John Passos - The 42nd Parallel

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With his U.S.A. trilogy, comprising THE 42nd PARALLEL, 1919, and THE BIG MONEY, John Dos Passos is said by many to have written the great American novel. While Fitzgerald and Hemingway were cultivating what Edmund Wilson once called their “own little corners”, John Dos Passos was taking on the world. Counted as one of the best novels of the twentieth century by the Modern Library and by some of the finest writers working today, U.S.A. is a grand, kaleidoscopic portrait of a nation, buzzing with history and life on every page.
The trilogy opens with THE 42nd PARALLEL, where we find a young country at the dawn of the twentieth century. Slowly, in stories artfully spliced together, the lives and fortunes of five characters unfold. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie make cameo appearances.
“David Drummond is fully invested in the project…. His interpretation fits Dos Passos’s unique style…Drummond’s approach brings listeners into this distinctive fictional world with fervor and energy.” — AudioFile
“The single greatest novel any of us have written, yes, in this country in the last one hundred years.” — Norman Mailer

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Outside of the Strenuous Life and a lovely girl to fall in love with him there was one thing Johnny Moorehouse’s mind dwelt on as he sat at his desk listing desirable five and sevenroom dwelling-houses, drawingroom, diningroom, kitchen and buder’s pantry, three master’s bedrooms and bath, maid’s room, water, electricity, gas, healthy location on gravelly soil in restricted residential area: He wanted to be a songwriter. He had a fair tenor voice and could carry Larboard Watch Ahoy or I Dreamed I Dwelt in Marble Halls or Through Pleasures and Palaces Sadly I Roam very adequately. Sunday afternoons he took music lessons with Miss O’Higgins, a shriveled little Irishwoman, unmarried, of about thirtyfive, who taught him the elements of the piano and listened with rapture to his original compositions that she took down for him on musicpaper that she had all ready ruled when he came. One song that began

Oh, show me the state where the peaches bloom

Where maids are fair… It’s Delaware

she thought good enough to send to a music publisher in Philadelphia, but it came back, as did his next composition that Miss O’Higgins — he called her Marie by this time and she declared she couldn’t take any money from him for her lessons, at least not until he was rich and had made a name for himself — that Marie cried over and said was as beautiful as MacDowell. It began

The silver bay of Delaware

Rolls through peachblossoms to the sea

And when my heart is bowed with care

Its memory sweet comes back to me.

Miss O’Higgins had a little parlor with gilt chairs in it where she gave her music lessons. It was very heavily hung with lace curtains and with salmoncolored brocaded portieres she had bought at an auction. In the center was a black walnut table piled high with worn black leather albums. Sunday afternoons after the lesson was over she’d bring out tea and cookies and cinnamon toast and Johnny would sit there sprawled in the horsehair armchair that had to have a flowered cover over it winter and summer on account of its being so worn and his eyes would be so blue and he’d talk about things he wanted to do and poke fun at Mr. Hillyard and Mr. Miller and she’d tell him stories of great composers, and her cheeks would flush and she’d feel almost pretty and feel that after all there wasn’t such a terrible disparity in their ages. She supported by her music lessons an invalid mother and a father who had been a wellknown baritone and patriot in Dublin in his younger days but who had taken to drink and she was madly in love with Johnny Moorehouse.

Johnny Moorehouse worked on at Hillyard and Miller’s sitting in the stuffy office, chafing when he had nothing to do until he thought he’d go mad and run amok and kill somebody, sending songs to the music publishers that they always sent back, reading the Success Magazine , full of sick longing for the future: to be away from Wilmington and his father’s grumbling and pipesmoking and the racket his little brothers and sisters made and the smell of corned beef and cabbage and his mother’s wrinkled crushed figure and her overworked hands.

But one day he was sent down to Ocean City, Maryland, to report on some lots the firm had listed there. Mr. Hillyard would have gone himself only he had a carbuncle on his neck. He gave Johnny the return ticket and ten dollars for the trip.

