Adam Foulds - In the Wolf's Mouth

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A new novel by the author Julian Barnes called “one of the best British writers to emerge in the last decade”. Set in North Africa and Sicily at the end of World War II,
follows the Allies’ botched “liberation” attempts as they chased the Nazis north toward the Italian mainland. Focusing on the experiences of two young soldiers — Will Walker, an English field security officer, ambitious to master and shape events; and Ray Marfione, a wide-eyed Italian American infantryman — the novel contains some of the best battle writing of the past fifty years. Eloquent on the brutish, blundering inaccuracy of war, the immediacy of Adam Foulds’s prose is uncanny and unforgettable.
The book also explores the continuity of organized crime in Sicily through the eyes of two men — Angilù, a young shepherd; and Cirò Albanese, a local Mafioso. These men appear in the prologue and in the book’s terrifying final chapters, making it evident that the Mafia were there before and are there still, the slaughter of war only a temporary distraction.
In the Wolf’s Mouth

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Hundreds of men were having their orders shouted at them. They were moving out. As the fighting men were marched or driven away, the Allied Military Government units gathered together. Someone slapped Ray on the back. It was Tony Geminiano, a boy from Queens who everyone called ‘Gem’ and who hadn’t been in battle before. He was joining the war here, now, at this point. He looked strangely exultant. Holding his gun in both hands, he inhaled sharply into his nose. ‘Ooh, mamma,’ he said. ‘We’re here. The boys are here.’ Ray slowly understood what he was saying and nodded.

The first problem the AMGOT teams faced was a lack of transportation. The fighting units had taken every vehicle and so they spent all morning on the beach watching the traffic moving out and the small waves shifting back and forth at the edge of the sand with a thin shine. The sun grew taller. The men’s voices quietened in the heat.

After some time, Ray’s legs relaxed and he sat down. They were told to eat and they all did, washing down bread, cheese and chocolate with tepid water from their cans. Political men, US brass and Sicilian advisers, kept apart, each one standing with the bearing of a general, occasionally looking presumptuously round at the troops. It reminded Ray of the way his brother and his friends sometimes stood about, surveying everything, assuming command, keeping their secrets. When they smiled it was for each other or themselves and it meant we’re better than you little people . They thought they were big men. But these were the big men, Ray realised. These were the boys grown up and they were in charge.

Eventually there were trucks and Ray was inside one looking out of the open back, staring at that bright changing screen. He thought of the men far away now in the fighting, each of them locked in the limited square of their perception. That was what it was like in battle: things happened very far away or lethally close. The only place you could move was a small cell, your hands, your weapons, the space of a few steps, people either side of you. In that cell you lived and died.

White dust closed the view. It blew away to reveal a phalanx of marching men white with that dust sinking backwards into the distance. The truck swerved and more men could be seen, smaller, further away, moving across country. One of them jumped in a red cloud. As the sound of the explosion reached the truck, two other men could be seen lying on the ground and around them men cringed, stopping still. They all froze in a moment’s image that vanished as the truck turned again and they were out of sight. Ray felt himself covered in sweat. He panted. He tried not to but he couldn’t stop himself, he had to, he flung himself forward and vomited out of the back of the truck, his loose fluids whipping back and disappearing onto the speeding ground. When he was done he got up again. He was handed a canteen of water.

6

Will lingered over a sentence in the Invasion Handbook .

The women are sometimes charming, petulant, witty and gay, with more than a soupçon of orientalism, very feminine, rather helpless and appealing .

He saw dark eyes, smiling lips, a long neck, a cloud of crinolines. She was smiling as she gave way beneath him. In his imagination, he wasn’t in contact with her exactly. It was not so much physical as a dreamy enacting of the word ‘yielding’. She yielded before him, sinking backwards, smiling.

