Edgar Doctorow - All the Time in the World

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From
and
to
and
, the fiction of E. L. Doctorow comprises a towering achievement in modern American letters. Now Doctorow returns with an enthralling collection of brilliant, startling short fiction about people who, as the author notes in his Preface, are somehow “distinct from their surroundings — people in some sort of contest with the prevailing world”.
A man at the end of an ordinary workday, extracts himself from his upper-middle-class life and turns to foraging in the same affluent suburb where he once lived with his family.
A college graduate takes a dishwasher’s job on a whim, and becomes entangled in a criminal enterprise after agreeing to marry a beautiful immigrant for money.
A husband and wife’s tense relationship is exacerbated when a stranger enters their home and claims to have grown up there.
An urbanite out on his morning run suspects that the city in which he’s lived all his life has transmogrified into another city altogether.
These are among the wide-ranging creations in this stunning collection, resonant with the mystery, tension, and moral investigation that distinguish the fiction of E. L. Doctorow. Containing six unforgettable stories that have never appeared in book form, and a selection of previous Doctorow classics,
affords us another opportunity to savor the genius of this American master.

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She could hardly bear staying at the shelter, where there were these wimpy women looking for her friendship, her companionship. Jolene wouldn’t even go to the group sessions. She stayed by herself and nursed Mr. Nipplebee.

The shelter gave her the name of a woman lawyer and she put down a retainer. Get me a divorce as fast as you can, she told the lawyer. The money — I don’t care, I’ll take anything they give. I just want out of here and out of Tulsa, Oklahoma. And then she waited, and waited, and nothing happened. Absolutely nothing. This went on for some time. And the next thing Jolene knew, when she was about strapped of her savings account, the lawyer quit on her. She was an older woman who wore pin-striped suits and big loopy bronze earrings. I may be broke, Jolene said to her, but Brad G. Benton has money to burn and I can pay you afterward out of the alimony or child care.

You didn’t tell me you had a past including a stretch in juvenile detention, the lawyer said. To say nothing of a previous as yet un-annulled marriage to a convicted drug dealer.

Jolene was so stunned she didn’t think to ask how the lawyer knew that if she hadn’t told her.

She was up against a scumbag husband on his own turf, so what could she expect but that there was worse to come, as there was, if he knew all along where she was hiding, and if he knew by first names everyone in town, as he probably did the very police officers who came one morning to arrest her for unlawful kidnapping of her own child, who they took from her arms and drove off in one squad car with Jolene in another as she looked back screaming.

I don’t want to hear about what is the law in this country and what is not, Jolene told the Legal Aid person who was assigned to her. Do you know what it means to have your child torn from you? Do you have to have that happen to you to know that it is worse than death? Because though you want to kill yourself, you cannot have that relief for thinking of the child’s welfare in the hands of a sick father who never smiled at him and was jealous of him from the day he was born.

My baby, she said aloud when she was alone. My baby.

He had her coloring and button nose and carrot-red fuzz for hair. He drank from her with a born knowledge of what was expected of him. He was a whole new life in her arms, and for the very first time she could remember she had something she wanted. She was Jolene, his mother, and could believe in God now, who had never before seemed to her to be much of a fact of life.

And so now there was a hearing for the divorce Brad had filed for. And his whole miserable family was there — they loved him after all now that he was getting rid of her and her past was thrown in her face. They had it all down, including the medical records of her STD from Coco, her living in sin, and even her suspension one term at South Sumter High for smoking pot. It was a no-brainer, her Legal Aid kid was out of his league, and without giving it much thought, the judge ruled she was an unfit mother and granted Brad G. Benton sole custody of her Mr. Nipplebee.

