Naguib Mahfouz - Morning and Evening Talk

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This unusual epic from the Nobel Laureate Naguib Mahfouz portrays five generations of one sprawling family against the upheavals of two centuries of modern Egyptian history.Set in Cairo,
traces three related families from the arrival of Napoleon to the 1980s, through short character sketches arranged in alphabetical order. This highly experimental device produces a kind of biographical dictionary, whose individual entries come together to paint a vivid portrait of life in Cairo from a range of perspectives. The characters include representatives of every class and human type and as the intricate family saga unfolds, a powerful picture of a society in transition emerges. This is a tale of change and continuity, of the death of a traditional way of life and the road to independence and beyond, seen through the eyes of Egypt's citizens. Naguib Mahfouz's last chronicle of Cairo is both an elegy to a bygone era and a tribute to the Egyptian spirit.

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During the period of political turmoil he became famous for his violence in dispersing demonstrations. He weathered successive attacks in the Wafdist newspapers, which damaged his public reputation to an extent, but raised his credibility at the mansion and with the English and granted him exceptional promotions.

“You entered the academy in the same year but he’s made the rank of captain and you’re still a second lieutenant,” Amr Effendi remarked to his son Hamid.

“He’s a traitor. The son of a pantofle-seller,” Surur, who was with them at the lunch table, said viciously. But Hasan and Hamid were friends as well as relatives and they became even closer when the latter married Shakira. Hasan was nearly killed during Sidqi’s time when bricks hit his head and neck. He spent an entire month in hospital. He was the most aggressive of his siblings toward his uncle Ahmad’s family when the disagreement divided the two brothers. Indeed, he came to blows with Adnan and beat him up at the mansion — a sad day in the history of the family. Hasan produced three sons, Mahmud, Sharif, and Omar; all of them fine specimens of good looks and intelligence. By the July Revolution he was a general and very rich, owing to his and his wife’s inheritances, but the revolution pensioned him off as part of a police purge. He exited on the same list as Hamid, though their friendship had broken down after Shakira’s divorce.

“We should sell our land. Fortune has turned on landowners,” he said to Zubayda.

The losses he suffered with the revolution did not compare with those of others in his class, including his cousin Adnan, but he still found himself in the opposite camp. He began acting like a supporter of the new revolution. He started selling off his and Zubayda’s land in bursts and used the money to set up a business on Sharif Street. He managed it himself and his wealth flourished. His sons, Mahmud, Sharif, and Omar, were educated in schools of the revolution. They were saturated with its philosophy and filled with the heroism of its leader. Hasan did not mind; rather, his sons and two brothers, Abduh and Mahir, provided a protection against the hurricanes of the day. His brothers were probably the reason his business escaped nationalization in 1961. When the disastrous event of June 5 took place, Mahmud, Sharif, and Omar had graduated as doctors and worked in government hospitals. The Setback that shook Nasser’s generation and dispersed it with the winds of loss and despair overtook them. Thus, the leader had barely died and Sadat taken over before Mahmud and Sharif emigrated to the United States to launch successful careers in medicine while Omar secured a contract to work in Saudi Arabia. Hasan found purpose and consolation for past defeats in Sadat and his infitah policy. He buckled down to work and illusory wealth. He built a mansion in Mohandiseen for himself and his wife and lived the life of a king, dreaming his sons would one day return and inherit the millions he had accumulated for them. His life ended in an accident in the 1980s: he was driving his Mercedes along Pyramids Road when it flipped and caught fire. They extracted his body from it, blackened, stripped of the world and its millions.

Husni Hazim Surur

He was Hazim and Samiha’s first child. He had a sporty build, a handsome face, and a brilliant mind. He grew up in comfort in the villa in Dokki and graduated as an engineer in 1976. Like his brother, he encountered no problems in life and did not know the worry of party affiliations, and, like his father, he proceeded down the path of fortune and success in his father’s office. Samiha tried to control him, as she did his father, but found him insubordinate. Like her, he would get worked up over the smallest things. She perceived a dangerous unruliness in him so was keen to arrange his marriage, but he told her clearly, “It’s nothing to do with you.”

