J. Lennon - See You in Paradise

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See You in Paradise: краткое содержание, описание и аннотация

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The first substantial collection of short fiction from “a writer with enough electricity to light up the country” (Ann Patchett) “I guess the things that scare you are the things that are almost normal,” observes one narrator in this collection of effervescent and often uncanny stories. Drawing on fifteen years of work,
is the fullest expression yet of J. Robert Lennon’s distinctive and brilliantly comic take on the pathos and surreality at the heart of American life.
In Lennon’s America, a portal to another universe can be discovered with surprising nonchalance in a suburban backyard, adoption almost reaches the level of blood sport, and old pals return from the dead to steal your girlfriend. Sexual dysfunction, suicide, tragic accidents, and career stagnation all create surprising opportunities for unexpected grace in this full-hearted and mischievous depiction of those days (weeks, months, years) we all have when things just don’t go quite right.

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The woman was named Cynthia Peck. She was a senior at the college and her father owned one of the fifty largest corporations in America. The article was to be a rich-heiress’s-eye view of the business school, in which Cynthia would be portrayed as being in training to assume her rightful position (as Leyton Peck’s only child) at the helm of Peck, Inc. Brant had volunteered to write it himself because he hoped to secure a big honking donation for the magazine, and the editor-in-chief agreed because he thought Brant’s niceness might actually cause this to happen. And so, at the end of an hour-long interview, during which it became clear that Cynthia Peck was not going to be at the helm of anything complicated in the near future, he made the comment about having to up the donations. And when she said, “We you, or we who do you mean?” he said, “We me, or I mean we us. The magazine. I was wondering if you, or rather your company — or I mean your dad’s company, might consider donating some, you know, money, so we can go on doing what we’re doing in terms of work, which is being one of the top five business school alumni magazines in America.”

Cynthia Peck’s tiny smile became a slightly larger smile, and then a kind of smirk, and when the lock of hair fell over her eye again she didn’t move it. Instead she peered around it, discreetly licked her lips, and said, “Are you trying to ask me out?”

Brant almost said no. Instead, he tried to blush, and found that, to his surprise, his face was already hot and his head already half-turned away, and he said, “Well …”

“Well what?”

“Well, I guess I am. You want to go out?”

“Be more specific.”

“To dinner?”

“More specific.”

“My place?”

“Try again.”

“A restaurant.”

She raised her eyebrows.

“Seven Sisters?” he said, because this was the only place in town anybody could conceivably take the daughter of one of the richest men in America, a Frenchy sort of sit-down place up on the hill with turrets and flags and prices that could make your hair stand on end. And indeed, the name made her sit up straight and nod her head in congratulations, and she said, “When?” and he said, “Uh, tonight?” and she said, “Friday,” and he said, “Friday.” He asked if he should pick her up around eight and she said eight thirty, and he asked if she wanted to go anywhere afterward and she said We’ll see. Then she handed him a little card with her name, address, and phone number printed on it, and walked out the office door.

Later on, the editor-in-chief asked him how it went and would they be getting the money, and Brant, in response to both questions, said “I have no idea.”

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Looking at her over dinner, Brant realized that he found Cynthia pretty attractive, though she was generally known on campus as “The General’s Horse” because of her bulky frame and equine features: a broad nose, an elongated face, and wide-set eyes. But her face was open and expressive, if not entirely intelligent, and she had nice hair, a sexy walk, and a terrific bosom, the exposed cleft of which, invitingly peeping out from behind two unbuttoned folds of silk, he tried the entire evening to keep his eyes off of. They talked about the college, about roommates they’d had, about New Jersey, where both of them had grown up (vastly different New Jerseys, sure, but they both used to drive an hour to visit the same mall). In fact they got on just great, and after dinner they went back to her place and made out for the better part of an hour, and Brant got to stick his hand down her bra and the back of her underpants.

