Rudolph Wurlitzer - The Drop Edge of Yonder

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Time Out New York "[A] funny, inquisitive novel [that] asks readers to re-examine their ideas of the Western frontier and personal freedom." — Jeffrey Trachtenberg, "May be the most hallucinogenic western you'll ever catch in the movie house of your mind's eye." — Erik Davis, "A picaresque American
… in the tradition of Thomas Pynchon, Joseph Heller, Kurt Vonnegut and Terry Southern." — David Ulin, "Should be as well known as anything by Cormac McCarthy, Steve Erickson, or Jim Harrison." — Paul DiFilippo, “Rudolph Wurlitzer takes no prisoners. An uncompromising, wild, and woolly tale.”—Sam Shepard
“Sam Beckett with a six-gun and a sack of rattlesnakes.”—Gary Indiana
"Where has Rudy Wurlitzer been for the last fifteen years? The mental traveler who gave us
and the
screenplay takes another vision quest, this time into the Old American West. His mapping of mythic and sacred landscapes and his ability to distinguish between different tribal world-views makes this a truly revealing conversation." — KCRW's In his fifth novel, Rudolph Wurlitzer has written a classic tale of the Western frontier and created one of his most memorable characters in Zebulon, a mountain man whose view of life has been challenged by a curse from a mysterious Native American woman whose lover he inadvertently murdered.
The Drop Edge of Yonder Rudolph Wurlitzer
Nog, Flats, Quake
Slow Fade
Hard Travel to Sacred Places
Pat Garrett and Billy the Kid, Two Lane Blacktop, Voyager, Walker
Little Buddha

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"I remember all that," Zebulon said.

Elijah looked across the room with dying eyes. "There are things that me and your Ma never told you. How when you was little we thought you was demonized, all the time speakin' to critters and seein' spirits no one else did. We took you south of Pueblo to an old Arapahoe squaw with second sight. She said you was born in some in-between place. Between the worlds, she said…. Another thing: I never told you how I won Hatchet from a bean-eater half-breed Mex down in Corrolitos who had him trained head to tail as a slave."

"I know that, Pa," Zebulon said.

"Not all of it," Elijah said. "I won him with a high straight flush. The Mex couldn't pay, so he gave me Hatchet. I packed him home, thinkin' he could be useful. When I asked the Arapahoe what went down, she said that the Mex put a curse on me. There's more that I can't hardly recall. But so what? We're all cursed when we come into this world. Same as when we leave."

Elijah shifted his head to Zebulon's stomach. "Is Hatchet followin' you? Or me? If it be me, tell him we're all squared up. No hard feelin's."

In front of the saloon, two fiddlers and a harmonica player began to play a lively jig as the population of Greasy Springs made the best of what promised to be a long night.

Elijah nodded his head with the music, then jerked the rope tied around the doc's neck, making him scream and howl.

He reached for the Sharps and propped himself up.

"I come into this town wrong," he announced. "I'll go out right-side up."

"Hold on, Pa," Zebulon said.

Elijah hesitated. "Hold on to what?"

"I made a deal for you to ride off"

"Nowhere to ride off to, son. Them days is gone."

When Zebulon tried to hold him back, Elijah slammed the stock of the rifle into his chest, sending him to the floor. "This dance is mine. I started the ball rollin' and I'll see it through. We all be pilgrims slidin' down life's chute, but now is my time to howl. Your turn will come soon enough."

Elijah took off his otter cap and dropped it on Zebulon's lap. "Elk's elk and meat's meat, son, and nothin' matters, and to hell with the rest of it. I seen air whistle through rocks, and water turn to fire. I lived hard and wasn't afraid to look straight at the misty beyond. I don't give a damn who or what is waitin' for me on the other side. I'll deal with that party when it happens. Or not."

He leaned down and kissed his son on the head, then hobbled to the door, returning to his death song:

There was a moment when Zebulon wanted to join the old bastard to go out the - фото 116

There was a moment when Zebulon wanted to join the old bastard, to go out the old way, both of them straight up with their socks on. But there was a deeper pull that kept him on the floor, watching Elijah stagger out the door, firing his Sharps with one hand, the pistol with the other, yelling out a last mountain cry: "Waaaaaaaaagghhhaaahh!T'

Every weapon in Greasy Springs fired back, the bullets slamming Elijah through the door and across a table, and then to the floor where he landed on top of Zebulon.

