H. Adler - The Wall

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The Wall: краткое содержание, описание и аннотация

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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death,
and
were acclaimed as “modernist masterpieces” by
. Now his magnum opus,
the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English.
Drawing upon Adler’s own experiences in the Holocaust and his postwar life,
, like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good.
Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind.
The Wall

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It is similar to the shyness I feel whenever I see a mother and father on the street with their offspring, one perhaps carried, another pushed in a little stroller. Even then I wouldn’t dare mention birth and procreation; the children are just there, not created but, rather, having only arrived, after which they grow up fast, their clothes getting too small, though a veil remains drawn over where they have come from. The grown-ups wander about everywhere in ready-made fashion, having no link to the beginning. No matter how far back memory bores, it must still cease, a rupture occurring, though the abyss of such monstrous ignorance is not released, even by all the accumulated heights of learning. What drives the grown-ups to procreate is also well hidden and has nothing to do with parents and children. The animalistic ties between the sexes involve a particularly libidinal and amply documented yet insufficient knowledge, for it says nothing, is unknown to me, even if it so keenly informs the lives of ever so many wise men. When human beings associate with one another in general and in doing so do not think about sex, they only point to the ancient ties between them in familial terms, though they are hardly any less separated from one another than I am. They have their families, feel themselves to be family members, but even if they live alone they still protect the family legacy, even if it amounts to no more than shabby goods. Beyond this they have another gift, which I lack: they can hold the familial inside them, talk like father and mother, citing similarities and dissimilarities to each and telling the children about them.

If my little ones ask me, I come up with stories for them as well, for I don’t want to disappoint them, because the children’s only burden should be that they are my offspring, and nothing more. In their presence, of course, I try not to betray good old customs, as Johanna keeps an eye on me and offers some clever inspiration, hoping that this will do not only them but also me much good. I don’t want to disappoint Johanna, and so I play along as best I can. It’s not even particularly hard for me to assume the role of the father of the family. As soon as Johanna is nearby, or when I guess what she has in mind and how things are supposed to happen, all in order, one thing following another — the beloved run of the day, the morning jokes at breakfast, the walk to school, playtime with the children, a merry romp outside in the fresh air, the settling of a fierce dispute, reward and punishment meted out through praise and reproof, the end-of-day gathering together while saying prayers at night — it’s all easy for me to do and nimbly pull off, any impediments being easily overcome. I have a reserve built up that is there for the goings-on around me, and which the children can tap, Johanna thanking me when I spoil Michael and Eva a little each day. Nothing within me, however, has changed through these riches; I have not changed as a result but, instead, have gathered together something that enables me to have something for those I love most, who should not have to suffer because of my own sorry state.

For years I was unaware that, for the most part, I terrorized others. I was naïve and had no idea how I hurt them, and even when I learned to recognize that I did, I still had no idea what caused it. Even Johanna didn’t at first recognize how odd I was, or misunderstood it. Later, it was she who with diligence and imperturbable patience helped me to see the offense I committed, until I learned to protect those around me, as well as myself, from my many outbursts. I had to consider the needs of my children, which helped to keep some things in good order, while Johanna arranged the rest. All of it helped me, since I worked hard to maintain a protective layer around me, which I called the storeroom of the indeterminate day. Never do I find myself entirely gathered up inside it; rarely am I even a guest, since I feel like a tenant who in exchange for his rent has won the right to put away the goods he’s brought along in an orderly fashion, so that this anteroom of my being almost becomes a completely fitted-out room. I dare enter it only with care, so that I don’t break anything or cause any damage, for none of it can be replaced. What has been stored there serves me with stubborn recalcitrance; it’s not good for much, for with my own strength I can hardly protect it from either friend or foe. No, it really cannot be maintained. If someone were to take it away, I would not even have the right to complain, for what is there transforms itself without my doing anything, especially as others mess about in this room and shift things around without my knowing. If I put it all back in place, I still know that other hands have left their traces.

Once again Johanna comes to the rescue, helping me clean out this room and carefully leading all who ask for me into this room, the visitors, being fooled for their own good, imagining that they have been led to me. Pictures of me hang in the room, pictures that speak, and which turn slowly and sway, swirling together as soon as someone looks at them and asks something. This works rather well, and makes for a lovely impression, the people satisfied when they are received so. Yet, for me, relations with people are made easier through this, for while I remain hidden from them, silly goings-on full of empty babble and crumbly creases prevail in a rented room. Thus I find it bearable, even when I know that all of it together, what at least lets me think it is me myself, is nothing but an artificial agglomeration of leftovers and flotsam, patches and strange decorations, a bunch of smoke and mirrors for which I should be held accountable, or, at least, as far as I can answer for it.

Perhaps I’m only a vestige of myself, borrowed goods, hearsay; certainly that must be so. In a prehistory difficult to explore, there must have been something — or should I say someone? — which was me, a person, supposedly a person with an ordinary birth, with a childhood, sprouting up tall, as well as making a step-by-step exploration of his neighborhood, where everything became a part of himself and helped him discover his essential nature. Back then he felt connected, sensing within himself a free spirit that could bound across the lawn, propelling him forward, he blindly plunging into childhood’s flood tide, learning, in fact, to forget for a moment, then awakening down below in the depths before emerging again with the densely probing urge of his accumulating thirst for action, experiences of sweet sins and sweeter virtues, wanting his own history, his … his! That would probably have been me, crammed together with others like me for whom my talk meant something and resounded, to whom I could talk, you and I cavorting like polliwogs in the large pickle jar in the schoolyard, followed by the teacher’s magical whistle, the charming bustle of schoolchildren swallowed up by the school’s main gate, then into the classrooms, two by two in four rows, quickly folded into desks in order to be tamed, subordinate next to subordinate, surreptitious rebellion dared, then quickly brought to task through punishment, a heart subdued, the fundamentals — reading, writing, arithmetic, the famous dependable laws of nature — all of it developed and prepared for the curious mind. That was me, one among others, dressed properly, believing what I was taught, the examples given. How wonderful to compete at one’s studies and participate, the hands going up, wide-open eyes shining, drinking in the alluring bits of wisdom while listening unabated, me taking it all in unquestioningly.

That was me, belonging to the others, not separate; through the bonds of community I was carried along and was allowed to feel and know myself. Family, friends, and country — the kinship of all creation before the Creator prepared me well, my delight in the joy of all creation incorporating me into the realm of the living and of all things, feeling fulfilled and able to join in without worry. How everything around me gleamed as I called out and felt affirmed by the echo. I suffered no damage, not even when a shadow crossed my brow and my hands covered my eyes in darkness, or when, suddenly, a sharp pain gripped me for a moment that seemed to stretch on forever and yanked me from the agreeable surround, though soon such suffering came to an end, and I was welcomed back into the fold.

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