A sort of courtship followed. Brant and Cynthia were seen around together, holding hands and smooching on benches. The magazine got its donation, and Brant asked for and received a raise. Six months went by, and graduation was coming, and Brant considered buying Cynthia an engagement ring. Ultimately he decided against it: he had to prove to her, somehow, that he didn’t want her money. The problem was, of course, that he did want her money, and this seemed wrong to him, though he was certain he would want her whether she was rich or not. Of course, her being rich was part of what made her who she was, and was the reason he met her in the first place, and so trying to extricate her wealth from his affection was pointless — and yet he tried it anyway.

In May Brant got his suit dry cleaned and went to her commencement. It took place in the football stadium. The speaker was Ellen DeGeneres. This had been a controversial choice for many reasons, but she didn’t talk about being a lesbian or about being on TV, and everyone seemed very calm and attentive. For most of the speech, Brant scanned the rows of seniors with the binoculars he’d brought along. When he finally found Cynthia, she was whispering and giggling with her friends. He watched her whisper and giggle for the rest of the ceremony.

That night her father threw a party at Seven Sisters. Brant had rented a tux, but when he arrived he realized that nobody else was wearing one. So he went home and put his suit back on and rearrived, this time late. There were ten large round tables filled with people just getting started on their glasses of wine, and one of them contained an empty chair. Next to the chair was Leyton Peck, and on his other side sat Cynthia, looking not just attractive but really pretty, her skin ruddy from the sunny commencement, her eyes subtly made-up, her lips lipsticked. She saw him and motioned him over, and he took his place next to her father.

Peck was in the middle of a story to which everyone was intently listening, their shoulders thrown forward over their plates, their faces frozen into expectant grins. Peck spoke in a cigar-roughened baritone, his hands curiously out of sight beneath the table, which Brant felt privileged to know was the result of prematurely blossoming liver spots. This small bit of inside information enabled him to listen to the story with something approaching the appropriate level of attention.

“… and so I say to the guy, ‘Look, I know this task sounds boring, but the reason our company has the number one industrial coatings division in America can be summed up in two words: Quality Control. So what I need you to do is keep your eye on each patch of paint through every stage of the drying process.’ The guy nods, like he’s getting it all, so I keep on talking. ‘Drying doesn’t just happen, there are a series of crucial aridity thresholds that are passed, and during each of them any number of microscopic fissures can appear. These fissures close quickly, but they negatively impact the long-term stability of the coating. So I want you to get your face right up on there and make sure no cracks appear and disappear. If any develops, you mark it there on your patch diagram, and below each crack you detect, I want you to mark its duration, have you got that?’ Okay, sure, the guy’s nodding, nodding, it all sounds very important to him, right? So I tell him, ‘Each of these cans behind you represents a production run, I need you to test every one of them, the paint dries hard in two and a half hours, so you’ll be able to do three a day. So get to work.’”

Peck looked around the table, faintly smirking, for several seconds before he delivered the punch line. “The guy watched paint dry for two and a half months!”

Brant laughed along with everyone else, but mostly he watched Cynthia laugh. He was shocked to discover that he had never seen her laugh before (not with true abandon, anyway — giggling didn’t count), which is to say that he himself had never made her laugh. Well, why not? He was funny, right? Couldn’t he do a wide range of voices, including Old Jewish Lady, Old Black Guy, and Duck? Wasn’t he good at sneaking up on squirrels and then shouting “Booga-booga-booga?” Didn’t he own the entire run of Monty Python’s Flying Circus on DVD? He could, he was, he did! But he had never seen Cynthia like this: her hands clutching her cleavage, her mouth gulping air, her eyes wrinkled shut like a prizefighter’s. She looked … indecorous. He was loath to imagine what kind of hideous air-guitar faces he made when they were porking, but as for Cynthia, she always looked serene, sleepy, disappointingly pleased, as if there might be a hidden camera somewhere recording the moment for inclusion in some kind of X-rated home furnishings catalog. This was entirely different, this elasticized guffaw, and he didn’t much care for it. She looked like Seabiscuit, for crying out loud.

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