Mo Yan - Shifu, You'll Do Anything for a Laugh

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In these stories, we see the breathtaking range of Mo Yan's vision-which critics have compared to those of Tolstoy and Kafka. The stories range from the tragic to the comic, though Mo Yan's humor is always tinged with a shade of black. They embody, too, the author's deep and abiding love of his fellow man, equaled only by his intense disdain of bureaucracy and repression-despite which his fiction is never didactic. Satire, fantasy, the supernatural, mystery: all are present in this remarkable and intensely enjoyable volume.
— The release of award-winning director Zhang Yimou's major film adaptation of the title story (Happy Times) in summer 2002 heightened the visibility of both the author and this collection.
— This paperback is being published simultaneously with the author's mangum opus, Big Breasts and Wide Hips-a return to the sweep and ambition of his bestelling Red Sorghum-which will receive major critical acclaim and further raise Mo Yan's profile in the States.
— One of the stories in the volume serves as a companion piece to the author's hugely popular Red Sorghum.

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The men replied as if with one voice:

“We're not lying, Political Instructor. We were smashing some iron woks when a pair of iron kids, covered with rust, came rushing out of the shadows, snatched one of the woks, and ran off with it. They simply vanished.”

“Where did they run off to?” the gimpy man asked.

“The scrap iron heap,” the men answered.

“You fucking rumor-mongers!” the gimpy man said. “How could there be kids in this desolate spot?”

“That's why we were scared.”

The gimpy man drew his pistol and fired three shots into the scrap iron heap — clang clang clang . Golden sparks flew from the scrap iron.

Iron Child said:

“Woody, let's take his gun away from him and eat it, what do you say?”

I said:

“What if we can't get it away from him?” Iron Child said:

“Wait here. I'll go get it.”

Iron Child climbed lightly down off the scrap heap and crawled on his belly through the weeds. The people out in the light couldn't see him, but I could. When I saw him crawl up behind the gimpy man, I picked up a piece of iron plate and banged it against the wok.

“Hear that?” the men shouted. “The iron demons are over there!”

Just as the gimpy man raised his pistol to fire, Iron Child jumped up and snatched it out of his hand.

The men shouted:

“An iron demon!”

The gimpy man fell down on his backside.

“Help!” he screamed. “Catch that spy—”

Pistol in hand, Iron Child crawled up next to me.

“Well?” he said.

I told him how great he was, which made him very happy. He bit off the barrel and handed it to me.

“Eat,” he said.

I took a bite. It tasted like gunpowder. I spit it out and complained:

“It tastes terrible. It's no good.”

He bit off a chunk above the handle to taste it.

“You're right,” he said, “it's no good. I'm going to toss it back to him.”

He flung the pistol down at the feet of the gimpy man.

I flung the partially eaten barrel at the same spot.

The gimpy man picked up the two pieces of his pistol, gaped at them, and started to howl. He tossed the things away and hobbled off as fast he could go. From where we sat on the scrap heap we laughed our heads off over the funny way he ran.

Late that night a narrow beam of light pierced the darkness off to the southwest, accompanied by a loud chugging noise. Another train was coming.

We watched as it steamed up to the end of the tracks, where it plowed into another train already there. The cars of the train accordioned into one another, noisily dumping the iron they were hauling to the side of the tracks.

There would be no more trains after that. I asked if there were any parts of the train that were tasty. He said the wheels were the best. So we started eating one of them, but stopped when we were halfway through it.

We also went down to the smelting ovens to find some newly smelted iron, but none of it tasted as good as the rusty iron we were used to.

We slept on the scrap iron heap during the day, then made life difficult for the smelters at night, sending them scurrying off in fear.

One night, we went out to frighten the men who were smashing woks. Spotting a rusty red wok in the flames of one of the ovens, we ran over. But we no sooner got our hands on it than we heard a loud whoosh as a rope net dropped over us.

We attacked the net with our teeth, but no matter how hard we tried, we couldn't bite through the rope.

“We caught them,” they cried out ecstatically, “we caught them!”

Soon afterward, they scraped our rusty bodies with sandpaper. It hurt, it hurt like hell!

The Cure

THAT AFTERNOON, THE ARMED WORK DETACHMENT POSTED A notice on the whitewashed wall of Ma Kuisan's home, which faced the street; it announced the following morning's executions at the usual place: the southern bridgehead of the Jiao River. All able-bodied villagers were to turn out for educational purposes. There were so many executions that year that people had lost interest in them, and the only way to draw a crowd was to make attendance mandatory.

The room was still pitch-black when Father got up to light the bean-oil lamp. After putting on his lined jacket, he woke me up and tried to get me out of bed, but it was so cold all I wanted to do was stay under the warm covers — which Father finally pulled back. “Get up,” he said. “The armed work detachment likes to get their business over with early. If we're late, we'll miss our chance.”

I followed Father out the gate. The eastern sky was growing light. The streets were icy cold and deserted; winds from the northwest had swept the dust clean during the night; and the gray roadway was clearly visible. My fingers and toes were so cold it felt as if they were being chewed by a cat. As we passed the Ma family compound, where the armed work detachment was quartered, we noticed a light in the window and heard the sound of a bellows. Father said softly, “Step it up. The work detachment is getting breakfast.”

Father dragged me up to the top of the riverbank; from there, we could see the dark outline of the stone bridge and patches of ice in the hollows of the riverbed. I asked, “Where are we going to hide, Father?”

“Under the bridge.”

It was deserted under the bridge and pitch-black, not to mention freezing cold. My scalp tingled, so I asked Father, “How come my scalp is tingling?”

“Mine, too,” he said. “They've shot so many people here that the ghosts of the wronged are everywhere.”

I detected the movement of furry creatures in the darkness under the bridge. “There they are!” I shouted.

“Those aren't wronged ghosts,” Father said. “They're dogs that feed on the dead.”

I shrank back until I bumped into the bone-chilling cold of a bridge piling. All I could think about was Grandma, whose eyes were so clouded over with cataracts she was all but blind. The sky would be completely light once the cold glare from the three western stars slanted into the space under the bridge. Father lit his pipe; the fragrant smell of tobacco quickly enveloped us. My lips were turning numb. “Father, can I go out and run around? I'm freezing.”

Father's reply was, “Grate your teeth. The armed work detachment shoots their prisoners when the morning sun is still red.”

“Who are they shooting this morning, Father?”

“I don't know,” Father said. “But we'll find out soon enough. I hope they shoot some young ones.”

“Why?”

“Young people have young bodies. Better results.”

There was more I wanted to ask, but Father was already losing his patience. “No more questions. Everything we say down here can be heard up there.”

While we were talking, the sky turned fish-belly white. The village dogs had formed a pack and were barking loudly, but they couldn't drown out the wailing sounds of women. Father emerged from our hiding spot and stood for a moment in the riverbed, cocking his ear in the direction of the village. Now I was really getting nervous. The scavenger dogs prowling the space under the bridge were glaring at me as if they wanted to tear me limb from limb. I don't know what kept me from getting out of there as fast as I could. Father returned at a crouch. I saw his lips quiver in the dim light of dawn but couldn't tell if he was cold or scared. “Did you hear anything?” I asked.

“Keep quiet,” Father whispered. “They'll be here soon. I could hear them tying up the condemned.”

I moved up close to Father and sat down on a clump of weeds. By listening carefully, I could hear a gong in the village, mixed in with a man's raspy voice: “Villagers — go to the southern bridgehead to watch the execution — shoot the tyrannical landlord Ma Kuisan — his wife — puppet village head Luan Fengshan — orders of armed work detachment Chief Zhang — those who don't go will be punished as collaborators.”

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