Kyle Minor - Praying Drunk

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Praying Drunk: краткое содержание, описание и аннотация

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The characters in
speak in tongues, torture their classmates, fall in love, hunt for immortality, abandon their children, keep machetes beneath passenger seats, and collect porcelain figurines. A man crushes pills on the bathroom counter while his son watches from the hallway; missionaries clumsily navigate an uprising with barbed wire and broken glass; a boy disparages memorized scripture, facedown on the asphalt, as he fails to fend off his bully. From Kentucky to Florida to Haiti, these seemingly disparate lives are woven together within a series of nested repetitions, enacting the struggle to remain physically and spiritually alive throughout the untamable turbulence of their worlds. In a masterful blend of fiction, autobiography, and surrealism, Kyle Minor shows us that the space between fearlessness and terror is often very small. Long before
reaches its plaintive, pitch-perfect end, Minor establishes himself again and again as one of the most talented younger writers in America.

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Whatever passed or did not pass between them, this once it did not matter how much money McKinnick’s father gave the school, or how many animals he had veterinaried to health, or how many ordinances he had sealed with his mayor’s seal. This once I came home beaten and bruised and told my father, “They suspended him for three days.”

That night I slept and dreamt of three days free of red ears flicked blood red and slapped until I heard the ocean. The bathroom was mine to piss in, free of fear of footsteps from behind, one hand in my hair and the other on my belt, the painful lifting, then my head beneath the commode water.

That afternoon I skip-stepped to the bus, the Florida sun high and hot, and this once thinking the heat balmy and tropical rather than stalking and oppressive. Then, somewhere between the Route 7 and the Route 8, somebody grabbed me by the collar and slammed me against the black bumper. At first I thought it was him, because it looked like him, same dog teeth, same mocking smile, but bigger somehow, and how had it been kept from me he had an older brother?

“You think you’re something,” he said, and lifted me until my feet were off the ground. He was as big as my father. “You ever run crying on my brother again, I’ll beat you within an inch of your life, you hear me? I wouldn’t mind breaking you.”

He had me up against the back of the bus, and somewhere somebody had taught him how to do it, and his brother, too. I can see their faces now, but younger, fleshier, their father pressing their bodies to the wall, and then, older, leaner, their sons looking down at their fathers in their fear, learning.

LAY ME DOWN IN THE BLUE GRASS

MY HANDS HAVE NOT KNOWN MUCH LABOR. I mix oils and acrylics, gouache and watercolor. On this day I don’t paint except in my head. I lack the skill for such dark images as my mind invents. The color palette runs to crimson and deep purples, with brilliant yellow and chartreuse accents where shadows should darken. Imagine a Kentucky mountain as a landscape turned to anger and needing to purge by the rushing of waters. Boulders are flung loose from earth, and massive living trees propel forward as missiles and lodge in the sides of steep rock walls.

Idleness is out of place here. My wife and her three brothers contemplate digging a new well. Their father, seventy-three, is driving the lawn-mowing tractor but not cutting any grass. He’s pulling my sister-in-law and her two small children in a trailer. He’s taking them to the horrible abandoned place where a nineteenth-century barn has crumbled to tangles of moist rotting lumber that used to be a nesting bed for a colony of feral cats, some descended from a stray blooded Persian once owned by my wife. The cats are gone now, and so is Danny, our nephew. Four days ago he walked toward this woodpile with a loaded shotgun and blew off his head. A swarm of flies has taken residence here. The air is thick with decay, and the earth is still soiled with viscera.

My wife’s youngest brother, Steve, stands thigh-deep in the creekwater and swings a sledgehammer. From my upstream vantage-point he is John Henry, efficient as a piston, chiseled and thick as two grown cedars. Some years ago a layer of concrete was poured above the boulders and bedrock. He pulverizes it with each blow. The water absorbs the powder and washes it down the mountain. He breaks through the concrete to the layer of stone below and keeps swinging. A pile of debris accumulates beneath him. He lifts the shards and rocks, some large as his upper body, and carries them to a shallow place where the water runs faster. He stacks them against the current and says a brief word in praise of beavers, then goes to work shoveling out the filling reservoir behind his dam. He digs past six feet, so deep he can walk the floor and submerge himself.

