J. Lennon - See You in Paradise

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The first substantial collection of short fiction from “a writer with enough electricity to light up the country” (Ann Patchett) “I guess the things that scare you are the things that are almost normal,” observes one narrator in this collection of effervescent and often uncanny stories. Drawing on fifteen years of work,
is the fullest expression yet of J. Robert Lennon’s distinctive and brilliantly comic take on the pathos and surreality at the heart of American life.
In Lennon’s America, a portal to another universe can be discovered with surprising nonchalance in a suburban backyard, adoption almost reaches the level of blood sport, and old pals return from the dead to steal your girlfriend. Sexual dysfunction, suicide, tragic accidents, and career stagnation all create surprising opportunities for unexpected grace in this full-hearted and mischievous depiction of those days (weeks, months, years) we all have when things just don’t go quite right.

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I fished in my slacks pocket for my keys and started the Golf. Hot air blew in my face, and the radio blared show tunes. South Pacific. I would be playing clarinet in the pit band up at the high school this fall, and there was no reason to put off getting ready. But suddenly the musical, all musicals, seemed shallow and pointless. I switched it off. You’re supposed to take the tape out first — the capstan can permanently indent the pinch roller, creating flutter and wow — but for the moment I didn’t care. I rolled up the windows and turned the fan on high.

“Fuck! Fuck! Fuck! Fuck!” I shouted.

I drove down to the strip and got in line at Wendy’s. Behind me was a giant Oldsmobile containing what appeared to be two identical men, pale, heavy, large-headed, with wispy blond hair and gigantic jaws and necks. I studied them in the rearview. The driver was alert and erect and blazingly illuminated by afternoon sun. The passenger wore a ball cap and his head hung low, so that his entire face was deeply shadowed; he seemed to be asleep. I’m no Chinese cosmologist, but there certainly seemed to be a yin-yang thing going on here, the driver bright, dry, robust; his passenger dark and weak and damp. Which was I?

The passenger, of course. The passive passenger, laboring in darkness, unrecognized and misunderstood, wet (with sweat, as the AC seemed to be completely broken), and subject to the whims of a higher and utterly arbitrary authority. To think that I just sat there nodding at Doug, taking it! Just taking it! I began to feel shaky all over again and kneaded the steering wheel. Sticky black stuff came off it and rolled itself into little cigars under my hands. Evolution, indeed. How very foolish of me, of all of us, to imagine there was constant and inevitable movement toward greater intelligence, efficiency, physical perfection!

Pretty soon my turn came. I accepted the food with a nod. Then I realized I was out of money.

“Do you take checks?” I asked the kid.

“Credit cards?”

“Checks.”

“Checks?” he said. I nodded. “Let me talk to my manager.”

Like all fast food managers, this one was slight of stature and frowned with a practiced authority. He had the requisite small black mustache. “What seems to be the trouble?”

“I’m sorry,” I said. “I’m out of money. I just realized. I don’t do credit cards. Can’t. The check is local, it’s all current, I’ll give you my driver’s license …” I handed him the license and he looked from it to me four or five times, his frown deepening. At last he said, “We don’t normally do this, but I’ll make an exception.”

Whew! I borrowed a pen from the kid and wrote out the check. “Wendy’s,” I wrote in the PAY TO: line. Somehow, that act made me sadder than anything that had happened yet that day. Behind me, yang honked. I waved and pulled around to the lot.

When I was finished with my Cajun chicken sandwich and Frosty I closed my eyes and tried to meditate. How hard could it be? I thought. I took off my shoes and pushed the seat back and crossed my legs, then placed my hands palms-up on my knees. I said “Ummm …,” which did not sound quite right. I pictured a big naked bald man doing the same thing. In a little while a feeling of peace and well-being washed over me. Soon I was dreaming: I was a medicine ball, like the one they had in the school gym, simultaneously heavy and buoyant, girded by flexible metal rods. The children cheered as they propelled me through the air!

I woke to a tap. It was a girl wearing a Wendy’s hat. The atmosphere inside the car was stifling. I rolled down the window and the air billowed out. “Yes?”

“They sent me out to see if you were all right?”

“I’m fine.”

“They said I should tell you no sleeping in the parking lot?”

“Okay.” I looked at the time. Two thirty! How’d that happen?

I pulled out onto the street.

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I didn’t want to go back to Betty Shaver Elementary. I couldn’t endure the humiliation, and besides, I had nothing to do: my plan had been to work on the bulletin board all day. I’d been planning to drive Gwen home, but she actually lives very close to the school and could comfortably walk, especially on a nice sunny day like this. So, exiled from Wendy’s, I drove around, looking for hidden neighborhoods I’d never seen before. In a hilly town like ours, such places really exist, carved out of mountainsides or tucked away behind copses of trees. But my search was in vain, as the last few had been. I had found them all long ago. Disappointed, I tooled around on pot-holed country roads for fifteen minutes or so, until one led me to Route 13, which gave way to the Southern Tier Expressway. I revved it up to seventy, and the whole car hummed, or maybe shuddered. I switched the radio back on and began to sing. What in God’s name was I doing? The road unscrolled before me like a medieval decree: the king of my subconscious had spoken.

I drove several hours until the sun dipped into my path, then I switched my glasses for the prescription shades that were stashed in the glovebox. That was better: the mountains and highways and clouds all sharpened and browned, as if they’d just come out of the oven. After a couple of hours I pulled over and got on the horn to Gwen, still at school.

“I was just about to leave. Where are you?” In the background I could hear a ditto machine, which in this age of electronic reproduction the Betty Shaver Elementary still maintained. Only a few ancient teachers used it, hooked as they were on the smell, that of fresh-baked cookies laced with acetone.

“That isn’t important,” I said importantly. “I just want to tell you I won’t be back for our dinner date.”

“Really? Why not?”

“It isn’t important.”

“Can I tell you something? About an idea I had? Or is this a bad time?”

“No, now is just fine,” I said. I have to admit, I was a little bit put off by her acceptance of my dismissal. Couldn’t she have pressed the issue? But that was just not her way. You can imagine how delighted I was to find her, five years after my divorce, trying to lift a graffiti’d desk-chair-combo thing into the trunk of her car out in the BSE parking lot. Can I say that she is beautiful? Can I mention her golden tresses, her too-large face, her twitchy little schnoz? I had thought I might never make love to a woman again.

Her twenty or so thin bangles chimed as she settled herself in the school office; I could imagine her hips shifting on the simulated-woodgrain surface of the buffet table where copies were collated and where people talked on the phone. She said, “This being the year 2000 and all, I was thinking about how everybody’s thinking about the future? You know, with the internet and everything, it’s all future, future, future.”

“Yes.”

“So I’m going to ask the kids to paint the future! First they’ll mix up their own colors and put them in Tupperware and make up names for them, Millennium Red or Future Blue or some such happy horseshit”—and here I noticed that the dittoing had stopped, and that Gwen was alone in the copy room, else she would not have said horseshit —“and those’ll be the colors they use all year. And then I’ll ask them to paint the future. Like what the buildings will look like, and the people, and the trees and plants and insects—”

“Probably they’ll all be dead.”

She tsked. “That’s exactly why I am not giving you this assignment, Luther, because you have no hope. But the good thing is that whenever I run out of ideas I can just whip out the whole future theme and make them paint that. And maybe we can do a storybook — like get Mrs. Greitz to have them write a futuristic story together—”

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