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Sam Lipsyte: The Subject Steve

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Sam Lipsyte The Subject Steve

The Subject Steve: краткое содержание, описание и аннотация

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Meet Steve (not his real name), a Special Case, in truth a Terminal Case, and the eponymous antihero of Sam Lipsyte’s first novel. Steve has been informed by two doctors that he is dying of a condition of unquestioned fatality, with no discernible physical cause. Eager for fame, and to brand the new plague, they dub it Goldfarb-Blackstone Preparatory Extinction Syndrome, or PREXIS for short. Turns out, though, Steve’s just dying of boredom. is a dazzling debut — by turns manic, ebullient, and exquisitely deadpan — Sam Lipsyte is in company with the master American satirists.

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"Mom gave it to them," said Fiona. "She left a message on my cell. She's getting calls from talk shows. She wants to know how you feel about her speaking publicly on the matter."

"You mean whoring herself."

"Sharing her experience, hope, and strength."

"Tell her she can do whatever the hell she wants."

"I knew you'd say that so I already said that."

"There's a guy out there," said Cudahy. "He's offering his help."

"Reporter?" said Fiona.

"Don't think so," said Cudahy. "He told me to give you this."

It was a mimeographed brochure, lettered in splotchy monastic script.

Have you been left for dead?

Do you number among the Infortunate- shrugged off by family, friends, physicians, priests?

Have you been told you're beyond all hope?

Are you incorrigible, inoperable, degenerative, degenerate, terminal, chronic, and/or doomed?

Are you lost, are you crazy, or just plain sick?

Maybe you should snuff it, friend.

Go ahead.

Pull the Trigger.

Turn up the Gas.

Do it.

Do it, coward.

Did you do it?

You didn't, did you?

Okay, don't do it.

You're not worth the mess you'll make. Not yet.

Here's a better idea:

Call the Center for Nondenominational Recovery and Redemption and deliver back unto yourself your dying body and your dead soul.

No malady, real or imagined, is too difficult to cure.

Forget the scientific phonies and the quacks of holistic boutiques.

Forget the false love of New Age shamans.

Forget the false touch of healing retreats.

Your health, your freedom, your salvation is a toll-free call away.

Ask for Heinrich.

All major credit cards accepted.

Squeezed along the margin in fountain ink was this: "I Have the Cure.-H."

I made of this inanity a nice coaster for my coffee mug.

"They'll really be coming out of the woodwork now," I said.

"What woodwork?" said Cudahy. "We're on an island of concrete."

Walking back to the clinic for my next appointment a few weeks later, I saw what Cudahy had meant. I'd lived in this city long enough to forget the absurdity of the place, all these surfaces refracting us in shatters, this tonnage that bore down on us with hysterical weight.

Someday sectors of this city would make the most astonishing ruins. No pyramid or sacrificial ziggurat would compare to these insurance towers, convention domes. Unnerved, of course, or stoned enough, you always could see it, tomorrow's ruins today, carcasses of steel teetered in a halt of death, half globes of granite buried like worlds under shards of street. Sometimes I pictured myself a futuristic sifter, some odd being bred for sexlessness, helmed in pulsing Lucite, stooping to examine an elevator panel, a perfectly preserved boutonniere.

I'd be the finder of something.

Now, walking along, I had only the sense of losing myself.

Yes, I could perambulate unpestered, unthronged. My saga was stale. There were fresh griefs upon us. A beloved lip-sync diva had choked to death on a sea bass bone. The troops of our republic were poised on the border of a lawless fiefdom in Delaware. The Secretary of Agriculture had been exposed as a fervent collector of barnyard porn. Worse, he had a yen for the young ones, the piglets, the foals. Bestiality was one thing, opined the ethics community, but for God's sake, these were babies. There were wars and rumors of war and leaks of covert ops. There were earthquakes, famines, droughts, floods. A certain movie star had made box office magic once more.

