Pearl Buck - Time Is Noon

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Time Is Noon: краткое содержание, описание и аннотация

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In one of Pearl Buck’s most revealing works, a woman looks back on her long and rocky path to self-realization. Considered to be one of Pearl S. Buck’s most autobiographical novels,
was kept from publication for decades on account of its personal resonance. The book tells the story of Joan Richards and her journey of self-discovery during the first half of the twentieth century. As a child, family and small-town life obscure Joan’s individuality; as an adult, it’s inhibited by an unhappy marriage. After breaking free of the latter, she begins a stark reassessment of the way she’s been living — and to her surprise, learns to appreciate all that lies ahead.
is a humble, elegant tale of chances lost and reclaimed, and remains beautifully affirming today.

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It was his first word. She stared, incredulous with joy, into his upturned face. Why, he knew her — Paul knew his mother! She fell to her knees and seized him and began to laugh and to sob. “Children, David, Frankie, did you hear Paul? He called me!”

He pulled at the blue beads about her throat, the beads Mr. Winters had given her long ago. She had put them on this morning because of her blue dress.

They came running around her, David shouting, Mary clamoring with glee at the noise, Frankie smiling. “Say it again, Paul!” cried David.

“Say it, darling,” she urged. “Once more — Mamma — Mamma — say it, Paul!” She was avid to hear the word again, to repeat the moment.

But Paul had slipped to the floor and was staring at the beads, spreading them over his hands, as though he could not hear her. The moment had gone. “But anyway he spoke once,” she said fiercely, getting up from her knees. “I’ve heard his voice once, even if he never speaks again.”

He was mumbling over the beads. She turned away quickly.

“Now, David, do you need help with your arithmetic? Yes, Frankie, toast the bread — we’ll have toast and milk for supper, all of us.”

But Paul really had spoken to her. In the great desolation—“I have ended what was between Roger and me”—there was the little taper burning. Once Paul had spoken to her.

“Did you think I was going to let you get away from me like that?” Roger was there. She opened the door in the morning and he was there. “Your letter came last night. She and I were there alone. I saw her as I’ve always known she was — always in my heart she was — never wanting to see. You made me see her—”

He clenched his hands upon her shoulders. Across the room Mary was pausing, astonished. She saw Mary’s eyes, staring, astonished, at this stranger bursting into the house.

“Roger, it isn’t so easy—”

“No, it isn’t so easy — It’s so hard you’ve got to help me know what to do. She’s here. I brought her.”

“Roger!” she cried at him in consternation. “What have you told her?”

“Nothing at all except that you were the sister of one of my best men who was killed, and I wanted to see how things were. Come,” he said brusquely.

She followed him down the narrow grassy path to the picket gate. There in the road was a small low car. Roger’s wife sat there.

“Millicent, this is Francis Richards’ sister. You know I told you …”

She put out her hand and felt a cool slight touch upon it. “How do you do?” It was a light, pretty voice. She lifted her eyes to the face. “Will you come in?” she said quietly. This was the face Roger had once loved very much. He had said, “I was once very much in love. I was very young.” Yes, this was a helpless creature. The pretty, aging face turned to Roger, questioning, helpless.

“Yes, get out and come in,” he said. He opened the door and helped her out. She went up the path in her dainty high-heeled shoes, clinging to his arm. Behind them Joan walked, alone. She had never in all her life clung to anyone as this woman was doing, never once.

In the house they sat down, the three of them. Instinctively she drew up for this woman the comfortable chair. “Will you sit here?” She made her voice quiet, hospitable. This was her house and these were her guests. Casually the slender figure in the girlish blue suit settled into the chintz-covered chair which was her own. She sat down on a straight chair, feeling herself huge, untidy, beside this minute perfection. Roger had loved this porcelain creature. Roger’s deep passion had been poured upon this childish woman. She glanced at him. He was sitting there, gloomy, waiting.

The little creature was looking at him with pale anxiety. “I don’t believe you feel well, Roger. He hasn’t seemed well since last night.” She was gazing at him out of her pretty, china-blue eyes. “I didn’t want him to come this morning, but he would come.” She laughed with aging coquetry. “I have to fuss over him a little. I’ve never had any children, Mrs. … Mrs. …”

She did not supply a name for herself. It did not matter what her name was.

“It is right for you to take care of him,” she said gravely. Of course Roger could never leave this little creature, this little defenseless creature. The strong, the strong must suffer. “I have my four children,” she said suddenly.

“Such a comfort, I know,” the cool high voice was murmuring.

But Roger had said nothing at all. He was sitting there in his brown tweed overcoat, silent, his hat between his fingers. It was true he did not look well. There were deep circles under his eyes and his dark skin was sullen. “Beloved!” she cried to him in her heart. As though she had spoken he lifted his head and they looked at each other fully.

“He doesn’t look well, does he?” the chattering childish voice was saying.

“Let’s go, Millie,” he said suddenly. He took her arm and went toward the door. He turned his head to say to her. “I’d like to see those four children sometime.” They were going toward the car, across the grass. “I’m coming back to see them. Careful, Millicent — your dress is caught on the door.” He disengaged her skirt carefully and helped her in.

“Good-bye,” said Joan quietly. She turned and went back into her house and shut the door. She sat down in a straight-backed chair and waited to hear the sound of the motor begin. But it did not begin.

The door opened and he was back. He had shut the door and he was at her feet, kneeling, his head on her knees. But no, she would not touch his head, his shoulders. She held herself by the arms, away from him. She was thinking over and over again, No one has ever taken care of me. I wish I were a small thing so someone would call me “little girl”—That was how silly she could be, she cried furiously in her heart, dreaming that anyone could call a great creature like her “little girl”!

“I understand,” she was saying aloud. “Of course I understand how you cannot leave a little thing like that—” She had begun so patiently and quietly, understanding. For Roger to leave Millicent would be as though she were to leave Paul. She could understand that. Then why was all this bitterness welling up in her? It lay upon her tongue, like bitter gall. “What a pity,” she was saying dryly, bitterly, “what a pity women are not all born small and pretty and weak! Women don’t need anything except little weak pretty hands and faces, little slender bodies.”

“I don’t know what you mean,” he said. He lifted up his head to stare at her.

She laughed, holding herself away from him. “I mean, go back to taking care of her!”

But he was looking at her as one of the children might have looked at her if she had turned suddenly harsh, who had never been harsh. He was frightened because she was pushing him away.

“But I came back to tell you I couldn’t bear it not to see you anymore. There isn’t any life for me away from you.”

His long body was folded absurdly at her knees. His hair was gray at the temples, as gray as her own. But she loved him. He could come here into this house as the children had come. Some day he might so come, if she did not send him away now, if step by step he came his own way.

“I need you,” he cried out at her. Then she let herself go. She released herself and took his head into her hands and pressed it against her bosom. It was right, this head against her bosom. This was right — this deep relief.

“Oh, how I’ve needed you, your strength. I’ve been so tired,” he said brokenly.

“Yes, I know — I understand … Hush — I know—”

He sighed, like a child giving itself to sleep. She looked down upon his face. He had closed his eyes. The lines were gone out of his face now, for this moment. He was at rest in her, leaning on her.

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