere di vino per favore . So I’ve fallen out of time, but now I’m back in Lugano, today is Wednesday. Black plastic ducks are floating in the pool at the Lido Seegarten, a rat…
[Image: Vaccatione en Svizzera , illustrator unknown, 1925]
(IV)
…is waiting at the poolside, on the floating dock in the lake a heron is standing on green Astroturf. Time is a lake and memory a sad dog. Herons can fly extremely slowly when they want to. I’ve learned to observe such things again. You were right, Elisabeth: this Svensson is a strange man, but he’s no stranger than the rest of us. Our stories don’t fit on a newspaper page. I’m tired of newspaper pages, Elisabeth. Life is a spiral, not a line.
[Image: Ticino Village Scene , poster by Daniele Buzzi, 1943]
(V)
I’m eating peanuts and have been feeding them to the rat. You were right, Elisabeth: the hotel is beautiful, but it’s decaying, as all beautiful things decay (roses, geraniums, plastic deck chairs). On the lakeside an old married couple is eating fish under strings of lights while Chopin plays from a tape, next to me is a freezer (the cords yanked out). The sun is setting.
[Image: Caffè del Porto, b/w, “Invierno 1939/40”]
(VI)
I’m sending you our story, Elisabeth. The rest is history and blind obedience ( obbedienza cieca ), and it’s rotting away with a three-legged German shepherd (Lua) at what is probably the deepest point in Lake Lugano (288 meters). No light penetrates down there, Svensson said, down there the fish are white and insanely beautiful.
[Image: Monte Brè at Morning, poster by Daniele Buzzi, 1950]
(VII)
Dear Elisabeth, I’ve learned: we don’t have to make such a big deal out of everything. I’m staying a few more days. You were right: there is a good Barbaresco in this region (Taleggio & Quartirolo). No cigarettes. I kissed a small, pretty woman and meant you. I’m tired. I’m taking the train back. I’ve thought about it.
Minä tulen sinne, rakkain terveisin ,
Mandelkern
Daniel
[Image: Porlezza , 2001]
(And who exactly is Daniel Mandelkern?)
Elisabeth demanded a decision, and I left our apartment without making one. It can’t go on like this. My flight to Milan doesn’t leave Hamburg for an hour. I’m sitting alone and completely exhausted in the waiting area at Gate 8 (on the other side of the airfield, the pines on the edge of Niendorf). At Gate 7 two Italian businesswomen are joking around. I get up, I have to move so I don’t fall asleep. Somewhat farther down the corridor a newsstand: I buy a newspaper ( Süddeutsche Zeitung ), I buy a postcard (image: Hamburg Volkspark Stadium , aerial view, 1999), I see Semikolon brand notebooks. The only other place that carries them is a stationery store next to the Academy of Fine Arts on Lerchenfeld, which is always an all-day trip, so I buy three of them. I buy cigarettes. I’m starting to smoke again now, because smoking reduces fertility, smokers’ sperm don’t hold out as long (eventually their sperm give up). Cigarettes have gotten more expensive since my last pack. I buy coffee at a vending machine and go back to the gate, I tear the cellophane off the notebook and make a note of my fatigue and my headache. Then I make a note of the headlines in the Süddeutsche Zeitung of August 6–7, 2005:
Caesarean Risk
Craze for the Mobile Lifestyle
Air in Sunken Mini-Submarine Running Out
I’m writing because I always write when things get complicated. I’m alone, I could smoke. I could throw the notebooks into the garbage cans next to me (one red, one green, one blue, color-coded for trash separation). I should get up and go back, back to my wife.
Samsonite
How I got here: Elisabeth and I didn’t raise our voices, I left our apartment in the middle of the night and without closure (we fight in our indoor voices). Took the Svensson file from the kitchen table and carried my half-packed suitcase through the hallway, but then slammed the apartment door behind me much too hard and almost ran down the street in the light drizzle. Away from Elisabeth, the sound of the ridiculous rolling suitcase on the slabs of the sidewalk behind me is louder than expected (for your reporting trips, Elisabeth had said, putting the suitcase in my office). I turned off my phone so I could ignore her calls (she’ll want to have the last word, as always). Gave the taxi driver who took me from the Hoheluft Bridge to the airport an absurdly high tip (ransom). At the only staffed counter in the otherwise empty terminal, I opened my suitcase and buried my phone between suit and shirts (between recording device and shaver). I stuck my toothbrush in my shirt pocket. The ground personnel seemed to have been waiting for me. Milan? Yes. Identification? Herr Mandelkern? Yes. As I began to explain myself and my more-than-punctual arrival, the Lufthansa agent gave a routine laugh: as far as she was concerned, I could fold my whole life into my luggage as long as it stayed below the allowable weight limit (the scale showed 12.7 kilos). There was still a seat available on the earlier, direct flight, did I want it? Okay. At dawn I was the only passenger at the security checkpoint, I put the two folders full of research on Svensson next to my belt in the gray plastic tub. No, I said, I had nothing else with me (I had surrendered everything at check-in). The ring on my finger didn’t set off any alarm. Now I’m sitting here at six-thirty in the Hamburg Airport in the nearly empty waiting area at Gate 8, much too early, because I left our apartment in the middle of the night and without a word. I simply left.
Dirk Svensson?
I asked last Wednesday at the weekly editorial meeting, which Elisabeth leads, because the travel assignment was listed as “Dirk Svensson” on her updated monthly schedule and followed by my name. The passing thought of getting up immediately and leaving, of refusing the assignment outright.
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