Christian Jungersen - You Disappear

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You Disappear: краткое содержание, описание и аннотация

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An unnerving and riveting psychological drama that challenges our notions of how we view others and how we construct our own sense of self. Mia is an elementary schoolteacher in Denmark, while her husband, Frederik, is the talented, highly respected headmaster of a local private school. During a vacation in Spain, Frederik has an accident and his visit to the hospital reveals a brain tumor that is gradually altering his personality, confirming Mia's suspicions that her husband is no longer the man he used to be. Now she must protect herself and their teenage son, Niklas, from the strange, blunted being who lives in her husband's body — and with whom she must share her home, her son, and her bed.
When it emerges that one year ago Frederik had defrauded his school of millions of crowns, the consequences of his condition envelope the entire community. Frederick's apparent lack of concern doesn't help, and longstanding friendships with colleagues are thrown by the wayside. Increasingly isolated, Mia faces more tough questions. Had his illness already changed him back then when he still seemed so happy? What are the legal ramifications?
In her support group for spouses of people with brain injuries, Mia meets a defense attorney named Bernhard. Together they help prepare for Frederik's court case by immersing themselves in the latest brain research and in classic philosophical questions of free will, while simultaneously navigating the uncertain waters of their growing mutual infatuation. Jungersen's clear, spare prose and ceaseless plot twists will keep readers hooked until the last page.

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I’m always so unhappy when I wake from these dreams. Why the hell do I still love him when I’m asleep?

I turn on the light and get up. I want to go out and pee — and more than that, to stretch my legs and try to drive the dream from my body. I open the door to the hallway and there’s Niklas, standing outside my room.

He’s had his Kurt Cobain hair chopped off. He’s just as handsome without it, and now he looks even more like a man.

“What’s the matter?” I ask.

“You were talking.”

“Did I scream?”

“Yeah.”

“Sorry if I woke you. It was just a dream.”

Of course he’s been upset that his father and I are no longer together: nonetheless, I’d say my relation to him has improved. Since our talk by the freeway, there have been days now and then when he lets me in on something he’s been doing or thinking.

I suppose I’m still waking up as I tell him about the dream. As soon as I finish, he asks, “Do you think you might still love Dad?”

“Yes, definitely.”

But I need to find the right balance — more openness between us, but not too much. I don’t want to get him tangled up in all my layers of doubt.

Will I end up in a situation like last time if I go through with the divorce? There’s something within me that I don’t recognize. Last time I threw Frederik out I was happy, I wanted to paint, I wanted to meet another man. I had tons of plans. And then it all went south, and I’ve never understood why. Perhaps I simply can’t live without him. Which is precisely what Frederik says.

And my fear of dying without him — in some solitary fit of madness in the night — feels an awful lot like love.

Niklas shouldn’t be involved in any of this. He should hear nothing but what I’m convinced, 90 percent of the time anyway, is the truth.

I look him in the eye, the way he and I are able to now, my son and I, the two of us alone in the dark hallway.

“But I love Bernard even more,” I say. “I had to do it, Niklas. I love Bernard in another way.”

He stands still, listening, his short hair above me.

“I had to. I didn’t have any choice.”

• • •

It’s the day before the trial is scheduled to begin. Frederik’s fired Bernard, though I did what I could to dissuade him.

On the news, they’re reporting an industrial fire at a factory fifty miles west of Copenhagen. Twelve workers died in the explosion that started it, and firemen have been called in from all the neighboring cities.

I have TV2 News turned up loud while I clean so I can follow the story. They’re warning people within a three-mile radius against going outside because of the chemicals in the air. But the rest of us, they say, should go out and watch the sunset tonight. The vast quantity of soot particles in the atmosphere won’t be visible to the eye, but they’ll act like a filter, only letting through the sun’s red rays. If the clouds dissipate, the evening sky will turn blood-red like it’s never been seen in Denmark before.

