Ahmet Tanpinar - A Mind at Peace

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Surviving the childhood trauma of his parents’ untimely deaths in the early skirmishes of World War I, Mümtaz is raised and mentored in Istanbul by his cousin Ihsan and his cosmopolitan family of intellectuals. Having lived through the tumultuous cultural revolutions following the fall of the Ottoman Empire and the rise of the early Turkish Republic, each is challenged by the difficulties brought about by such rapid social change.
The promise of modernization and progress has given way to crippling anxiety rather than hope for the future. Fragmentation and destabilization seem the only certainties within the new World where they now find themselves. Mümtaz takes refuge in the fading past, immersing himself in literature and music, but when he falls in love with Nuran, a complex woman with demanding relatives, he is forced to confront the challenges of the World at large. Can their love save them from the turbulent times and protect them from disaster, or will inner obsessions, along with powerful social forces seemingly set against them, tear the couple apart?
A Mind at Peace, originally published in 1949 is a magnum opus, a Turkish Ulysses and a lyrical homage to Istanbul. With an innate awareness of how dueling cultural mentalities can lead to the distress of divided selves, Tanpinar gauges this moment in history by masterfully portraying its register on the layered psyches of his Istanbulite characters.

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A cloud set into motion by a small wind kicking up out of nowhere first became a rose garden then, breaking into thin wisps, progressed until it was overhead, spreading out like a carpet before the forelegs of a fiery-maned black stallion.

Rising, they sauntered away. The shadowy road between the hills and yalı walls, under the twilight, resembled the tunnel of an ancient temple. Within this tunnel, from among the canopy of branches, they observed the nocturne that ambled together with them.

At this hour, when everything struggled under its own weight, they walked until Anadoluhisarı, holding hands and harboring intense intimations of fate. There they entered the small coffeehouse to the right of the pier. Night had completed its thorough descent. The dock was crowded with rowboats returning from bluefish runs. They watched their customary evening’s entertainment as if it were a rather exotic ritual. And if at that moment someone had asked whether they trusted life, both would have responded, “Nah, but we’re happy this is the way of the world!”

“Nah, but what difference does it make? We’re happy now.”

On the way back they mostly talked about the small apartment they’d just rented in Talimhane, near Taksim. Nuran’s mother had declared that she’d be unable to remain in Kandilli this coming year. And Tevfik’s rheumatism had flared up. Maybe the bluefish outings hadn’t done the old man any good. For this reason, they were to move to Istanbul proper. Mümtaz said, “Not for the world would I ever live here alone!” Even if they’d stayed in Kandilli, the wintry silence and serenity permitted no possibility of their comfortably rendezvousing as in summertime.

The apartment satisfied them. Thanks to Nuran’s frugality, it didn’t end up costing much. When furnishing the place, Mümtaz gauged the degree to which foreign furniture had entered Istanbul at one time. Every sofa shop displayed furniture of every sort and style. As Mümtaz roamed with Nuran, he thought about Istanbul’s changing standards of taste and lifestyle.

“There’s no doubt that our minds are this way also.”

Later they discussed Fatma’s condition. All of Nuran’s sorrows focused on this one point.

For days now Mümtaz had been anticipating an evening dinner invitation at Nuran’s house in Tevfik’s good company. Before she moved out of Kandilli, Mümtaz assumed she wanted to expose him once again to her everyday life in the house she’d occupied before they’d met, if for no other reason than Mümtaz, a man of daydreams, knew how to live in various dimensions at once and liked doing so. Thus, while they took supper in the garden, amid a conversation with Tevfik, or responding to Nuran’s mother, he might readily contemplate Nuran’s childhood dreams or the visions in little Nuran’s sleep inspired by the rattling windows and rustling leaves over lengthy autumn nights. But Fatma’s petulance made these phantasies irrelevant.

From the moment he arrived, the girl began her defiance, although she did nothing specific in opposition to Mümtaz. But she disappeared often, sending everyone into a frenzy of worry. She was unruly and always found an excuse to interrupt Nuran’s conversations with Mümtaz. She nevertheless addressed Mümtaz in a hospitable manner, describing her new school and her friends there.

