Rudolph Wurlitzer - The Drop Edge of Yonder

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Time Out New York "[A] funny, inquisitive novel [that] asks readers to re-examine their ideas of the Western frontier and personal freedom." — Jeffrey Trachtenberg, "May be the most hallucinogenic western you'll ever catch in the movie house of your mind's eye." — Erik Davis, "A picaresque American
… in the tradition of Thomas Pynchon, Joseph Heller, Kurt Vonnegut and Terry Southern." — David Ulin, "Should be as well known as anything by Cormac McCarthy, Steve Erickson, or Jim Harrison." — Paul DiFilippo, “Rudolph Wurlitzer takes no prisoners. An uncompromising, wild, and woolly tale.”—Sam Shepard
“Sam Beckett with a six-gun and a sack of rattlesnakes.”—Gary Indiana
"Where has Rudy Wurlitzer been for the last fifteen years? The mental traveler who gave us
and the
screenplay takes another vision quest, this time into the Old American West. His mapping of mythic and sacred landscapes and his ability to distinguish between different tribal world-views makes this a truly revealing conversation." — KCRW's In his fifth novel, Rudolph Wurlitzer has written a classic tale of the Western frontier and created one of his most memorable characters in Zebulon, a mountain man whose view of life has been challenged by a curse from a mysterious Native American woman whose lover he inadvertently murdered.
The Drop Edge of Yonder Rudolph Wurlitzer
Nog, Flats, Quake
Slow Fade
Hard Travel to Sacred Places
Pat Garrett and Billy the Kid, Two Lane Blacktop, Voyager, Walker
Little Buddha

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The only answer was the howling wind.

"Can you see the truth of it, boys?" Annie May shouted. "Life and death. The eagle and the washing up and the outhouse. The stove and the snow The horse and the mountains and the 'baca juice. No doubt about it. The whole stew is only a passing, you and me and all the rest. The goddamn joke is on us, boys!"

Zebulon made his way to the edge of the platform. In front of him the mountains were undulating like three copulating snakes. He wept at the energies threatening to consume him, motherly and loving, violent and terrifying, a warm hissing breeze that flowed through the strangled knots of his being. He knew what he had always known and had always forgotten: that he was composed of the same elements as the plants and animals and the rain, which was now spreading in thick sheets across the deep valley, followed by the sun and then a rumble of earthshaking thunder that suddenly transformed into the roar of a mountain lion. He was part of it all, a drop of water in the ocean, a crushed wild flower under the heel of an outlaw's boot, a sun-baked skeleton in the desert.

When Hatchet Jack loomed up in front of him, the vision dissolved into a vaporous fog.

For the rest of the night, mother and son slept in each other's arms, each comforted by the other's breathing. When they woke they were alone and the sun was shining directly above them as if through a huge prism.

Behind them, the altar was gone and the circle erased, as if none of it had ever existed.

Empty of thought or any emotion, they climbed up through the ruins until they found Hatchet Jack packing his horse. Plaxico sat against a crumbling wall, rolling a cigarette.

"I'm pullin' out." Hatchet Jack's hands shook as he swung into the saddle. "Some of the medicine worked and some went south." He looked at Plaaico, then at Annie May. "The spirits told me it wouldn't be a good idea to give you the horse."

"Who cares about any of it?" Annie May said softly "It's all the same, horse or no horse."

They watched Hatchet Jack gallop off without a wave or a look back, as if pursued by a confusion of unknown mysteries.

"He talked to some of the spirits all right," Plaxico said. "But he choked on the rest. Too big a meal for a beginner."

And then he, too, was gone, disappearing back inside the pueblo.

картинка 18NNIE MAY AND ZEBULON SMELLED BROKEN ELBOW BEFORE they saw it. What had been a trading post and a few shacks only a year ago was now a long, rutted street dominated by pandemonium and open sewage. Drunken miners shouted back and forth in a dozen languages, a naked Chinaman crawled past them into an alleyway pursued by a screaming whore, halfdead oxen pulled overloaded supply wagons through mud and melting snow, past signs advertising wares at outrageous prices: Boots $30, Flour $35, Blankets $30, Washing $20. Every square foot of ground that was not lived on was cluttered with mining equipment, dead dogs, pigs rooting in piles of stinking garbage, wagon beds, spare wheels, barrels, and stacks of lumber, as well as makeshift corrals where mules and horses stood kneedeep in muck. Further away, on the banks of a swiftly moving river, hundreds of high-booted men — most of them Indians, Mexicans, and Chinese — squatted beside cradle-like gold washers and sluice boxes while others worked up a canyon in steep pits, hacking at the soil with picks and shovels.

