David Ohle - The Devil in Kansas

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Three short novels by the author of the cult classic Motorman
COTTAGE INDUSTRY
A bloody family drama about the bastard child of Charles Manson
After aiding in the murder of his aunt, Charles Manson's illegitimate son starts his own home euthanasia business.
Frequently interrupted by a PBS radio broadcast on American culture, Junior and Lorna capitalize on the population's desire to end the suffering of their family members with quick and painless death while living in their parents' basement. As the business grows, so does Junior's love for the job.
WIND WAGON
An absurdist western for the screen
After killing a gold prospector, shooting his own foot with a rifle, and killing a smithy, Howard Dewey sits in a jail cell, marking his time on the wall with lampblack, watching crickets copulate, sticking pill bugs in his ears, and memorizing the Bible.
While Dewey's beard grows longer, his failed partner in crime, Jonah, settles down on a worthless homestead to farm prairie dogs with his mail-order bride from Kansas City. A baby boy is born to them, four months premature with a birthmark the shape of a vestigial third eye.
Meanwhile, her entire family put in the ground by Dewey and Jonah, Miss Katie Binder, a woman with the power to heal all addictions, waits in an empty house for the legendary wind wagon to come tearing across the desert.
THE DEVIL IN KANSAS
Philip K. Dick meets the Cohen Brothers
After Sherry lights her house on fire with her motocross star husband trapped inside, she sets out on a road trip with her seventeen-year-old son, Joey — a talented musical saw player — across the country and into a bizarre alternate universe called Witchy Toe, which Joey has previously visited. Like Terry Gilliam's Brazil or the corporate world of Kafka, the rules in this alien city change daily, on the whims of unseen masters. As they struggle to survive in this strange new world, Sherry's not-quite-dead husband sets out on a slaughtering rampage from Colorado to the heart of Texas.

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In a police station, the officer on duty eats tamales at his desk. Vickie enters, breathless.

“Can I help you, lady?”

“I wanna report a murder…maybe two.”

“One or two murders? And you wanna report them?”

“Yes. Maybe more than two.”

“Okay, have a seat over there. I’ll be with you in a minute.”

Vickie waits nervously. In a small office at the end of a hall, an officer reads the Weekly World News . A radio on his desk is tuned to a talk show. Someone says, “Status symbols like cars, expensive clothes, luxurious homes, and swimming pools often confuse visitors to the United States. Most Arabs, Latins and Africans, for example, are accustomed to a two-class system in which privilege exists only when accompanied by wealth. Classes are polarized and there are just two: rich and poor. Because the United States economy operates on the basis of a mass market, blue-collar workers, miners, farmers, even people on welfare, own goods that represent great wealth elsewhere. In terms of hours of work, the cost for such luxuries here is low. Understandably, the man from Ecuador, for example, assumes that the owner of a car in the United States is rich, but…”

The officer switches to a C&W station. Johnny Cash sings, “I shot a man in Reno, just to watch him die.”

Ray, he’s on probation. They make him wear one of those “house arrest” things, where they put a little ankle bracelet on you that tells them where you are all the time. And, of course, they cancelled his wife’s policy. So he’s flat broke again. He just cuts the lawn all the time now. It never stops, the sound of that mower. They told him they might give him a piss test at any time, and that he couldn’t drink at all, not even a beer. I wouldn’t be at all surprised if Ray offed himself this winter when the grass dies. And my daddy, he works for the post office now. He got his old friend Wayne’s job after Wayne died. They said Wayne had eye cancer. I never knew you could get cancer in the eye. Is there anything in your whole body you can’t get cancer of? Can you get cancer of the heart?

Vickie moved out, of course, considering all the shit that happened. Her and Daddy are in the process of getting divorced. She’s working down at the Tamale House, which used to be the Squat ‘n’ Gobble. She’s been going with that moron, Walter, the meat cutter. Compared to him, Daddy was a real bright light.

Mickey marches up the street in summer postal gear, delivering mail to those houses that aren’t abandoned, burned out or boarded up. He too wears an electronic device around the ankle. Stray dogs growl at him as he passes. He has his pepper spray in hand. One dog leaps at him, but he squirts it in the eyes and the dog runs off whining.

The newly-remodeled Squat ‘n’ Gobble, now called the Casa de Tamal, features a busy drive-thru. Vickie works the window, bagging bundles of tamales and passing them into cars.

Walter drives up in his meat truck. On the radio, Ricky Nelson sings “Garden Party.”

“Hey, Baby. Gimme three bundles and a Big Gulp Coke. How you doing?”

“I feel good.”

“Wanna go out tonight? It’s Friday.”

