Porochista Khakpour - The Last Illusion

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The Last Illusion: краткое содержание, описание и аннотация

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From the critically acclaimed author of
comes a bold fabulist novel about a feral boy coming of age in New York, based on a legend from the medieval Persian epic
, the Book of Kings. In a rural Iranian village, Zal’s demented mother, horrified by the pallor of his skin and hair, becomes convinced she has given birth to a “White Demon.” She hides him in a birdcage and there he lives for the next decade. Unfamiliar with human society, Zal eats birdseed and insects, squats atop the newspaper he sleeps upon, and communicates only in the squawks and shrieks of the other pet birds around him.
Freed from his cage and adopted by a behavioral analyst, Zal awakens in New York to the possibility of a future. An emotionally stunted and physically unfit adolescent, he strives to become human as he stumbles toward adulthood, but his persistent dreams in “bird” and his secret penchant for candied insects make real conformity impossible. As New York survives one potential disaster, Y2K, and begins hurtling toward another, 9/11, Zal finds himself in a cast of fellow outsiders. A friendship with a famous illusionist who claims — to the Bird Boy's delight — that he can fly and a romantic relationship with a disturbed artist who believes she is clairvoyant send Zal’s life spiraling into chaos. Like the rest of New York, he is on a collision course with devastation.
In tones haunting yet humorous and unflinching yet reverential,
explores the powers of storytelling while investigating contemporary and classical magical thinking. Its potent lyricism, stylistic inventiveness, and examination of otherness can appeal to readers of Salman Rushdie and Helen Oyeyemi. A celebrated essayist and chronicler of the 9/11-era, Khakpour reimagines New York’s most harrowing catastrophe with a dazzling homage to her beloved city.

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She tried to smile and failed. She suddenly felt depressed, looking at the bird bones with bits of flesh and feather hanging on. She inspected the other boxes — they were worse, too much meat on their bones, too graphic, one even gathering some insects. “I don’t want to do this, Zal.”

She looked like she was going to cry suddenly.

“Do what?”

She pointed to the boxes. “I don’t want to show you them. I don’t even want to be here.”

He wished he could hold her, as he had done in the basement, but in the light, this next day, after that whirlwind of a day, the supposedly last day on earth, a small distance now revealed itself between them — normalcy, he guessed — and he couldn’t. “I don’t have to see the actual stuff. What about the art?”

“Some of it is the art,” she said. “Installation, sculpture. But I take photos of some. It’s just that they’re all pretty graphic.”

Zal suddenly felt a rush of courage bubble up inside him. The men of old movies were afraid of nothing, particularly when faced with their women’s fear. “I want to see a photo. Is there one you especially like? One you’d like to show me?”

She thought. And she thought. She paced a bit. Finally, after some minutes, she fished out a folder in which lots of oversize prints lay and she flipped through them, Zal only catching blurs of black here and there. She paused at one, looking up at Zal and back down at the photo, in a way that gave him chills. If he didn’t know better, he would have thought she was comparing him to it.

Self-conscious fallacy, Rhodes would say, faulty thinking rooted in insecurity alone. Vaporize it.

He vaporized it, and so when she finally, very gingerly, brought the print over to him, he really looked at it for what it was. She began immediately to explain it, but Zal didn’t hear her words, so transfixed he was by the image: a black bird, freshly dead, it seemed, suspended by strings in a state of posed flight.

It reminded him immediately of Silber and his faked flight.

It was, he had to admit, just as Silber’s act had been, beautiful. I bring them back to life, she had said. She did, in a way.

“I like it,” he said in a whisper.

“You don’t have to.”

She marched to the door and hit the lights and motioned for him to come along.

“What happened? Leaving so fast?” he asked.

She didn’t say anything until they were outside, back in the bright overcast world.

“It’s nice to know everything’s okay out here. Sometimes you have to check in on the world, Zal. We’re lucky to have this.”

“This what?

“This, like, era .”

Zal had no idea what she was talking about. He shrugged.

“I don’t know,” she said. “I told you about these feelings. Sometimes they’re good even! They’re reminders, at the very least.”