Maybe I’ll step out for a bit to see it, but with my new life I’ve gotten behind on math assignments in all my classes. Tonight’s my last chance to correct them before the trial begins; starting tomorrow, I can’t expect to be able to concentrate on anything other than the sentence that the panel of judges will hand down.

The phone rings. It’s Frederik, and I assume he’s worried about tomorrow too. But no. Some way or another, he’s heard about Bernard’s brain injury, and that’s the only thing he wants to talk about.

After a short while I have to interrupt him.

“Frederik, I’m happy to talk about your case if you want. I’m terribly anxious too. We all are. But you’re going to have to stop criticizing Bernard and running him down. I don’t want to hear it!”

“But he’s been soaking in an artificial bath of hormones that’s turned him into a teddy bear.”

“Frederik, if you don’t change the subject, I’m going to have to hang up.”

“Do you really want a love robot like that instead of a real man?”

“Bernard’s the man I’ve dreamt about for a very long time. Now let’s talk about something else.”

“Surely you have to admit that—”

I hang up the phone.

• • •

It’s early evening, and I’m actually making good headway on the assignments when there comes a knock on the door. Niklas is down by the marina with Emilie and some friends, so I think it might be him and he’s forgotten his keys.

But it’s Frederik.

“I don’t want to discuss it anymore,” I say right away.

“We won’t. I understand that.”

“So what’s up then? What do you want?”

“To show you something.”

He doesn’t look angry. He looks gentle, radiant, kind. Like he’s in a good mood, yet at the same time miles from the manic high spirits of his illness.

“What sort of something?” I ask.

“Something outside.”

“You mean the sunset? I can see that by myself. I heard about it on the news.”

“Just come with me. It’ll be a surprise.”

“First I want to know what it is you’d like to show me.”

“Mia, trust me. It’s something nice. You won’t regret it.”

I think about Niklas; his father and I ought to try and cultivate a good relationship with each other. And I think of the trial tomorrow. It’ll have a major impact on all of our lives, Frederik’s most of all; he must be terrified. So I put on my jacket.

He gets four cushions out of the large closet in what used to be his room. We’re going somewhere outside, apparently. That must be it — the sunset from some special place he’s found.

We don’t say much as he leads the way through Farum Midtpunkt. The sky is already amazing, and there’s still half an hour before the sun goes down. A peculiar violet shade, not only in the west but also above us and to the east. He seems tense, but cheerful as well. I don’t think there’s any reason for me to be nervous.

“Any new developments in your case?” I ask.

He doesn’t reply, just smiles mysteriously.

We head down toward the train station.

“Have you gotten a job at a school?”

“No, I haven’t. But it’ll be great at the corner shop too,” he says. As if in another week he won’t in all likelihood be sitting in jail.

From the station he takes me down Station Road.

“Are we going home? Frederik, what are you trying to do?”

Once more I grow uneasy. Is he sick again? Is he aware of what he’s doing?

But then I see our house. I haven’t been here since we moved. There are new curtains and the hedge is higher; I would have trimmed it. The garbage cans and the wicker enclosure around them have been moved, and it actually looks pretty nice; that’s something we could have done too. They’ve painted the door, and through the windows I can see one of those new origami lamps in the living room.

Frederik walks up to the gate and opens it.

“Frederik, it’s theirs now. We can’t just walk in there.”

“I met Jens at The Square,” he says. “He said that the new owners are on holiday for two weeks.”

And then he strolls into the yard, as if nothing’s happened.

“I’m really not sure that …”

But somehow he gets me to join him anyway.

My flowers and bushes have grown like mad during the past three months. I planted the trumpetweed last year and have never seen it like this. Everything’s a little wilder than when it was mine. By next year it might be unmanageable, but right now — with the phlox and the asters blooming, the weigela fading, and night about to fall — the hint of neglect only makes the yard seem that much more fertile and lush.

“Come,” he says. He takes my hand and leads me around to the backyard. I follow gladly.

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