E. Doctorow - The Book of Daniel

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As Cold War hysteria inflames America, FBI agents knock on the Bronx apartment door of a Communist man and his wife. After a highly controversial trial, the couple go to the electric chair for treason despite worldwide protests. Decades later their son, Daniel, grown to young manhood, tries to make sense of their lives and deaths — and their legacy to him. Like millions of other Americans, he is attempting to reconcile an America based on the highest human ideals with the tragedy of his parents. This is the framework for E.L. Doctorow's dazzling masterpiece, as he fictionalizes an actual social and political drama to create an intensely moving, searching, and illuminating tale of two decades, two generations, and a troubled legacy of passion and purpose, martyrdom and meaning.

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And then the Kantrowitz sisters who work for Welfare, the light one, and the dark one, both unmarried. And then other people besides the regulars — people I don’t know too well, people at the edges of my parents’ close friendships. There are about two dozen in all and a few of them have kids, and one couple has an infant in arms. They have all brought their lunch in brown paper bags.

The house is heavy with people, and they are all talking. Every once in a while Grandma comes out of her room and curses loudly from the top of the stairs. They all seem to know she is crazy and try to pay no attention. Rochelle is making our lunch in the kitchen, egg salad sandwiches. The eggs smell warm and visceral, Mindish is there, looking in the refrigerator, his own idea and one that annoys my mother as I can tell from the expression on her face. I have never liked the way Mindish looks at my mother.

My father is calling up the bus company to make sure they have dispatched the bus as they said they would. It is to arrive in front of our house. Our house is the meeting point, a fact which makes me proud. I go out on the porch to see if it is coming. One of the kids follows me. I ham it up for him, holding onto the porch rails as I lean out and peer down to the corner.

“I’m going,” he says. “Are you?”

I hadn’t thought there was any question about it. My Aunt Frieda has been enlisted to sit with Susan. Across the street, in the sunken schoolyard, the big guys are playing baseball. Home plate is a block away at the other end of the yard — in the corner at Eastburn Avenue. Sometimes, very rarely, a ball hits the Weeks Avenue fence. Even more rarely it comes over and lands in the street in front of my house. Now a ball is rising over the schoolyard over the roof lines of the buildings into the sky, a figure is running around the bases; the ball clears the fence and clunks into the street, and bounces up on the sidewalk in front of the porch. A softball, miraculously whole and in shape after having traveled that fantastic distance.

I grab it and run halfway across the street. In the schoolyard they are all frozen still, and facing backwards looking at me, as if the National Anthem was being played. I heave the ball back over the fence. It drops out of sight. There is silence for a moment; and then I see the ball streaking back to the infield, propelled by the hidden left fielder who caught my toss. I feel a thrill, an electric connection to that ball, also a sharp sense of having let the mightly athletes know that I am alive.

In the meantime a yellow school bus has turned into the block. The driver is hunched over the wheel, peering at house numbers. There are people already in the bus. It passes our house, screeches to a stop, backs up.

I want to announce the bus’s arrival, but by the time I get to our door it is open and people are coming outside. I find my mother in the kitchen and ask her if I’m going. I ask for confirmation. I expect her to say of course, and my heart sinks when she prims her mouth and says, “Your father’s in charge.”

“Please, Rochelle,” he says, “don’t start that.” Whenever my mother says my father is in charge he gets very upset. He is packing the egg salad sandwiches in their wax paper into a khaki rucksack. He likes to carry things camping-style to keep his hands free to read a newspaper or a book. He settles his glasses with the back of his hand. “Don’t you want your child to hear one of the great voices of our time? Don’t you want your son to have that to remember? I don’t see that it’s such a terrible thing to inflict on a child — that he sees Robeson, a great people’s artist.”

“Pauly, I told you my feelings. You do what you want.”

“There’s a problem?” Mindish says, nibbling a piece of cheese.

“There’s no problem,” my mother says. She puts the mayonnaise in the icebox, wipes the table, walks out of the room.

“Am I going?” I ask my father.

“Yes, yes,” he says irritably. Nothing is really official without my mother’s endorsement. It makes us both uneasy to have something decided without her approval. My father follows her upstairs. “Get ready,” he calls to me, one of those vague orders demonstrating his lack of authority. Its real meaning is that I shouldn’t follow him upstairs.

I wait in the hall. And though the front door is open and people are spilling out of the door onto the porch, and friends like Mindish are milling about, and everyone is talking and anticipating the trip, I hear enough of what’s being said upstairs to understand the issue. It’s a small house.

“There is nothing to be afraid of, Rochelle! If I thought there was the slightest chance of violence, do you think I would allow you to go, let alone the kid? Be sensible.”

“Don’t speak to me of being sensible,” my mother says. “He’s seven years old.”

“Well, let’s just go,” Paul says. “Mindish is taking his daughter. There’s a dozen kids downstairs. There’s a court order protecting the thing, for God’s sake.”

“Court orders,” Rochelle says bitterly.

There is silence for a moment. “And you call yourself a progressive,” my father says, a change in tack. He commences a speech about the forces of reaction and what they thrive on. My mother says wearily, “Oh, Pauly, you’re such a fool sometimes.”

People are calling from the front door. “Let’s go! Come on, let’s go!”

I am really more interested in this conflict of wills than in whether or not I go to the concert. The truth is the prospect bored me; now that some mystery is attached to it, I’m more inclined to put up a fuss if I can’t go.

Somewhere in the silences of their conversation upstairs, my mother relents. “Danny,” she says, coming down the stairs. “Go get your thin blue jacket. And tie your shoelaces, and pull up your socks. And go to the bathroom even if you don’t have to.” She is frowning, looking grim. She has reddened her mouth with lipstick. My father descends behind her, lighting a cigar.

A week before Paul Robeson was supposed to have sung at the Lakeland Picnic Grounds in Peekskill, New York. A local mob blocked the approaches, burned up the camp chairs, attacked the audience that was there, and the concert never came off. After a week of protest meetings, and a court order, Robeson was going to try again to sing in Peekskill. Robeson was a Communist, a proud black Communist. Thousands of people were going to sit in the open air, in the country, and testify by their presence Robeson’s right to sing and their right to listen. Governor Dewey had called out the State Troopers to guard the grounds. In this age of witch hunts, when men were being sent to jail for their political beliefs (like Foster, like Gene Dennis), it was going to be a triumphant affirmation of the right of free assembly, it was going to be a great moment for the forces of progressivism and civilization.

I learn all this on the bus. My father tells me. He is exhilarated, happy. Everyone sings Robeson’s songs in anticipation of hearing him. It is very nice. I’m glad my mother let me come. The bus roars along through the Bronx, heading north across Van Cortlandt Park to the Saw Mill River Parkway, and everyone is singing Peat Bog Soldiers. We are the Peat Bog soldiers, marching with our spades to the bog. Only my mother doesn’t sing. I sit on her lap at the window. Next to me my father sings. The whole bus sings. The bus seems to surge along in rhythm. The window of the bus is streaked with dried rain.

It is a long ride. My eyes grow heavy with the backward-moving scenery. Before we get to Peekskill, the singing has stopped. The people in the bus are quiet. In Peekskill, I see men standing on the road shouting and waving their fists. There is a line of police holding them back. “Go home kikes!” someone yells at our bus. I hear the sound of military music. I did not know there was a band at the Robeson Concert. But my father, standing up to peer back through the rear window of the bus, says it is an American Legion Band. They are parading to protest the concert.

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