None of the crowd looking through the saloon windows spoke until the doc was untied and Zebulon was carried over to the billiard table.

After the doc tore open Zebulon's shirt, the Sheriff handed him his medical bag and a bottle of whiskey; together they forced a slab of cowhide between Zebulon's teeth and poured whiskey over his wound. Then the doc took a knife out of his bag and probed for the bullet.

"I'll be damned," he said. "There's a slug in there all right, but it's an old one."

The bartender, convinced that he was witnessing a miracle, poured drinks for the Sheriff and the doc, as well as for the photographer and the rest of the town, who had lined up cheek to jowl at the bar.

"We'll need proof about what happened," the Sheriff said. "Otherwise people will think we made it all up."

Opinions flew back and forth:

"A slug tore through him."

"It was the old man that shot him."

"It was the artist. He shot him."

"Hell, we all shot him. Every last one of us."

"Three bullets right through his pump."

"He ran out, then he was hit. Twice."

"Then the other one got hit. The one that went in to get him."

"Do you people know who's lying on the billiard table?" the doc asked after the crowd quieted down and were concentrating on their whiskey. "Zebulon Shook, that's who. I saw his picture in Sacramento. You're lookin' at the biggest damn outlaw in the entire state of California. There's a five-hundred-dollar reward on his head, dead or alive."

As his name rippled through the saloon and out to the street, the photographer rushed outside to get his camera.

The Sheriff shook his head, trying to understand. "You're sayin' he's that same outlaw that broke out of jail in Sacramento?"

The doc nodded. "That's what I'm sayin'."

"I don't care who he is," said a voice from the bar. "The man's a goddamn hero."

"He saved us and saved the town," voices shouted.

The doc turned to the Sheriff. "If he pulls through, then what?"

"Lock him up. What the hell else can I do?"

"You'll be run out of town," the bartender said. "Or worse."

"All right," the Sheriff said, backing down. "We'll take care of him until he's ready to leave. We owe him that. We'll give him a room upstairs and three squares."

The crowd cheered.

The photographer placed his camera in front of the billiard table and lined up a shot of Zebulon, who had been propped up, his arms arranged around his dead father.

The camera's flash was followed by the largest celebration Greasy Springs had ever experienced.

картинка 117EBULON WAS AWAKE WHEN HE SLEPT, AND SLEEPING WHEN he was awake, his mind dissolving into dreamy shadows and visitations that he had no control over. Voices whispered and echoed around him. During the day, rays of light circled him. At night, dark shapes crouched by the foot of the bed. There was a bear and a two-headed eagle and a croaking frog sitting underneath a one-eyed goat. Mountain lunatics appeared, sitting cross-legged beneath the window, spinning windy tales of disaster and deliverance. Sioux, Comanche, and Crow drifted by with faces decorated in war paint, their lances and tomahawks raised. Greasers, red niggers, and Chinese celestials showed up. And Delilah, sitting on the edge of the bed, rubbing his heart. Pigs rooted for turnips beneath the bed and curved-beaked shorebirds flew over the windowsill. And there, right in front of him, were his Ma and Pa and Hatchet Jack, arguing about separation and loss and how to stand your ground. Behind them, gamblers and outlaws drifted by wearing long canvas dusters and scarves pulled over their faces. Did they know there was a price on his head? Dead or alive.

картинка 118

картинка 119he doc probed a finger into Zebulon's chest. "Everything I learned about gunshots says you should have been dead a long time ago. Your scar is old. If I open you up to bone out the slug, I might slice into an artery. Best thing is just to go on. There are plenty of men walkin' around with enough lead inside 'em to fill a saddle bag."

He pushed harder. "Pain?"

"No."

The doc reached for his scalpel and pressed it into Zebulon's leg. "Feel that?"

"No."

"Odd." He probed harder. "How about that?"

"Nothin'."

"Do you remember getting shot?"

"I recall yesterday, and not much of that."

"The only cure is not thinking about it," the doc said, and left the room.

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