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Smith Henderson: Fourth of July Creek

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Smith Henderson Fourth of July Creek

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In this shattering and iconic American novel, PEN prize-winning writer, Smith Henderson explores the complexities of freedom, community, grace, suspicion and anarchy, brilliantly depicting our nation's disquieting and violent contradictions. After trying to help Benjamin Pearl, an undernourished, nearly feral eleven-year-old boy living in the Montana wilderness, social worker Pete Snow comes face to face with the boy's profoundly disturbed father, Jeremiah. With courage and caution, Pete slowly earns a measure of trust from this paranoid survivalist itching for a final conflict that will signal the coming End Times. But as Pete's own family spins out of control, Pearl's activities spark the full-blown interest of the F.B.I., putting Pete at the center of a massive manhunt from which no one will emerge unscathed.

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Smith Henderson


Fourth of July Creek

FOR MY FAMILY

If I knew for a certain’ty that a man was coming to my house with the conscious design of doing me good, I should run for my life.

— HENRY DAVID THOREAU

ONE

The cop flicked his cigarette to the dirt-and-gravel road in front of the house, and touched back his hat over his hairline as the social worker drove up in a dusty Toyota Corolla. Through the dirty window, he spotted some blond hair falling, and he hiked in his gut, hoping that the woman in there would be something to have a look at. Which is to say he did not expect what got out: a guy in his late twenties, maybe thirty, pulling on a denim coat against the cold morning air blowing down the mountain, ducking back into the car for a moment, reemerging with paperwork. His brown corduroy pants faded out over his skinny ass, the knees too. He pulled that long hair behind his ears with his free hand and sauntered over.

“Name’s Pete,” the social worker said, tucking the clipboard and manila folder under his arm, shaking the cop’s hand. “We’re usually women,” he added, smiling with an openness that put the cop at ill ease.

The cop just replied with his own name—“Eugene”—took back his hand, and coughed into his fist. The social worker pointed at the cop’s badge with his chin, a seven-pointed nickel star with MONTANA chased inside it, mountains on the left, plains on the right, a sun, a river.

“Lookit mine,” Pete said, pulling out a flimsy laminate from his wallet. “I keep telling them I need a badge that don’t look like it came out of a damn cereal box.”

The cop didn’t have a ready opinion about that. He burnished a smudge off his own shield with a plump red thumb and turned toward the house. It abutted a steep hill and was poorly maintained, if at all. Peeling paint, a porch swing dangling from one rusting chain, a missing windowpane taped over with torn cardboard. Couch cushions, half a blow-dryer, some lengths of phone cable, a plastic colander, and broken crockery littered the yard. Pieces of clothing slung up in the cedar shrubs like crude scarecrows, and the grass erupted in tall disordered bunches, stalks shooting through the warped porch boards, at places window-high. The screen door hung open behind where the mother and her son sat.

“Shit,” Pete said. “You had to cuff them.”

“That or they’s gonna kill each other.”

The mother called out to him—“Pete! Pete!”—but he shook his head no, and she looked off, pissed and muttering. The son didn’t even glance up, but must’ve suggested something to her because she turned away from him and spat out some words. From where they were, Pete and the cop couldn’t hear what hateful thing she said, and they watched a minute to see if the bickering would flare up. It did not.

Pete affixed the open folder to the clipboard, clicked his pen, and started his incident report. The cop let out his pony-keg belly a little. They always relaxed when the social worker got involved, soothed by the scritching of his pen, relieved that Pete would be taking it from here.

“So what happened?” Pete asked, pen aloft.

The cop snorted contemptuously, lit up another cigarette, and told him. They were at it again, and the neighbor’d finally had it with the two of them broadcasting to the whole row of houses precisely how they’d kill each other, what appendages would be hacked off, and into what orifices they would stick those dismembered parts. There were children about, the neighbor said, so he went over. He pounds on the door. No response. Cups his eyes to see in the window. Sounds like the argument has spilled out the back door of the house. The neighbor jogs around to the side gate, where the boy is standing with his air rifle. The two of them halt at the sight of one another. Then the kid starts crossing and uncrossing his eyes at the neighbor. To unnerve him or because he’d at last gone bonkers, who could say.

