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John Passos: The 42nd Parallel

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John Passos The 42nd Parallel

The 42nd Parallel: краткое содержание, описание и аннотация

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With his U.S.A. trilogy, comprising THE 42nd PARALLEL, 1919, and THE BIG MONEY, John Dos Passos is said by many to have written the great American novel. While Fitzgerald and Hemingway were cultivating what Edmund Wilson once called their “own little corners”, John Dos Passos was taking on the world. Counted as one of the best novels of the twentieth century by the Modern Library and by some of the finest writers working today, U.S.A. is a grand, kaleidoscopic portrait of a nation, buzzing with history and life on every page. The trilogy opens with THE 42nd PARALLEL, where we find a young country at the dawn of the twentieth century. Slowly, in stories artfully spliced together, the lives and fortunes of five characters unfold. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie make cameo appearances. “David Drummond is fully invested in the project…. His interpretation fits Dos Passos’s unique style…Drummond’s approach brings listeners into this distinctive fictional world with fervor and energy.” — AudioFile “The single greatest novel any of us have written, yes, in this country in the last one hundred years.” — Norman Mailer

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“Scared cat… Shanty Irish… Bowlegged Murphy… Running home to tell the cop”… would yell the Polak and Bohunk kids between snowballs. They made their snowballs hard by pouring water on them and leaving them to freeze overnight; if one of those hit him it drew blood.

The backyard was the only place you could really feel safe to play in. There were brokendown fences, dented garbage cans, old pots and pans too nearly sieves to mend, a vacant chickencoop that still had feathers and droppings on the floor, hogweed in summer, mud in winter; but the glory of the McCrearys’ backyard was Tony Harriman’s rabbit hutch, where he kept Belgian hares. Tony Harriman was a consumptive and lived with his mother on the ground floor left. He wanted to raise all sorts of other small animals too, raccoons, otter, even silver fox, he’d get rich that way. The day he died nobody could find the key to the big padlock on the door of the rabbit hutch. Fainy fed the hares for several days by pushing in cabbage and lettuce leaves through the double thickness of chickenwire. Then came a week of sleet and rain when he didn’t go out in the yard. The first fine day, when he went to look, one of the hares was dead. Fainy turned white; he tried to tell himself the hare was asleep, but it lay gawkily stiff, not asleep. The other hares were huddled in a corner looking about with twitching noses, their big ears flopping helpless over their backs. Poor hares; Fainy wanted to cry. He ran upstairs to his mother’s kitchen, ducked under the ironing board and got the hammer out of the drawer in the kitchen table. The first time he tried he mashed his finger, but the second time he managed to jump the padlock. Inside the cage there was a funny, sour smell. Fainy picked the dead hare up by its ears. Its soft white belly was beginning to puff up, one dead eye was scaringly open. Something suddenly got hold of Fainy and made him drop the hare in the nearest garbage can and run upstairs. Still cold and trembling, he tiptoed out onto the back porch and looked down. Breathlessly he watched the other hares. By cautious hops they were getting near the door of the hutch into the yard. One of them was out. It sat up on its hind legs, limp ears suddenly stiff. Mom called him to bring her a flatiron from the stove. When he got back to the porch the hares were all gone.

That winter there was a strike in the Chadwick Mills and Pop lost his job. He would sit all day in the front room smoking and cursing:

“Ablebodied man by Jesus, if I couldn’t lick any one of those damn Polaks with my crutch tied behind my back… I says so to Mr. Barry; I ain’t goin’ to join no strike. Mr. Barry, a sensible quiet man, a bit of an invalid, with a wife an’ kiddies to think for. Eight years I’ve been watchman, an’ now you give me the sack to take on a bunch of thugs from a detective agency. The dirty pugnosed son of a bitch.”

“If those damn lousy furreners hadn’t a walked out,” somebody would answer soothingly.

The strike was not popular on Orchard Street. It meant that Mom had to work harder and harder, doing bigger and bigger boilersful of wash, and that Fainy and his older sister Milly had to help when they came home from school. And then one day Mom got sick and had to go back to bed instead of starting in on the ironing, and lay with her round white creased face whiter than the pillow and her watercreased hands in a knot under her chin. The doctor came and the district nurse, and all three rooms of the flat smelt of doctors and nurses and drugs, and the only place Fainy and Milly could find to sit was on the stairs. There they sat and cried quietly together. Then Mom’s face on the pillow shrank into a little creased white thing like a rumpled up handkerchief and they said that she was dead and took her away.