It was a hot July afternoon. Johnny ran home to get a bag and to change his clothes and got down to the station just in time to make the train. The ride was hot and sticky down through peachorchards and pinebarrens under a blazing slaty sky that flashed back off sandy patches in scraggly cornfields and whitewashed shacks and strips of marshwater. Johnny had taken off the jacket of his gray flannel suit and folded it on the seat beside him to keep it from getting mussed and laid his collar and tie on top of it so that they’d be fresh when he got in, when he noticed a darkeyed girl in a ruffled pink dress and a wide white leghorn hat sitting across the aisle. She was considerably older than he was and looked like the sort of fashionably dressed woman who’d be in a parlorcar rather than in a daycoach. But Johnny reflected that there wasn’t any parlorcar on this train. Whenever he wasn’t looking at her, he felt that she was looking at him.

The afternoon grew overcast and it came on to rain, big drops spattered against the car windows. The girl in pink ruffles was struggling to put her window down. He jumped over and put it down for her. “Allow me,” he said. “Thanks.” She looked up and smiled into his eyes. “Oh, it’s so filthy on this horrid train.” She showed him her white gloves all smudged from the windowfastenings. He sat down again on the inside edge of his seat. She turned her full face to him. It was an irregular brown face with ugly lines from the nose to the ends of the mouth, but her eyes set him tingling. “You won’t think it’s too unconventional of me if we talk, will you?” she said, “I’m bored to death on this horrid train, and there isn’t any parlorcar though the man in New York swore that there was.”

“I bet you been traveling all day,” said Johnny, looking shy and boyish.

“Worse than that. I came down from Newport on the boat last night.”

The casual way she said Newport quite startled him. “I’m going to Ocean City,” he said.

“So am I. Isn’t it a horrid place? I wouldn’t go there for a minute if it weren’t for Dad. He pretends to like it.”

“They say that Ocean City has a great future… I mean in a kind of a realestate way,” said Johnny.

There was a pause.

“I got on in Wilmington,” said Johnny with a smile.

“A horrid place, Wilmington… I can’t stand it.”

“I was born and raised there… I suppose that’s why I like it,” said Johnny.

“Oh, I didn’t mean there weren’t awfully nice people in Wilmington… lovely old families… Do you know the Rawlinses?”

“Oh, that’s all right… I don’t want to spend all my life in Wilmington, anyway… Gosh, look at it rain.”

It rained so hard that a culvert was washed out and the train was four hours late into Ocean City. By the time they got in they were good friends; it had thundered and lightened and she’d been so nervous and he’d acted very strong and protecting and the car had filled up with mosquitoes and they had both been eaten up and they’d gotten very hungry together. The station was pitchblack and there was no porter and it took him two trips to get her bags out and even then they almost forgot her alligatorskin handbag and he had to go back into the car a third time to get it and his own suitcase. By that time an old darkey with a surrey had appeared who said he was from the Ocean House. “I hope you’re going there too,” she said. He said he was and they got in though they had no place to put their feet because she had so many bags. There were no lights in Ocean City on account of the storm. The surreywheels ground through a deep sandbed; now and then that sound and the clucking of the driver at his horse were drowned by the roar of the surf from the beach. The only light was from the moon continually hidden by driving clouds. The rain had stopped but the tense air felt as if another downpour would come any minute. “I certainly would have perished in the storm if it hadn’t been for you,” she said; then suddenly she offered him her hand like a man: “My name’s Strang… Annabelle Marie Strang…. Isn’t that a funny name?” He took her hand. “John Moorehouse is mine… Glad to meet you, Miss Strang.” The palm of her hand was hot and dry. It seemed to press into his. When he let go he felt that she had expected him to hold her hand longer. She laughed a husky low laugh. “Now we’re introduced, Mr. Moorehouse, and everything’s quite all right… I certainly shall give Dad a piece of my mind. The idea of his not meeting his only daughter at the station.”

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