Jay Fox - THE WALLS

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THE WALLS: краткое содержание, описание и аннотация

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Not since the debut of Hunter S. Thompson or Thomas Pynchon has there been a book to emerge that speaks so clearly to a generation. Jay Fox’s debut novel, THE WALLS, is arguably the first iconic book from the Millennials.
Set in Brooklyn during the opening decade of the 21st century, Fox has captured the heartbeat, the zeitgeist, the essence of the echo boomers as they confront an uncertain future built upon a rapidly receding past.
The search, the hunt, the motivation to discover the truth presses Fox’s eclectic cast as they deal with their own lives, one day at a time. Certain to resonate now and in the rearview mirror of history, THE WALLS is a book, a story, a time capsule that snapshots and chronicles the quest to find a famous, elusive New York City graffiti artist whose greatest works can only be found in restrooms of underbelly dive bars in contemporary Brooklyn.

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I don't remember if Alex and his cohort made our suite their base of operations before or after Dennis and I took to spending most of our free time down the hall. Not to say we were spiteful about the room dynamic. After all, Ilkay's suite was a welcoming environment. He had been friends with two out of his three roommates for the better part of a decade, so there seldom arose an issue about rights to the main room. The one roommate whom they had not known prior to the year, Min, was never around anyway. He was involved in the Asian fraternity, which essentially meant he was not to associate with anyone with ancestors from another continent. Ilkay fell in with us, as his parents had been born on the wrong side of the Bosporus. And then there was the whole homophobia thing for which Koreans are so infamous.

Besides me and Dennis, as well as Ilkay's suite-mates, there were also four girls from the hall who regularly came by his suite. Other people stopped in intermittently, too, but the suite was typically home to the nine of us, plus respective boyfriends and girlfriends. People from the other dorms rarely came to see us. We rarely went to see them. It was not for want of compromise; compromise entailed places like the Village or Williamsburg or Smith Street. Unfortunately, such locations came to be visited with less frequency as the first semester approached its end. While we certainly wanted to leave, the problem was one of simple economics. On top of the fact that any venture that extended beyond the confines of Gramercy would inevitably demand at least one cab, it was also the case that Ilkay's parents owned a few liquor stores in the Boston area, and, as one can imagine, there was never a want of free, top-shelf booze available to us. As a consequence more of the latter than the former, many nights were spent doing little more than watching the television with open mouths and closed eyes.

One can presume that there was a lot of fucking going on between the four straight men and the four straight women — well, three, I guess, as one of them was, probably still is, somewhat bisexual (though there were accusations that she would prove to be a L.U.G. (Lesbian Until Graduation), though not strictly, as she made no secret of the few men who meandered into, and quickly out of, her sex-life). Sexual mischief aside, no two people ever managed to seriously pair off. Perhaps as a sign of some kind of shared, sophomoric wisdom, it was understood that, while the fruit was pleasing to the eye and desirable for the pleasure it could provide, this knowledge was best left to those to whom the hall was not home.

It was more a love for the company of others as opposed to an era of perpetual debauchery. While we did spend the majority of this time heavily inebriated, our nights rarely materialized into those seriously interesting anecdotes that get retold over and over again until the very lexicon of the group comes to be a string of inside jokes and obscure references. It was simply a year of my life that I come back to every now and again when I need to be reminded of the fact that I have been unbelievably lucky to know so many wonderful people. And while there certainly are numerous stories that could be told, there is no need to make the reader feel like the awkward date at a high school reunion, one who is forced to listen to tales that eventually ferment into an array of nostalgic half-truths.

Still, it is important to note that it was with these memories in mind that I set out for Ilkay's going-away party. He wasn't really going away — at least not permanently; he was simply going on vacation to Europe, and he thought it imperative he have one last night in New York beforehand, as he seemed to understand that he would come back to what would be, for all intents and purposes, a new city filled with friends in the midst of drifting apart due to work or relationships, people who would end up dispersed throughout Manhattan, Queens, and Brooklyn, thereby making it impossible to ever get “the gang” back under a single roof until a special occasion — a birthday, a wedding, a funeral — demanded it. Graduation, in so many ways, is a form of entropy.

“It's a fucking Twenty-Sixth Street reunion, man,” Ilkay effervesces as I walk into the…well, it's one of those lounge/bar/club places. Stalactites peer down ominously from the ceiling, adding a pleonastic touch to the already cavernous nature of the basement establishment. The walls glow in luminous aquamarine and a shade of magenta more purple than pink, the color one might expect when ordering an exotic piece of sushi. Shadows wave and flutter in the hues of late dusk, but the dance floor is quiet. Most of the tables are open, as it's just turned nine. The ones that are occupied contain vaguely familiar faces that welcome implicitly — no smiles, just glances of recognition and other sign-language equivalents that capture both the salutatory and informal qualities of the “S'up bro'.”

“I feel like I haven't seen you in months,” Ilkay says dramatically.

“It hasn't been that long,” I respond as I let go of his hand. “We were at that thing for Pete less than a month ago.”

“Was that really only a month ago?” He shakes his head. “I was strung out on fucking Addies for, like, two weeks before graduation. I'm amazed I made it.” He shrugs. “But that's all behind us now, right? Am I right?” I laugh and nod. His attention shifts. “Look what the cat dragged in,” he says either to or of Vinati. She's in an olive drab dress, the type of get-up a nurse from the Second World War may have sported (with a few flattering alterations). Her hair is shorter than I remember; it is styled to frame her face. I can't recall how she wore it the last time I saw her. “So are you going to finally throw him a bone tonight…” he begins. “Well, actually he would be the one throwing you the bone….” He pauses again. Vinati's eyes narrow. “And I guess throwing isn't the proper verb, now is it? More like pene—”

“Why do you have to be such a fucking pervert all the time?” Vinati explodes. She's not really angry; this is simply a matter of protocol. The tirade begins; it's the extended version, too — complete with movements of utter chastisement, refrains of “douche” and “fuck” and “asshole.” He laughs to himself as this goes on, doesn't argue, and casually drinks his cocktail through a red stirrer. I leave for the bar as she continues with vicious gesture accompaniment. She is a maestro of flagellation.

The bartender looks like an art student, probably because of the thick glasses that conceal the depth of her eyes. She doesn't try to veil her revulsion for those who solicit alcohol from her. She is probably of that intellectual sect where the world is considered beautiful only when abstracted, a kind of contempt for the existent that only a Christian could really appreciate. These are the Bukowski fans who don't drink, the people who examine the Sex Pistols as a cultural phenomenon, the people who know how to spell and pronounce the world “visceral,” but have no idea what it means.

“Let me guess,” as she reads my eyes, “Heineken?”

“I was hoping for something a bit more exotic.”

“How about a sex on the divan? Or is that too fruity for your taste?”

“Well, if it comes with an umbrella and a cherry or two….”

“Sorry, we're fresh out of umbrellas,” she says with a shake of the head that lacks the flirtatious bitchiness that one finds so frequently in Manhattan. This is just unadulterated contempt, no need for fancy words or nuance. “I can cook you up something.”

“Working on a secret recipe?”

“Called a butt-fucking cowboy.”

“Aren't they all,” I muse. She flashes a look of irritation. “What's in it?”

“Rye whiskey, Chambord, triple sec, and soda. It's served on the rocks.” My eyes cross. “Oh, and there's an orange slice as a garnish, too,” she adds with a shrug and a quick opening of her hand, that same motion that magicians employ when launching balls of flame into the air, or, when the flint's out, lighter fluid.

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