“Did he actually threaten the neighbor with the gun?”

The cop blew smoke out his nose.

“This guy, he knows a pellet gun when he sees it.”

“Right.”

“But it ain’t like he pointed the gun at the guy or said anything threatening at him exactly. The neighbor says he was more worried about the kid going after the mother.”

Pete nodded and wrote some more.

“So then what?”

“So he says ‘fuckit’ and calls it in.”

“And the situation when you got here?”

The situation was a perfect fucking mess. The situation was the kid climbing up onto the slanted, dented aluminum carport and stomping on the rusted thing like an ape. Just making the whole unsound shelter boom and groan under his weight. The mother saying so help her if that thing falls on her Charger she’ll gut him, and the kid just swagging the carport back and forth so that it was popping and starting to bow under his weight. Now the cop was about ready to shoot the ornery shit off the goddamn thing.

Then the situation got interesting.

“The mother has the air rifle and—”

“No way,” Pete said.

“Yeah, fuckin way,” the cop said.

“She shoot him?”

“Before I get to her, yeah, she shoots. You can see the big old welt on his forearm.”

Pete started to write.

“And then what?”

Then the kid leaps off the carport just as the cop has taken the air rifle and ordered the woman inside, but the kid and his mother are already tearing at each other like two wet cats in a sack. Right in front of a goddamn cop, mind you. Like he ain’t even there. All the neighbors are out on their nice, normal lawns in their bathrobes clutched closed at the neck watching the cop trying to disentangle the two of them, taking it in like the fucking rodeo. And the bitch—“pardon my French” the cop at last says about all his cussing — won’t desist, and the kid won’t desist, so the cop wrangles the first one he can get a hand on — the woman it turns out — and wrestles her onto her belly and into the cuffs, but not before the kid makes a run to kick her in the face, which the cop just barely stops with his own body. And realizing he’s just kicked one seriously pissed-off police officer in the chest, the dumbshit turns tail and flees.

“And you ran him down,” Pete said.

Smoke leaked out the cop’s pale yellow smile.

“See that pickup?” he asked.

“Yeah.”

“So he’s looking back to see if I’m coming and he runs smack into the open tailgate.”

“I imagine that was satisfying.”

“Your words, brother.” The cop took a drag, and blew it at the ground. “Anyhow, by the time I get him up on the porch, she’s blubbering about how she has a social worker who knows the whole history of everything and would straighten them out. ‘Please, please, would I call the social worker,’ she says.”

Pete nodded and wrote. His arm was tired, so he bent to finish with the clipboard on his thigh. The cop said something.

“I’m sorry?” Pete said.

“So what’s going on with these two?” the cop asked again.

Pete scoffed, not at the question, but at the enormity of the answer. How to sketch it. Shorthand it. A great many things were going on with them. Went on and would keep going on.

The mother collected unemployment but her full-time occupation was self-pity. She slippered around the house in sweatpants and smoked a lot of weed and took speed and tugged her hair over her face in a shape pleasing and temporary and dumped forth her old bosom and smiled prettily for herself and discovered nothing in the mirror to recommend her to anybody for anything. Or so you could imagine, the way she mooned her eyes at you until you told her to knock it off, you wanted to talk about the children. She ventured out only to get her SSI check and visit her dealer somewhere up on the edge of the Yaak Wilderness. Sometimes to get cereal. She could be seen around town powdered white and made up in slashes of red around her mouth and blue around her eyes like an abstract of the American flag, some kind of commentary on her country, which of a sort she was. Mostly she cloaked her grand paranoia in aviator glasses and lavender feather boas and, when she was ripping high, imagined herself some kind of fairy, and when she was low, imagined herself some kind of persecuted witch.

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