David Mitchell - The Bone Clocks

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Following a scalding row with her mother, fifteen-year-old Holly Sykes slams the door on her old life. But Holly is no typical teenage runaway: a sensitive child once contacted by voices she knew only as “the radio people,” Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life.
For Holly has caught the attention of a cabal of dangerous mystics — and their enemies. But her lost weekend is merely the prelude to a shocking disappearance that leaves her family irrevocably scarred. This unsolved mystery will echo through every decade of Holly’s life, affecting all the people Holly loves — even the ones who are not yet born.
A Cambridge scholarship boy grooming himself for wealth and influence, a conflicted father who feels alive only while reporting from occupied Iraq, a middle-aged writer mourning his exile from the bestseller list — all have a part to play in this surreal, invisible war on the margins of our world. From the medieval Swiss Alps to the nineteenth-century Australian bush, from a hotel in Shanghai to a Manhattan townhouse in the near future, their stories come together in moments of everyday grace and extraordinary wonder.

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The squad car stops at a red light, and pedestrians stream across. “Maybe I can find the hospital’s number,” Holly says, getting her device from her handbag. “Athens isn’t such a big—”

“If you speak Greek,” says Brzycki, “go ahead, and good luck. Otherwise I’d keep your device free for incoming news. Don’t jump to the bleakest conclusions. We’ll use the emergency lane to get you on the eleven forty-five flight to Athens. You’ll be with Aoife soon.”

Holly puts her device back into her bag. “The police at home would never go to such trouble.” A cycle courier zips by and the traffic lurches forward. “How on earth did you find me, Officer?”

“Detective Marr,” says Brzycki. “Needles in haystacks really do get found. The precinct put out a Code Fifteen and although ‘slimbuilt female Caucasian in her fifties in a knee-length black raincoat’ hardly cuts the field down on a rainy day in Manhattan, your guardian angels were working overtime. Actually — it’s maybe not appropriate to say this at this time — but Sergeant Lewis up front there, he’s a big fan of yours. He was giving me a lift back from Ninety-eighth down to Columbus Circle, and Lewis said, ‘My God, it’s her!’ Isn’t that right, Tony?”

“Sure is. I saw you speak at Symphony Space, Ms. Sykes, when The Radio People was out,” says the driver. “After my wife died, your book was a light in the darkness. It saved me.”

“Oh, I’m …” Holly is in such a state that this rheumatic story passes muster, “… glad it helped.” The meat truck draws up alongside. “And I’m very sorry for your loss.”

“Thanks for saying so, Ms. Sykes. Truly.”

After a few seconds, Holly menus her device. “I’ll device Sharon, my sister. She’s in England, but perhaps she can find out more about Aoife from there.”

The stream flickers and dims. The cord’s thinning, I subwarn Ōshima. What have you found out about our host?

Her name’s Nancy, hates mice, she’s killed eight times, comes the delayed answer. A child soldier in South Sudan. This is her first job for Brzycki … Marinus, what’s “curarequinoline”?

Bad news. A toxin. One milligram can trigger a pulmonary collapse in ten seconds. Coroners never test for it. Why?

Nancy here and Brzycki have curarequinoline in their tranq guns. We can conclude it isn’t for self-defense.

“I’ll call my office again,” says Brzycki, helpfully. “See if they can’t get the name of your daughter’s hospital in Athens. Then at least you’ll have a direct line.”

“I can’t thank you enough.” Holly’s pale and sick-looking.

Brzycki flips down his wraparounds. “Anchor Two? Unit twenty-eight, you copying, Anchor Two?”

Unexpectedly, the earpiece in Nancy’s helmet comes to life, and through it I hear Immaculée Constantin. “Clear as a bell. All things considered, let’s play safe. Eliminate your guest.”

Shock boils up but I rally myself: Ōshima, get her out! But my only reply is a blast of blizzard down the overstretched cord. Ōshima can’t hear me, or he can’t respond, or both.

Clarity returns. “Copy that, Anchor Two,” Brzycki is saying, “but our present location is Fifth and East Sixty-eighth, where the traffic’s still at a dead halt. Might I advise that we postpone the last order as per—”

“Give the Sykes woman a tranq in each arm,” orders Constantin in her soft voice. “No postponement. Do it.”