The funeral was from the undertaking parlors on Riverside Avenue on the next block. Fainy felt very proud and important because everybody kissed him and patted his head and said he was behaving like a little man. He had a new black suit on, too, like a grownup suit with pockets and everything, except that it had short pants. There were all sorts of people at the undertaking parlors he had never been close to before, Mr. Russell, the butcher and Father O’Donnell and Uncle Tim O’Hara who’d come on from Chicago, and it smelt of whisky and beer like at Finley’s. Uncle Tim was a skinny man with a knobbed red face and blurry blue eyes. He wore a loose black silk tie that worried Fainy, and kept leaning down suddenly, bending from the waist as if he was going to close up like a jackknife, and whispering in a thick voice in Fainy’s ear.

“Don’t you mind ’em, old sport, they’re a bunch o’ bums and hypocrytes, stewed to the ears most of ’em already. Look at Father O’Donnell the fat swine already figurin’ up the burial fees. But don’t you mind ’em remember you’re an O’Hara on your mother’s side. I don’t mind ’em, old sport, and she was my own sister by birth and blood.”

When they got home he was terribly sleepy and his feet were cold and wet. Nobody paid any attention to him. He sat whimpering on the edge of the bed in the dark. In the front room there were voices and a sound of knives and forks, but he didn’t dare go in there. He curled up against the wall and went to sleep. Light in his eyes woke him up. Uncle Tim and Pop were standing over him talking loud. They looked funny and didn’t seem to be standing very steady. Uncle Tim held the lamp.

“Well, Fainy, old sport,” said Uncle Tim giving the lamp a perilous wave over Fainy’s head. “Fenian O’Hara McCreary, sit up and take notice and tell us what you think of our proposed removal to the great and growing city of Chicago. Middletown’s a terrible bitch of a dump if you ask me… Meanin’ no offense, John… But Chicago… Jesus God, man, when you get there you’ll think you’ve been dead and nailed up in a coffin all these years.”

Fainy was scared. He drew his knees up to his chin and looked tremblingly at the two big swaying figures of men lit by the swaying lamp. He tried to speak but the words dried up on his lips.

“The kid’s asleep, Tim, for all your speechifyin’… Take your clothes off, Fainy, and get into bed and get a good night’s sleep. We’re leavin’ in the mornin’.”

And late on a rainy morning, without any breakfast, with a big old swelltop trunk tied up with rope joggling perilously on the roof of the cab that Fainy had been sent to order from Hodgeson’s Livery Stable, they set out. Milly was crying. Pop didn’t say a word but sucked on an unlit pipe. Uncle Tim handled everything, making little jokes all the time that nobody laughed at, pulling a roll of bills out of his pocket at every juncture, or taking great gurgling sips out of the flask he had in his pocket. Milly cried and cried. Fainy looked out with big dry eyes at the familiar streets, all suddenly odd and lopsided, that rolled past the cab; the red bridge, the scabshingled houses where the Polaks lived, Smith’s and Smith’s corner drugstore… there was Billy Hogan just coming out with a package of chewing gum in his hand. Playing hookey again. Fainy had an impulse to yell at him, but something froze it… Main with its elms and street cars, blocks of stores round the corner of Church, and then the fire department. Fainy looked for the last time into the dark cave where shone entrancingly the brass and copper curves of the engine, then past the cardboard fronts of the First Congregational Church, The Carmel Baptist Church, St. Andrew’s Episcopal Church built of brick and set catercornered on its lot instead of straight with a stern face to the street like the other churches, then the three castiron stags on the lawn in front of the Commercial House, and the residences, each with its lawn, each with its scrollsaw porch, each with its hydrangea bush. Then the houses got smaller, and the lawns disappeared; the cab trundled round past Simpson’s Grain and Feed Warehouse, along a row of barbershops, saloons and lunchrooms, and they were all getting out at the station.

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