The National Journal of Medicine 's scathing rebuke of the veracity of Goldfarb-Blackstone Syndrome, its excoriation of the ailment's namesakes as "freakshow impresarios," had barely made the back pages, the spot after the break.

The air was out and I was glad of it. My fine fettle continued to obtain. Still, I somehow felt bound to these men, Goldfarb and Blackstone, the Philosopher and the Mechanic. They'd shocked me into keener living. I was brimming with bad poetry and never reading the financials. I can't say I knew what counted in life but I was beginning to glimpse what didn't. I had Fiona back, and Cudahy, too.

I owed these doctors a courtesy visit.

The Philosopher was sniffing something from a vial of handblown glass. Dark powder dusted his nose.

"Want some?" he said. "It's a new synthetic."

"Cunt's out of control," said the Mechanic. "Making his own yay-yo, to hell with the world."

"Oh, piss off, Blackie," said the Philosopher. "Just a little pick-me-up."

These were not the dashing scientists of the amphitheater. The Philosopher was unshaven and looked long unwashed. His lab coat was covered with cobalt smears. The Mechanic had developed a tic of the eye that might have seemed lewd had the psychic deterioration which motored it not been so plain.

"Galileo," said the Philosopher through hinges of spit, "why have you forsaken me?"

"Cunt's dreaming of Pisa," said the Mechanic. "Can't see the truth of the situation. We got busted. We ran a scam and we got busted. I told him the mammoth bit was too much. Stupid. We could have had our own disease. Now we have squat. You can't patent death, I told him. You can't copyright a fucking nonstate, let alone the extinction of a species. Especially ours. Didn't I say this? I said this."

"So, am I dying or what?" I said.

"God revealed it to me," said the Philosopher, "yet now I must defy God to appease the church. I shall perish from the hypocrisy. ."

"That film, that idiotic film," said the Mechanic. "Somebody's cousin with an educational library. Dumb. Dumb, dumb, dumb. So now we have what? What do we have now? The answer is C: Squat. Squat is the correct answer. We had everything going for us. The two names, perfect. You need two names for a good disease. Goldfarb-Blackstone. A Jew and a white guy. What's not to trust? Can't be a conspiracy, right? I mean, sure it could be for some people, but we weren't planning on this being a black disease. They have no insurance, by and large. I mean, well, what I mean by that is by and large. I'm not a racist, you know."

"I didn't know that," I said.

"It's true."

"But what about me?" I said.

"What, you?"

"Yeah, me."

"Oh, you. No, you're dying. Sorry, kid. Hate to say it."

"Dying of what?"

"I don't know. We haven't figured it out yet. What did we call it? Whatchamacallit. Good enough name as any, I guess."

"But you said it was a scam."

"The scam was everything else. See, we just wanted to stick out from the others. What's wrong with that? A brand, you know? Brand recognition. Brand-what's the word-leverage. Something for people to worry about on the drive to work. Something for the pharmaceuticals to jump on, the comedians to joke about. PREXIS dot net. Lots of people die all the time from nameless, mysterious diseases. What, do we deal with even a fraction of the shit that goes on? The answer, by the way, is D: Less than a fraction of the shit. It's like all those murders. Most go unsolved."

"What murders?"

"Exactly."

"So, what am I going to do?"

"I don't know. Cry. Pray. Go see the castles of Scotland."

The Mechanic's eye began to spasm anew, as though straining to vomit some abominable vision. The Philosopher fondled himself on the sofa.

"Doctor, doctor," he sang, "gimme the news. ."

"Consider yourself the luckiest guy in this room," said the Mechanic.

"But I'm dying," I said.

"But nothing."

I found new doctors, furnished myself with further opinions. They slid me through tubes, onto tables, gurneys, toggled instruments that seemed forged in sterile smithies somewhere, cold bays carved deep into germless rock. They siphoned me, decanted me, bottled and labeled me, my blood, my snot, my waste, whatever coursed through me or sat in me, vatted, casked, the distillations of the guts, the body's gurgling treatment plant. They called me back, called me in, peeked into the corridor, closed the door.

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