“Where to?”

“Let’s rent a movie and go over to my place.”

“Okay.” Vickie hands him his order. “What about The Treasure of the Sierra Madre ?”

The driver of the next car in line blows the horn.

“Ummm, yeah. Or maybe Night of the Living Dead . We’ll stay up late, till we fall asleep.”

Other horns blow.

In Myra’s trailer, at the dining table, she pecks furiously at her laptop. She fills her cup with strong coffee, adds lots of sugar. On a shelf behind her are multiple copies of her novel, Deathcraft . At least six cats sleep around or scratch the sofa.

One of the bedroom doors opens and out steps Lorraine, tucking in her Animal Control shirt, then combing back her short hair. She kisses Myra on the cheek. “What about lunch?”

“Perfect. I gotta be downtown for my book signing anyway.”

“We’re on, then. The tamale place?”

“Around twelve fifteen.”

In Lorna and Junior’s room, the sound of a ventilator in the background blends with the soft yak of the Shopping Channel. Lorna, fat and pregnant, sits trancelike in a chair, eating a cream-filled doughnut, drinking a diet Mr. Pibb, watching the Shopping Channel.

Me? I’m too pregnant to work or anything, so I just stay home and take care of poor Junior.

Junior lies in a vegetative state, hooked to a ventilator and a feeding tube.

Lorna finishes the last bit of doughnut, turns her attention to the Shopping Channel as its hucksters offer bargains on cheap jewelry.

The Wind Wagon

The body rounded in front, something in shape like a boat, to overcome the resistance of the air. The wheels are remarkably light, large and slender and the whole vehicle strongly built. Two masts, somewhat raked, carry large, square sails, rigged like ships’ sails with halyards, braces, etc., etc. In front is a large coach lamp to travel by night when the wind is favorable; and it is steered by a helm attached to the fore-wheels. A crank and hand-wheels allow it to be propelled by hand when wind and tide are against them.

— Leslie’s Illustrated Magazine, 1860

A buffalo camp Kansas prairie 1873 Canvas tents and several muledrawn - фото 2

A buffalo camp, Kansas prairie, 1873. Canvas tents and several mule-drawn wagons define the camp’s edges. One wagon’s bed is filled with bleached buffalo bones, another’s with pelts, yet another serves as a chuck wagon. Near an Indian tepee, a bit removed from the camp proper, buffalo tongues cure over a smoldering buffalo chip fire. One of the hunters rubs buffalo fat between his palms, then works the oil into his hair before combing it.

Six Toes, a Kiowa woman, stretches out a pelt, hair side down, pegs it to the ground for drying, then rubs it with buffalo brains to cleanse it. She’s not happy in this work. Bow String, her male counterpart, skins a buffalo. Stone-faced and impassive, the picture of suppressed rage. When a grasshopper crawls across his face, even as it moves over his open eye, he suppresses any movement, not a flinch, not a twitch, not a blink.

Howard Dewey mounts a dark brown mare. Over his long buffalo hide jacket he wears a looped belt holding forty or fifty sizeable cartridges and a skinning knife. He carries a.50 caliber Sharps rifle. Beneath his sweat-darkened ten gallon hat, below his menacing eyes and rum-blossom nose, a gold tooth glimmers in the sun.

The horse saunters over to Bow String and Six Toes. Dewey spits tobacco so close to Six Toes, a few drops splash her. Then his horse pisses so close to Bow String, some of it splashes on him. “A thousand pardons, Mr. Bow String and Miss Six Toes.” He tosses them a coin each. “Hey, squaw, you really got six toes?” Six Toes continues with her chores. “Show me them toes. Hurry up.” He throws her another coin. She removes her moccasin and splays her toes. “Well, skin me alive. Wiggle ‘em fer me.” She wiggles all six for him. “One, two, three, four, five, six. There they are. Damned if I ain’t seen everything now…. Well, you two git back to work.”

Bow String and Six Toes watch Dewey ride out of the camp. Bow String says, “When the white man is gone, the Great Spirit will be satisfied.”

The open prairie, buffalo grazing. Numbering in the thousands, the animals face into a brisk wind and feed at a leisurely pace among dozens of their own dead, some of which have been skinned and left to the scavengers. Picked-clean bones litter the landscape. Among them are hundreds of prairie dog towns, the prairie dogs standing alert in their mounds. A muffled, distant, almost inaudible gunshot rings out. One of the buffalo falls. The others titter and snort, but remain calm. The prairie dogs disappear into their holes. Another distant shot, another buffalo falls. Again, the rest of the animals startle but return quickly to a calm state.

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