Toby Olson - Seaview

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Seaview: краткое содержание, описание и аннотация

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The action of Toby Olson's PEN/Faulkner Award-winning novel "Seaview" sweeps eastward, following three men and two women across a wasted American continent to an apocalyptic confrontation on Cape Cod. Melinda hopes to reach the seaside where she was born before she dies of cancer. Allen, her husband, earns their way back by golf hustling, working the links en route. Outside of Tucson, the two meet up with a Pima Indian also headed toward the Cape to help a distant relative who has claims on a golf course there that is laid out on tribal grounds. Throughout the journey, Allen knows he is being stalked by a former friend, Richard, a drug-pusher whom he has crossed and who is now determined to murder him. The tortured lives of Richard and his wife Gerry stand as a dream of what might have become of Allen and Melinda had things been otherwise. The lines that draw these people together converge at Seaview Links, and on the mad battlefield that this golf course becomes, the novel reaches its complex ending. "Seaview's" vibrant language and fateful plot make this study of an America on the edge an unforgettable read.

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He suspected also that it was this moral sense that was the link between them. Coming from similar backgrounds, connecting in the Medical Corps in the Navy, attending college together, they could have become each other easily. Even after the added covering often years, he could sense it — this accident of their dir — ections — and he felt tenderly about it. It was clear from Richard’s composure that he owned Gerry, probably the other woman as well.

“… So you drop one of the boxes in Tombstone, the other off in K.C. The bread goes to my mother’s house in Detroit. You can cop the Laetrile and the works now, or you can wait till later. It’s an easy gig. So that’s it for business. Wanna snort a line?”

The sex had more power for him when it came back in memory. The little plastic moon only became apparent when Gerry had dropped the Venetians and dimmed the lights. The one behind him was Gerry, though he had wanted her in front. It had not been appropriate to indicate this, because he had given over all control. He had at first felt the fact of Richard’s watching in a tender way. He had seemed, for the first time in their long acquaintance, relaxed and centered. He had not seemed vulnerable, but he had seemed in tune. But that had changed after a while, and Allen began to be aware of something dark and a little uncomfortable in the watching. The rest of it was a kind of intense activity, practiced to some rules that he was unaware of but was guided through. He recalled he had avoided the touch of Wendy’s arms, had not wanted to call her by that other name, and that Gerry had kept her face hidden along his flanks.

THEY CAME THROUGH A CUT IN THE LOW HILLS AND started their slow descent into Tucson. The moon was still to their left. Much of the city was dark, but there were flickers of light enough to define its shape in the shallow cup of its valley. Fingers of lights trailed off from it up into the foothills, and closer to them, where the valley emptied into the lower hills and the desert, the broadest finger, the rows of motels and neon shopping plazas of the city’s haphazard expansion, reached toward them. “Tucson,” Bob White whispered, his fingers opening and flexing in his lap, his palms running slowly back and forth over his knees. She stirred at the sound of the spoken word, shifted her position slightly in the corner of the backseat behind him; he caught an edge of her shoulder in the rearview mirror. He noticed his left hand clenched tight to the wheel, his white fingers. He relaxed it slightly and shifted his body in the seat. Bob White handed him a lit cigarette. He took it across the space between them, looked over and nodded. Bob White settled back against the door, his hands now at rest on his thighs. Allen adjusted the vent to keep the smoke from filling the car. He slowed down a little.

SHE SAT IN THE CHAIR IN THE MOTEL ROOM FACING HIM, her head propped up on a pillow, five little drops of sweat symmetrical on her forehead, the ends of her hair still wet, but beginning to curl, where they had touched the water of her bath. Small in his terrycloth robe, which seemed darker in shadows alongside the light, adjusted to bathe her right arm from the wrist to the biceps: the arm bent, the palm open on her knee, the crook at the front of her elbow in half-shadow, as if blood gathered there and she was in post-mortem lividity.

