E. Doctorow - Loon Lake

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Loon Lake: краткое содержание, описание и аннотация

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The hero of this dazzling novel by American master E. L. Doctorow is Joe, a young man on the run in the depths of the Great Depression. A late-summer night finds him alone and shivering beside a railroad track in the Adirondack mountains when a private railcar passes. Brightly lit windows reveal well-dressed men at a table and, in another compartment, a beautiful girl holding up a white dress before her naked form. Joe will follow the track to the mysterious estate at Loon Lake, where he finds the girl along with a tycoon, an aviatrix, a drunken poet, and a covey of gangsters. Here Joe’s fate will play out in this powerful story of ambition, aggression, and identity. Loon Lake is another stunning achievement of this acclaimed author.

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But you didn’t, she says.

One night when the dogs are in the neighborhood he takes two wineglasses and a bottle of his table red and closes his door and half walks half runs over to her cottage.

I thought you might need some company, he says.

He follows her inside. She wears a robe. She is barefoot. He realizes she answered the door without breaking stride. She is pacing the room. Her arms are folded across her breasts.

The doors to her terrace are closed and locked. The curtain is pulled shut. The room smells of cigarettes. He pours the wine.

Later they are sitting on the floor beside the bed. He has been telling her about his life. He has recited some of his work. She has listened and smoked and held out her glass for wine.

Listen, he says holding his hand up, forefinger pointed. The dogs are gone. She smiles and accepts this as something he’s done. Sitting Indian style, she leans forward and touches his face. Her robe has fallen open over her thighs like a curtain rising. He kisses her hand as it is withdrawn. I’ve loved three times in my life, he says. Always the same person.

I don’t know what that’s supposed to mean, she says. But I see I’ve got a live one here.

Then she is lying on the floor in his arms reading his face with judicious solemnity, her eyes gathering up the dim light of the room so widely open that he feels himself pouring into them. Because her spirit is strong he is surprised by the frailty of her. She is a small person. Her breasts are full and her thighs rather short. He can feel her ribs. Her buttocks are hard with a thin layer of sweet softness over them, like a child’s ass. Her mons hair feels lightly oiled. He touches her cunt. She closes her eyes. A queer bitter smell comes off her body. He kisses her soft open mouth and it’s just as he knew, she is here and he’s found her again.

Like many large overweight men he has surprising agility. She is obviously entranced. But the lack of practice is too much for him.

She says with characteristic directness: Is that the whole show?

He laughs and one way or another maintains her interest. Eventually he is ready again. Later he will try to remember the experience of being in her and will find that difficult. But he’ll remember them lying on their backs next to each other and the feel of the hard nap of the carpet on his sweaty skin. He’ll remember that when he turned on his side to look at her the silhouette of her body in the dark was like a range of distant hills.

Yes, she said, as if their fucking had been conversation, sometimes nothing else will do but to drive as flat out hard and fast as you can.

11

Annotated text Loon Lake by Warren Penfield.

If you listen the small splash is beaver.

As beaver swim their fur lies back and their heads elongate

and a true imperial cruelty shines from their eyes.

They’re rodents, after all.

Beaver otter weasel mink and rat

a rodent specie of the Adirondacks

and they redistrict the world.

They go after the young trees and bring them down—

whole hillsides collapse in the lake when they’re through.

They make their lodges of skinned poles, mud and boughs

like igloos of dark wet wood

and they enter and exit under water and build shelves

out of the water for the babies.

And when the mahogany speedboat goes by

trimmed with silver horns

in Loon Lake, in the Adirondacks,

the waves of the lake inside the beaver lodge lap gently

against the children’s feet in the darkness.

Loon Lake

was once the destination of private railroad cars

rocking on a single track

through forests of pine and spruce and hemlock

branches and fronds brushing the windows of cut glass

while inside incandescent bulbs flickered

in frosted-glass chimneys over double beds

and liquor bottles trembled in their recessed cabinet fittings

above card tables of green baize

in rooms entered through narrow doors with brass latches.

If you step on a twig in a soft bed of pine needles

under an ancient stand of this wilderness

you will make no sound.

All due respect to the Indians of Loon Lake

the Adirondack nations, with all due respect.

What a clear cold life it must have been.

Everyone knew where he stood

chiefs or children or malcontents

and every village had its lover whom no one wanted

who sometimes lay down because of that

with a last self-pitying look at Loon Lake

before intoning his death prayers

and beginning the difficult business of dying by will

on the dry hummocks of pine needles.

The loons they heard were the loons we hear today,

cries to distract the dying

loons diving into the cold black lake

and diving back out again in a whorl of clinging water

clinging like importuning spirits

fingers shattering in spray

feeling up the wing along the rounded body of the

thrillingly exerting loon

taking a fish

rising to the moon streamlined

its loon eyes round and red.

A doomed Indian would hear them at night in their diving

and hear their cry not as triumph or as rage

or the insane compatibility with the earth

attributed to birds of prey

but in protest against falling

of having to fall into that black water

and struggle up from it again and again

the water kissing and pawing and whispering

the most horrible promises

the awful presumptuousness of the water

squeezing the eyes out of the head

floating the lungs out on the beak which clamps on them

like wriggling fish

extruding all organs and waste matter

turning the bird inside out

which the Indian sees is what death is

the environment exchanging itself for the being.

And there are stars where that happens too in space

in the black space some railroad journeys above the Adirondacks.

Well, anyway, in the summer of 1936

a chilling summer high in the Eastern mountains

a group of people arrived at a rich man’s camp

in his private railway car

the men in fedoras and dark double-breasted suits

and the women in silver fox and cloche hats

sheer stockings of Japanese silk

and dresses that clung to them in the mountain air.

They shivered from the station to the camp

in an open carriage drawn by two horses.

It was the clearest night in the heavens

and the silhouettes of the jagged pines on the mountaintop

in the moonlight looked like arrowheads

looked like the graves of heroic Indians.

The old man who was their host

an industrialist of enormous wealth

over the years had welcomed to his camp

financiers politicians screen stars

European princes boxing champions and

conductors of major orchestras

all of whom were honored to sign the guest book.

Occasionally for complicated reasons

he received persons strangely undistinguished.

His camp was a long log building of two stories

on a hill overlooking Loon Lake.

There was a great rustic entrance hall

with a wide staircase of halved logs

and a balustrade made of scraped saplings

a living room as large as a hotel lobby

with walls papered in birch bark

and hung with the mounted heads of deer and elk

and with modern leather sofas with rounded corners

and a great warming fireplace of native stone

big enough to roast an ox.

It was a fine manor house lacking nothing

with suites of bedrooms each with its own shade porch

and the most discreet staff of cooks and maids and porters

but designated a camp because its décor was rough-hewn.

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