Will found this pleasant to consider. Nothing else to do with Sicily was particularly attractive. The Invasion Handbook warned of ‘the pushing business man, the more pushing middle-class loafer, all gloves and cane and collar and tie, a vulgarian if ever there was one. He is from every point of view appalling, and there are many of him.’ These did sound repellent but it struck Will that the same attitude might appraise him as a pushing, middle-class man and Will felt a stab of dislike for the anonymous author and his officer-class hauteur. The handbook went on to taxonomise the aristocracy and warned of city crime and rural vendettas.

The language had been easy enough to acquire. In the classes given to the AMGOT servicemen, Will found Italian to be Latin pronounced with the exaggerated swooping accent of an ice-cream seller.

Will had shared those classes with some Americans. They were all to work together to build peace on the island after the invasion. Will found the Americans slovenly and overconfident and horribly well fed. Also on some level he didn’t quite believe in them. Their accents sounded put on, as though they were pretending to be ‘Yanks’, imitating the people in the Hollywood pictures. He had the thought that on their own, speaking honestly, they would sound quite different. This seemed to be particularly true of the Italian-Americans among them. They were immigrants and their American-ness came and went. All Americans were immigrants, more or less. They were all pretending to be American.

Will lay back on his bunk with the Invasion Handbook on his chest, one finger keeping his place. The sea sank beneath the ship, tilting his feet up and his head down. Over the water the invasion was happening, the Americans unleashing their unbelievable masses of firepower. The ship floated upwards and dipped. Beneath him a Sicilian coquette smiled and yielded, again and again.

7

Cirò was not home. He didn’t know this place. He’d never seen this part of the island before, with sulphur mines, sore and yellow openings in the ground. There were foreign soldiers in large numbers. In New York he’d occasionally had nightmares in which he returned to Sicily. In them, he felt the motion of the boat urging forwards, the sun on the water, the breeze. Then he went through the door of his home, his heart beating in his chest like the wings of a dove. He ran to find Teresa. Her round back was turned to him. He spun her around. She looked at him with fear and without recognition. She was old. Sometimes she had the clouded eyes of a blind woman, sometimes a witch’s penetrating stare of judgement.

Along the coast he could hear the dull, crumpling sound of German shells. Cirò and his people were heading away from them, through areas the war had cleared days before. They passed a Fascist truck lying on its side, its tyres exploded. There were bodies not yet cleared away, blackening and bloating, some also exploded.

They drove that day though a world that outstripped his imagination and his urge for revenge. He forgot how much he wanted it, seeing those sights. He even pitied the bodies. It was the Fascists’ fault. These poor boys had been duped by the Fascists, tricked into death for nothing. The sun swung from side to side overhead as the road snaked. They passed bodies, smashed rocks, burned equipment. They drove up into mountains.

That night they requisitioned a house at the edge of the village, a large brick house that seemed to be stumbling up the slope. They made a fire in the hearth and cooked their rations, soldiers running around doing women’s work. Aircraft flew overhead on sorties, dragging sheets of sound.

Cirò elected to sleep downstairs on the shelf of the hearth, keen to show the military boys that he was as tough as they were — tougher, in fact, a native. He set his pistol down beside his head. Still the planes went over. It was like the air was a flat surface and they were grinding it, like the slow scrape of a millstone. He lay for a long time staring up at the ghostly shape of the ceiling, thinking about things. He thought about Cathy pale as milk in her bed, lonely again without him, the little bird in the glass-cage office. He thought about Teresa and what she might look like, and what he might do with the peasant Silvio. Muffled voices could be heard upstairs. Why would anyone still be up and talking? He listened, pushing himself up off the couch so both ears were unobstructed. The voices weren’t coming from above. And they were speaking Italian. As quietly as he could, he pulled out his gun, lowered his feet onto the floor and stood up. He went upstairs and knocked on Major Kelly’s door. The major’s expression didn’t change while Cirò explained that there were people hiding in the cellar. ‘Okay,’ he said. ‘Let’s go winkle them out.’ He gathered his spectacles from the bedside table and put them on, winding the steel arms behind his ears.

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