Robert Coover: John's Wife

John was a man often emulated, Floyd was not alone in this. Some men emulated his style, others his vocabulary, some his aggressiveness or his laugh. Alf emulated his golf swing, not that it did him any good, old Stu the car dealer his jokes and Hard Yard his derring-do, Lennox his cool acceptance of the way things were. When Lennox told his wife Beatrice, his children, his students, his congregation, and most of all himself, “Let it happen,” he was emulating John. For John’s old high school coach Snuffy, entering politics, it was not so much the boy’s fierce team loyalties that he emulated (these Snuffy shared and who knows but engendered) as his strategic use of them in others. In short, it was John’s smarts he sought to emulate, just as for Dutch it was his friend’s killer instincts, and for Marge’s husband Trevor, aka Trivial Trev, his employer’s respect for numbers, for statistics. “There’s no such thing as money, Trev,” John used to tell him, his reading spectacles halfway down his broken nose making him look mockingly professorial, “only the counting of it.” Trevor also emulated John’s attention to detail, his caution with money, his staying power, but he may have been misreading John, seeing what he wanted to see. As all do. Lorraine’s cork-head husband Waldo emulated everything about John, some even thought he was making fun of John, but in actuality Waldo thought John was emulating him . Perhaps Waldo was right, partly right anyway, they had been buddies since college, it was a question of which came first, as Waldo liked to say: the chigger or the leg. Though they had often shared women in the past, Waldo even emulated John’s attitude toward John’s wife: utter disinterest. Anything else would have seemed like incest to him.

Otis, who emulated John’s quiet force, something he had picked up from John back when they had played football here together, had been in love with John’s wife since high school, though she was surely unaware of it. He had never gone out with her, hardly dreamed of it (in this respect, there was no emulating John, not for Otis), had rarely even spoken to her, but they had met a couple of times at high school parties, and one night at one of them she had taught him how to dance. He could still see, as though in a dream, their four feet shuffling about below them, crisscrossing on the shiny hardwood floor of the school gym, their toes bumping, could still feel her soft hand on the back of his neck as she led him about. Though he was now married with four children and never danced, the warm proximity and generosity of her young body that night in the high school gym was still his best and most magical knowledge of womanhood. Whenever Otis, self-styled guardian warrior, thought of the Virgin Mary, he thought of John’s wife.

Whenever Pauline the photographer’s wife thought of Otis, she thought of the way he cried the first time she sucked him off. She thought he should play James Cagney in the movies. Whenever she thought of Otis’s cleft-chinned high school football coach Snuffy, she thought of a cartoon character in a dirty comicbook who wore his impotence on his face. Not surprising that her husband Gordon’s campaign poster headshot of the squinty old geezer with the sausage nose had attracted so much graffiti. Whenever she thought of her husband, she thought of some kind of fat robot with a big glass eye and an exploding forehead. Once he had got the floodlamps so close to her thighs, he had burned them. This shot (what did he think he’d see?) had not turned out. Whenever Pauline thought of the three brothers from the drugstore, Harvard, Yale, and Cornell, she thought of a story about eating and bedding down she’d been told in the first grade. Would her life have been different had she been born with golden locks? It was not a question Pauline would ever have asked. Here’s another: What is love? If pressed, she’d probably have said that it was something that ran over you like a devil train or a wild mule, knocking down all the walls, for that was pretty much what she thought of whenever she thought of love. Whenever Pauline thought of John’s friend Waldo, she thought of a guy in a carnival who invited people in to see the loving couple two feet tall. His wife punched the tickets. With her teeth. Whenever she thought of John, she thought of a young magician (though he was no longer young) with his shadowed face ablaze at the edges with unnatural fire and his pants stuffed full of writhing copperheads. What a night that was. Or must have been: it was like a dream or an old movie. Whenever she thought of John’s wife, she thought of her dead sister coming to her in a nightmare: she was taller than the doorframe, ten years old, wore a ragged white nightdress, and her breasts were dripping blood.

Why did Otis cry when Pauline sucked him off that first time? Otis was a hard man, one of the hardest around. And Pauline was in her day the sweetest cock-sucker in high school, maybe the best the town had ever had. A cynic might suppose it was because John had married the girl that hard man loved. A romantic might say there was something wrong with him. Otis knew better than either: he cried, he knew, for the loss of his freedom. He had taken this experience into his life, and now it would never let him go. He knew, even before he came, lying there in the back of the old panel truck in the Country Tavern parking lot, his knotted-up ass beginning to slap the cold metal floor, that there would be many nights in the years to come when he would need Pauline’s mouth again, when he would roam the streets in a fever, unable to work, unable to go home to his wife and children, unable even to think clearly. As for John marrying the girl he loved, well, she was from a good family in town, Otis from a poor one, if you could even call it a family, and he was younger than she was, he couldn’t blame her for failing to notice him, for marrying a guy who had everything like John, which anyway happened when he was far away at war, and in fact he wished them both well. He became, though at some distance, their friend and protector. John could leave home at any time and know that his wife would be safe. Yet, often, more often even than for Pauline’s warm wet mouth around his cock, Otis the lawman longed for the touch of John’s wife’s hand on the back of his neck again.

Thus, the men of the town revealed themselves through their longings, Otis, Maynard, Floyd, and all the others. Women, too, Lorraine, Marge, Veronica, Beatrice, but in a different way: they were holding something together out here in this vast emptiness, themselves perhaps. The men were more audacious, risked more in their fantasies, as though they perceived this as a birthright. Death was the province of the women, and wisdom, and paradox — garbage left them by the men perhaps, but useful to them as they plotted out the terms of their survival after the cataclysm. Men ventured, but women prepared the field, spreading their skirts out over what ground they could hold (Lollie’s image; her friend Marge, whom Waldo called Mad Marge, rarely wore skirts, saw it differently). The attention of John’s wife, however momentary and enigmatic, was one of the laurels the town’s men competed for, while the women, contrarily, often felt threatened by John’s wife, yet protected by her at the same time. Lorraine, having lost much, sometimes felt she hated her, yet had to admit she needed her as she needed Waldo’s idiocy: one had to live with these strange forces. John’s wife often called forth these ambivalent responses from the women around her. Trevor’s wife Marge envied John’s wife, pitied her. Little Clarissa felt a kind of sentimental rage toward her, Opal a jealous affection, Lumby an erotic disgust. Old Stu’s wife Daphne loved her, more than anyone in the world really, but she could have expressed this better if John’s wife were dead. Floyd’s wife Edna watched her as one watched a cloud: perhaps it would rain; it didn’t matter.