I subshout hard, Ōshima, get her out get her out!

But no answer comes either from his soul or his inert body, propped up by mine on the bench, a block from the police car. All I can do is watch via the cord as an innocent woman, whom I lassoed into our War, is killed. I can’t transverse this distance, and even if I could I’d arrive too late.

“Understood, Anchor Two, will proceed as advised.” Brzycki nods at Lewis in the mirror, and at Nancy.

Holly asks, “Any luck with the hospital number, Detective Marr?”

“Our secretary’s on it.” Brzycki unholsters his tranq gun and flicks off the safety catch, while left-handed Nancy, through whose viewpoint I must watch, does the same.

“Why,” Holly’s voice changes, “do you need your guns?”

On reflex, I try to suasion Nancy to stop, but one cannot suasion down a cord and I just watch in horror as Nancy fires the tranq — at Brzycki’s throat, where a tiny red dot appears, on his Adam’s apple. The Anchorite touches it, astonished, then looks at the red dab on his fingers, looks at Nancy, utters, “What the …”

Brzycki slumps, dead. Lewis is shouting, as if under water, “Nancy, you outta your fuckin’ MIND ?” or that’s what Nancy thinks she hears, as she finds herself taking Brzycki’s gun and firing it point-blank into Lewis’s cheek. Lewis huffs out a falsetto vowel of disbelief. Nancy, whom Ōshima is suasioning ruthlessly, then finds herself clambering over Holly and onto the passenger seat as Lewis gibbers his last breath. She now cuffs herself to the steering wheel and unlocks the rear doors. As a parting gift, Ōshima redacts a broad swath of Nancy’s present perfect and induces unconsciousness before egressing her and ingressing the traumatized Holly. Ōshima psychosedates his new host immediately, and I watch Holly in the first person as she puts on her sunglasses, checks her head-wrap, climbs out of the squad car, and calmly walks back up Park Avenue toward the Frick. With a rip of corded feedback Ōshima’s voice returns: Marinus, can you hear me?

I dare feel relief. Breathtaking, Ōshima.

War, subreplies the old warrior, and now, logistics. We have a retired author in distinctive headgear leaving a patrol car containing two dead fake cops and one living fake cop. Ideas?

Get Holly back here and rejoin your body, I subadvise Ōshima. While you’re doing that, I’ll call L’Ohkna and ask for a catastrophic wipeout of all street cameras on the Upper East Side.

Ōshima-in-Holly strides along. Can that dope fiend do that?

If a way exists, he’ll find it. If no way exists, he’ll make one.

Then what? 119A evidently isn’t the fortress it once was.

Agreed. We’ll go to earth at Unalaq’s. I’ll ask her to come and rescue us. I’m uncording now, see you soon . I open my eyes. My umbrella is still half hiding Ōshima’s body and me, but a gray squirrel is sniffing my boot with curiosity. I swivel my foot. The squirrel is gone.

“HOME,” ANNOUNCES UNALAQ. She stops the car level with her front door, next to the Three Lives Bookstore on the corner of Waverly Place and West Tenth Street. Unalaq leaves the hazard lights on and helps me as I guide Holly across the pavement while Ōshima stands guard like a monk-assassin. Holly’s still doped from the psychosedation, and we’ve drawn the attention of a tall thin man with a beard and wire-framed glasses. “Hey, Unalaq, is everything okay?”

“All good, Toby,” says Unalaq. “My friend just flew in from Dublin, but she’s terrified of flying, so she took a sleeping pill to knock her out. It worked a bit too well.”

“Sure did. She’s still cruising at twenty thousand feet.”

“Next time she’ll stick with the glass of white, I think.”

“Call down to the shop later. Your books on Sanskrit are in.”

“Will do, Toby, thanks.” Unalaq’s found her keys but Inez has already opened the door. Her face is taut with worry, as if her partner, Unalaq, is the breakable mortal and not her. Inez nods at Ōshima and me and peers at Holly’s face with concern.

“She’ll be fine after a few hours’ sleep,” I say.

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