On top of everything, in the fullness of her milk that she had to pump out, she must have done something wrong, because she ended up in the hospital with a staph infection that had to be drained, like the milk had gone bad and turned green. But she had a chance to think. She thought of her choices. She could kill Brad G. Benton — it’d be simple enough to buy some kind of gun and wait on him — but then the baby would be raised by the Benton family. So what was the point? She could find a job and see the baby every second Sunday for one hour, as allowed by the judge, and rely on the passing of time for the moment when nobody would be looking and she could steal him back and run for it. But then on her first visitation what happened was that Brad was up in the gym and a new large Indian woman was with Mr. Nipplebee, and Brad’s crone of a mother stood with her back to the door and they wouldn’t let Jolene hold him but just sit by the crib and watch him sleep. And she thought, If I stay on in Tulsa for my visitations, he will grow up learning to think of me as an embarrassment, a poor relation, and I can’t have that.

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THESE DAYS, JOLENE has this job in West Hollywood inking for a small comic-book company, except they don’t call them comic books — they call them graphic novels. Because most of them aren’t funny at all. They are very serious. She likes the people at work, they are all good pals and go out for pizza together. But where she lives is down near the farmers’ market, in a studio apartment that is sacred to her. Nobody can come in no matter how good a friend. She has a little stereo for her Keith Jarrett CDs and she lights a candle and drinks a little wine and dreams of plans for herself. She thinks someday, when she has more experience, of writing a graphic novel of her own, The Life of Jolene .

She has a pastel sketch she once did of her precious baby. It is so sweet! It’s the only likeness she has. Sometimes she looks at this sketch and then at her own face in the mirror, and because he takes after her in his coloring and features, she tries to draw him at what he might look like at his present age, which is four and a half.

Friends tell Jolene she could act in movies because she may be twenty-five but she looks a lot younger. And they like her voice that she has courtesy of her ex-husband, the way it cracks like Janis Joplin’s. And her crooked smile, which she doesn’t tell them is the result of a busted cheekbone. So she’s had some photos taken and is sending them out to professional agents.

I mean, why not? Jolene says to herself. Her son could see her up on the screen one day? And when she took herself back to Tulsa in her Rolls-Royce automobile he would answer the door and there would be his movie-star mother.

The Writer in the Family

IN 1955 MY FATHER DIED WITH HIS ANCIENT MOTHER STILL alive in a nursing home. The old lady was ninety and hadn’t even known he was ill. Thinking the shock might kill her, my aunts told her that he had moved to Arizona for his bronchitis. To the immigrant generation of my grandmother, Arizona was the American equivalent of the Alps, it was where you went for your health. More accurately, it was where you went if you had the money. Since my father had failed in all the business enterprises of his life, this was the aspect of the news my grandmother dwelled on, that he had finally had some success. And so it came about that as we mourned him at home in our stocking feet, my grandmother was bragging to her cronies about her son’s new life in the dry air of the desert.

My aunts had decided on their course of action without consulting us. It meant neither my mother nor my brother nor I could visit Grandma because we were supposed to have moved west too, a family, after all. My brother Harold and I didn’t mind — it was always a nightmare at the old people’s home, where they all sat around staring at us while we tried to make conversation with Grandma. She looked terrible, had numbers of ailments, and her mind wandered. Not seeing her was no disappointment either for my mother, who had never gotten along with the old woman and did not visit when she could have. But what was disturbing was that my aunts had acted in the manner of that side of the family of making government on everyone’s behalf, the true citizens by blood and the lesser citizens by marriage. It was exactly this attitude that had tormented my mother all her married life. She claimed Jack’s family had never accepted her. She had battled them for twenty-five years as an outsider.

A few weeks after the end of our ritual mourning my aunt Frances phoned us from her home in Larchmont. Aunt Frances was the wealthier of my father’s sisters. Her husband was a lawyer, and both her sons were at Amherst. She had called to say that Grandma was asking why she didn’t hear from Jack. I had answered the phone. “You’re the writer in the family,” my aunt said. “Your father had so much faith in you. Would you mind making up something? Send it to me and I’ll read it to her. She won’t know the difference.”

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