“Squeeze,” he said, and her fingers came up and gathered around the red ball he had placed in her palm, pressing it so that her thin biceps flexed and the rubber hose around it tightened. The ball was the one he used to improve his grip strength; he could squeeze it flat in his hand. He could see she could not make a dent in it. Sweating more profusely now, drops in the outside corners of her eyes, one on the bridge of her nose, she turned her head slightly, away from the spot touched more by the light, now that he took her wrist and extended her arm a little. He slapped her with two fingers, sharply, and the vein rose and the artery that crossed it, the pattern as particular as her palm lines, shallow streams around the ball in her hand running with perspiration. He lifted the needle, the syringe attached to it; he took a cotton swab damp with alcohol and brushed it over the vein. Outside, on the cave of the breezeway, a mockingbird was singing other people’s songs. He placed the needle along her forearm in line with the vein, the bevel up. With a quick jab he inserted it.

Her flinch was almost imperceptible, a small intake of breath only. The bird quit singing, a car ground on the gravel in the distance, some Spanish was being spoken. The slight surge of her blood pushed back on the plunger against his thumb; he let a little of it into the syringe. She opened her hand slowly when he told her to. The red ball sat wet on her palm. He snapped the tourniquet from her biceps; the pressure against his thumb diminished.

When he detached the syringe from the needle, a few drops of blood fell out on her arm. He attached the thin clear hose connect-ed to the glass bottle hanging from the lamp and opened the clamp. Blood entered the hose, then the clear liquid from the bottle cleared it. He stood up from where he was kneeling before her. He adjusted the clamp so that a slow regular dropping of the liquid entered the hose near the neck of the bottle. He taped the needle to her arm. He wiped up the few drops of blood with a tissue, which he folded and then wiped her brow with it. She turned back and smiled at him. For a moment he had felt a release of intensity when the act was finished; he had felt suddenly very tired. When she smiled at him, he surged again.

“Okay?” he asked.

“Okay,” she said.

HE LIKED THE FEATHER TOUCH OF HER FINGERS ON HIS spine playing some light music. She made little sounds when he sucked a piece of flesh on her arm into his mouth, making a circle. He bought her a silk scarf to keep her collars from chafing against her neck. She bought him a snakeskin wallet. He bought her pieces of Indian jewelry. She cooked him fancy desserts on occasion. When he carried her from place to place he kept his hands open and flat against her flesh. She had away of giving herself over to his carrying. He carried her often. He stood while he made love to her, sometimes, so as not to injure her body by pressing too hard against it. She bought him a silk robe, Japanese style, and turned her head away shyly. She ate everything still but favored things that were spoonable. He spoke to her while she was sleeping. Her skin had grown slack in its struggle, but there were no significant lines in it. He bought her a small flashlight. He liked the way her voice trailed off at the ends of her sentences. She bought him Johnny Walker Scotch and took an occasional puff on his cigarette. He found that even her thin waist had grown thinner when he placed his hands around it. She placed her lips on his neck when he carried her. He liked to buy her pieces of fruit.

She bought him a knit shirt with an alligator on the pocket, and they laughed about it. He put the tips of his fingers into her mouth when he made love to her. She pointed things in the landscape out to him from the corner of the backseat. He had a way of moving to her before she called him. He liked to leave her alone and then return to her. He gave her money. She gave him room on her pillow. He bought her pieces of hard candy to suck on. She bought him small tools. She leaned against him when she walked. He gave her towels to press on her stomach. She made little sounds when he lifted her: air forced out of her lungs when his hand took her weight through her back. He liked to prop her up with pillows in chairs. She sang very quietly in the dark in the tub. He thought of her, walking to his ball after he had driven. He bought her a curved shell from Africa to file her nails with. He liked the way she had given over control to him. She seemed very strong in the stolid way she accepted the places of her helplessness. He liked it that she was a real burden. She gave him a small hemostat. He bought her thin yogurt in small containers. He liked the feel of her arm across his back when he carried her, her hand like a soft hook on his shoulder. He bought her loose underwear. He liked to watch her in her glasses, reading, framed in the rearview mirror. She seemed to like to catch his eye in the mirror and smile. She bought him a small notebook in which to keep their accounts. He liked the strange smell of her breath. Sometimes her fingers would caress the arm of the chair in which she sat. They drank tea in the evenings. He made a picnic of fruits and vegetables at a rest stop. They did not talk about things in detail. She made liver pâté when there was a kitchen. They wrote no letters and received no mail. They had no friends.

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