This is a wild place. Deer run freely and there are no property lines. Brown bears wander these hollows, and even a buck deer can end a man. Poachers run the logging road at night and slip into the darkness. Marijuana plants grow under cover of protected forest, and these gardens are rigged with homemade booby traps meant to maim if not kill. Venomous snakes wander the hills and valleys and take a few dogs each year. My father-in-law owns the top of this mountain and a hundred acres besides on two others, all carved from the Daniel Boone National Forest and bought for a song. A lone logging road bisects the open range of woods and that only because he granted the federal government a ninety-nine-year lease as a hedge against brushfires.

The creek usually runs behind the two farmhouses as a trickle, but sometimes flash flooding accompanies a heavy rain. Once every fifty years the creek jumps its bed and the mountain resurfaces itself in a fit of violence. Rivers used to do this and still sometimes do, despite the best efforts of the Army Corps of Engineers.

This is a Second Amendment place. In the smaller farmhouse where my nephew Danny lived his father Dan keeps two assault rifles, three loaded handguns, several hunting rifles, and the shotgun. Those at least. Other firearms may be stashed in the walls and floorboards. Tables on the back porch are domino-lined with ammunition. Shells are inexpensive and dizzying in their variety. Some bullets can pierce armor and others are made to explode into three hundred fiery pellets on ejection.

Most evenings Dan and Danny sat on the back porch and practiced firing across the creek at a makeshift target range of aluminum cans, glass bottles, and wood cutouts resting on a steel cart. Some nights they hiked upstream to the wooden ruins and shot into them. Just outside the oversize windows overlooking the back porch and the creek beyond and the target range and the pens where Danny kept the golden retrievers for breeding, Dan has hung two homemade bird feeders stocked with sugar water and just enough vanilla to keep the hummingbirds coming back. The smaller bird with the red underbelly is named Meany, and he drives the prettier green-and-gold bird from feeder to feeder, unwilling to share his swill even if it means he will spend the afternoon policing rather than drinking.

We gather by the creek and admire Steve’s dam. The children swim in the deep water, and my father-in-law teaches me to skip stones. Smooth, flat, rounded stones without protruding edges tend to fly farthest. The skillful thrower keeps his hand low to the water and parallel with it, and looses the stone with a slight level flick of the wrist. The old man can skip a stone nine times, for a distance of sixty feet. He has been perfecting his technique for almost seventy years. He believes that all things work together for good and has posted the Ten Commandments on his front lawn in defiance of secular courts faraway.

My wife says when she dies she wants her brothers to cut down strong timbers with their axes and build her casket with their hands. We are to carry her up the mountain, to the high place where she dreamed as a child of building an A-frame log cabin overlooking the valley and where a person with keen eyesight can achieve a vista and survey as much of Appalachia as an olden hill family might have seen in a lifetime. We’ll drive our shovels into the soil and let the dirt mix with our sweat and seep into our pores. We’ll breathe the dust we have stirred up and lower box and body into the ground with knotted ropes, then take our spades and fill the grave with earth, tamp it down with our feet and plant sod in the spring around the simple marker, here lies Deborah Jayne, remembered by those who loved her. She says grieving must be physical, mourning underscored by exertion.

We will bury Danny tomorrow in the more traditional way, in a Lexington cemetery. The coroner thinks Dan unstable and only yesterday cleared him of suspicion of homicide. In the state capital of Frankfort, the autopsy was conclusive. My father-in-law has inspected every well and septic tank on the property for signs of disrepair. His sons inspect every engine of every car, truck, and van gathered on the grasses between the farmhouses. In grave situations, my father-in-law has been known to counsel the Shalom peace of the Lord to passersby, then pass blood in the privacy of his own bathroom.

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