“But you’re just a child,” she said angrily.

He laughed loudly and looked toward his father, who avoided his eyes.

“It’s my life,” he said.

“You don’t know anything about a good marriage.”

“What’s a ‘good marriage’?” he inquired sardonically.

“Roots and money. They’re synonymous!” she shouted back.

“Thanks, then I don’t need a fiancée!” he continued in his sardonic tone.

He fell in love with a dancer called Agiba from one of the Pyramid nightclubs and, as his feelings were more than a passing whim, suggested they get married.

“If it wasn’t love I’d never accept the shackles of marriage,” she said.

He was overjoyed, but she made it a condition that he allow her to continue her art, which he contemplated worriedly before saying, “Let’s remain as we are in that case.”

“No. Then we can both go our own ways,” she snapped back.

He acquiesced in spite of himself and married her. His brother, Adham, was the first to know, his father the second. When the news reached Samiha she raised a storm that brought the servants running and prompted inquiries from the neighbors. Husni moved to an apartment his wife owned on Pyramids Road.

“I haven’t given up my art because the cinema has started to take notice of me,” she said to him.

However, it became clear that the path to recognition was not easy and required him to set up a production company for his wife’s genius. He knew his father no longer had the confidence in him that he used to, so asked for his share of the business capital to dedicate to the new venture. His father granted the wish, saying, “Keep it between you and me.” With this, Husni cut himself off from his mother, and indeed the whole family. He produced two films for Agiba, neither of which brought her fame. Reports of a suspicious relationship between her and a supporting actor called Rashad al-Gamil reached his ears. He watched the two until he caught them in a furnished apartment in Agouza. He beat her to death and was charged and sentenced to fifteen years. Relatives learned his news from the newspapers and, before that, from gossip. More than one of them exclaimed, “Lord have pity! Son of Hazim, the son of Surur Effendi, God have mercy on him.”

Hakim Hussein Qabil

Anyone who looked into his wide brown eyes was dazzled by their beautiful shape and bright shine, and his large head and thick hair lent him dignity. He was the third child of Amr Effendi’s daughter Samira and her husband, Hussein Qabil, the antique dealer in Khan al-Khalili. Ibn Khaldun Street, where his family lived in an apartment block, was the amphitheater of his childhood and youth, al-Zahir Baybars Garden his playground. As well as being intelligent and a high achiever, he was fond of gambling from an early age, starting with dominoes and backgammon and later gravitating to poker and rummy. He was known for his close friendship with one of the neighbors. They were together through primary and secondary school, then Hakim went to the faculty of commerce, the other to the war college. Hakim knew all his mother’s relatives — the families of Amr, Surur, al-Murakibi, and Dawud — just as he did his father’s. His uncles Amer and Hamid were baffled by his political stance, which rejected, or seemed to reject, the situation in its entirety.

“I think the treaty is a great achievement for the Wafd!” Hamid said to him.

“It has several negatives. I don’t believe in political parties,” he replied.

“The Muslim Brothers buy and sell religion and Misr al-Fatah are Fascist agents!”

“Not all of them.”

“So what do you believe in?”

“Nothing.”

Amer gave a light-hearted laugh. “A dissonant chord in the family,” said Hamid.

Hakim graduated during the Second World War, not long after his father died, and was appointed to the tax office. It was not long before he fell in love with a colleague called Saniya Karam, married her, and moved with her to an apartment in West Abbasiya. She gave birth to Hussein and Amr and life looked set to follow the familiar routine from start to finish. Then came the July Revolution and his best friend was one of its star players. The future hatched new dimensions no one would have imagined. At an opportune moment he was appointed manager of the distributions office at one of the major newspapers and his salary leaped from the tens to the hundreds with a stroke of the pen. His position sent ripples through the family tree from bottom to top. Samira’s family cried for joy and Amr’s family were pleased in spite of their shattered Wafdist dreams. As for the antagonists in the Murakibi and Dawud families, they remarked sarcastically, “Corruption used to be humble. Now it’s greedy.”

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