They said nothing for a few more steps.

He was still thinking of the photo — how nice it was, in a strange way. He thought of the human version — a corpse made to act like the living, a corpse dressed for tea, a corpse propped by a tree at a park, a corpse in pajamas with a book in bed. Now, that was somehow bad, in a way her photo was not, not at all. It filled him with a feeling of warmth, a honey-like hope. “I liked that bird you did,” he said. She did not answer.

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By the evening Zal’s answering machine was cluttered with messages from his father.

He finally called.

“So sorry,” he said. “I saw my friend again—”

“Zal, it occurs to me I haven’t had to tell you this before, but when you suddenly make friends overnight and decide to disappear for a full two days, well, fathers get quite worried. Please don’t do that again.”

“I am sorry.”

“So what happened?”

“Nothing.”

“Who is this friend?”

Zal paused. How to explain this. Even he didn’t fully grasp it. “Well, her name is Asiya.”

“A girl?”

“Yes,” Zal said, and added, just to hear himself say it, really, “I met a girl.”

картинка 25

Rhodes denied it was possible. Hendricks called him that next day to ask again what he had asked several times, and again he heard what Rhodes had always maintained.

“There hasn’t been a single case of a feral child having romantic, erotic, sexual, et cetera impulses towards the opposite sex — you know this, Tony,” Rhodes said, removing and then playing with his clear plastic-framed eyeglasses, watching the world go from outlines to nebulae, utterly bored by the question. “Or the same sex, for that manner. Or toward an animal even. Ferals, it seems — as you know — are apparently asexual.”

“But—”

“But, Anthony, what if a meteor struck my office right now? What if God is a megacomputer in the future? What if life actually is a dream? What if one day you could take a pill to live forever? Sure, sure, sure, anything is possible, right? What did Kafka say about that?”

“I don’t know, but—”

“You know, the thing about possibility and impossibility. My point is, sure, Zal may be the most successfully adaptive feral case in history, but please consider why you’re placing bets on that. Do you think it’s you who is special, not Zal?”

Hendricks could almost envision him twirling his clear frames by their stems. “Gerald, there is no need—”

“Look, I know all these feral cases are so unique and so unresearched and, yes, what you and I do is guesswork—”

“Gerald!”

“But really, Anthony—”

“Gerald!!!”

“To actually consider—”

“GERALD!!!”

His glasses fell out of his hand. “What?”

“What you and I do is very, very different, Gerald. My purpose with Zal is clear. I do one thing: love him.”

Rhodes picked the glasses up and placed them on the bridge of his nose, and the world came back into focus. “Ah, lovely! And I love working with him — and you, Anthony. But it’s work. I study this. You’ve studied this. And love him all you want, Anthony, but you have to put him in context. You can fill him with love, but can he turn that love back around to you or anyone else? Anthony, you know this, you knew this at least. He can only be so much. And for now, my educated yet humble opinion leads me to believe this: wish as we may, hope as we will, today, at least, Romeo he is not. Don’t worry about him in all this; worry more about that girl — if she indeed exists — and what the hell she is thinking.”

картинка 26

Zal and Asiya went on like that for a while, short meetings that he did not dare to call what they did in the movies, what his father joked about on yet another day when Zal was suddenly unavailable: dates. They never touched each other more than on the shoulder, on the back — a nudge, a bump, a brush. They had barely ever held hands. He didn’t understand why, but he badly wanted to.

There was only one woman’s hand he wanted to hold more badly, that he knew he couldn’t — well, or else shouldn’t — and that was Asiya’s sister’s.

Willa.

Soon after they met, it was Willa’s twentieth birthday, and Asiya invited Zal, telling him that she knew it was a bit awkward, but, well, believe it or not, Willa had absolutely no friends.

“I believe it,” said Zal. “I have absolutely no friends.”

So he went. Asiya had told him No presents, but just the mention of it reminded him he had to. All day he searched and searched. He was grateful he had saved up some money from his allowance — it seemed much nicer to be able to spend it on Willa than on insect treats. He had exactly $56.13.

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