“I’m a big girl now. I’m tired of dolls. I want a pet like a cat or a dog to play with.”

When Mümtaz said that he’d make a present of a puppy if she so desired, she abruptly furrowed her brow. How could she possibly play with a puppy he’d given her? It’d be like allowing the friend of one’s enemy into the house. “No, I don’t want that…,” she said. When others within earshot insisted, “Is that any way to talk, dear? Why don’t you say thank you?” she was taken aback. Being reprimanded before Mümtaz was more than she could bear. Lips trembling, she said, “Thank you…,” and disappeared again.

Had Mümtaz been permitted to leave at this juncture, perhaps his life would have taken a different shape. But fate dictated that he stay. Besides, he wasn’t a man who’d been born with an instinct for self-preservation. Any misadventure in life might find him like a deer startled in the middle of the road. That’s just what happened. He couldn’t bring himself to part from either Nuran or Tevfik. He’d been invited to dinner and he would stay.

Toward eight o’clock, they sat at a table of hors d’oeuvres accompanied by rakı . Old Tevfik had spared none of his skill in the orchestration. Even Yaşar, when he set eyes on the table, dispensed with all his health concerns and decided to indulge in a rakı or two. The evening began pleasantly enough. Despite the persistent rains, it was warm outside. Something about this evening of delights affected Mümtaz as he sat in the garden under a pomegranate tree and a solitary lantern, letting the gloam of the autumn night descend around him. Everyone was jubilant. Even Nuran seemed to have escaped the troubles that had plagued her as of late.

Fatma’s arrival at the table, however, changed the atmosphere: “Let me sit with you, please, don’t make me eat by myself…” Within a short time, she couldn’t tolerate the way Mümtaz and Nuran sat facing one another. These were reactions they’d long been accustomed to; the coffeehouse storyteller’s yarn that Tevfik spun persisted through her moody interruptions. On the third round of drinks, Fatma left to get something she’d misplaced but didn’t return. She’d gone and invented a game for herself at the mouth of the well: a combination of dancing and running. Raising her hands ever higher toward the newly risen moon, as if to catch a ball she herself had tossed, her face revealed bizarre elation as she grinned, exposing her teeth. They watched her from where they sat. Her laughter increased and her movements quickened. At each turn, she slapped her hands back down to her sides before raising them again, stretching her entire body toward the golden ball of the moon.

Mümtaz, astounded by the rhythm in this child’s maneuvers, said, “Just let me take you under my wing, and I’ll be sure you get the proper instruction!”

He cherished her with odd insistence as Nuran’s daughter and because he somewhat sympathized with her suffering. Besides simply liking children, Mümtaz recognized traits in Fatma reminiscent of his own childhood. Her sorrows and jealousies evoked the solitude of his own youth, despite its different manifestations. If he were to one day grow jealous of Nuran, he knew with certainty that he might resemble Fatma — moody, sullen, and overly melodramatic. Anyway, it was impossible to watch her in the short blue dress, her spindly legs turning at the rate of her own glee, as if preparing for a voyage to un-attainable spheres, without adoration and fondness. Despite this, a troubling unease had begun. Her laughter and jerky movements rather resembled a bout of hysteria, and as they intensified, the balanced maneuvers appeared to be forestalled moments of collapse. Her grandmother, Nuran, and the rest certainly noticed, for they began to shout, “Enough, Fatma, you’ll fall…” But as they shouted, the girl increased her velocity. Mümtaz, to prevent the disaster that he foresaw, darted from his seat. But he was too late. Fatma lay stretched out fully at the base of the well. As Mümtaz raised her up, Yaşar came to his side. No indication of injury on the girl’s body was apparent, though her knees were scraped slightly. The hysteric laughter had condensed into an tight knot of sobs, her body stiff as a board.

Yet the incident of the evening that truly affected Mümtaz came afterward. Yaşar, instead of attending to the girl, turned to him and ever so slowly, in a snakelike hiss, said, “Unhand the child. You’ve done quite enough already… Do you intend on killing her?”

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