At the end of the street, they reined up in front of a twostory trading post.

Inside the cavernous room, clerks ran back and forth filling orders in Spanish, French, and English for rifles, canned goods, farming equipment, wagon beds, and sacks of feed. A few of the older clerks waved to Annie May as she approached a plump young man perched at a high-top desk, adding up small sums inside a huge ledger.

Annie May pulled herself up to her full height, which was barely up to the level of the desk.

"I'm Annie May Shook, and I'm here to sell my pelts."

The clerk nodded, not looking up as he took off his glasses and rubbed his strained red-rimmed eyes.

Annie May rapped on the desk with the barrel of her shotgun. "I want both ears when I'm talkin', Mister. Where be the major?"

The clerk took his time placing his glasses over his nose. "Major Poultry sold out last winter. You'll deal with me now"

'Always was partial to the major," Annie May said. "Dealt with mountain folk straight up."

"Business is business," the clerk said with measured patience. "Whoever be the buyer or seller."

Annie May scratched her head, took out her pipe, began to light it, then shoved it back inside her buffalo robe. "All right, then. What be the price of pelts?"

The clerk looked down at Annie May as if her presence was an annoying fly. "The bottom has fallen out of the fur market. It will never come back. That said, I'll give you fifty cents a pelt. Take it or leave it."

She stared up at him, unable to comprehend. "The hell you say.

"The numbers come down from St. Louis, Ma'am. Trade or cash."

Her voice rose to a shout. "Two dollars a pelt, Mister St. Louis. And my usual loan on 'baca, cartridges, and flour. That's the way it's been for these thirty years, and that's the way it'll be. Nothing more, nothing less."

The clerk shut the ledger with a loud snap. "I'm afraid that's impossible."

"Well then, Mister St. Louis, let an old mountain sage hen show you her possible bag."

Annie May waved her shotgun at the clerk, then at a window, then at a row of pickle jars.

The terrified clerk backed away, bumping into Zebulon who shoved him against a shelf of canned goods, sending him and the cans crashing to the floor.

This was more like it, Zebulon thought, looking around the room. This was what the old Spirit Doc ordered when he needed to stir things up. He reached behind the counter for a jug of liquor, uncorked it and took a long pull, then tossed it to Annie May, who caught it in one hand. As the clerk staggered up from the floor, she smashed the jug over his head.

"Hurrah fer mountain doin's!" she shouted.

Hauling herself onto a table, she fired her shotgun into the air. The pellets struck an overhead gas lamp that exploded when it hit the floor, sending a rush of flames roaring towards the ceiling.

"Hurrah fer mountain doin's!" Zebulon shouted.

He yanked off a large gold nugget that hung from a string around the clerk's neck.

"For settlement," he said.

Then he picked up an ax handle and knocked over a shelf of air-tights and smashed a window as customers grabbed whatever goods were close to hand and started for the door.

Zebulon found Annie May slumped underneath the table, a bullet through her chest. As he gently gathered her into his arms, a barrel of kerosene exploded behind them, collapsing the ceiling, blowing out windows, killing two miners, and setting the building on fire.

Zebulon carried Annie May outside and laid her on the sagging wooden sidewalk. Around them, a line of men were hand-rushing buckets of water to pour on the flames.

Annie May's voice faded to a whisper. "Deer is deer… elk is elk and this mountain oyster is a gone coon…. I done you wrong a time or two, son, as you did me… but that's family." She raised herself up, trying to see him as her eyes clouded over. "Always figured I'd go out the old way Straight up and on my own breath…. But we caused a commotion in this town, did we not, son?"

"So we did, Ma," he answered.

"Did I ever tell how Hatchet come to be with us?"

"You never did," he replied, even though she had told him endless times.

"Pa won him from a Mex at a rendezvous down on the Purgatory…. Everything was in the pot, everything the Mex had — his traps, horses, pelts, and even little Hatchet as a throw in. No more than a stump, he was. When Pa palmed the last card, he got caught, which bothered him enough to carve the Mex up for callin' him out. Pa took Hatchet back with him out of guilt, and maybe because he thought he could use another hand. He was always one for slaves, your Pa…."

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