Edgar Doctorow - All the Time in the World

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From
and
to
and
, the fiction of E. L. Doctorow comprises a towering achievement in modern American letters. Now Doctorow returns with an enthralling collection of brilliant, startling short fiction about people who, as the author notes in his Preface, are somehow “distinct from their surroundings — people in some sort of contest with the prevailing world”.
A man at the end of an ordinary workday, extracts himself from his upper-middle-class life and turns to foraging in the same affluent suburb where he once lived with his family.
A college graduate takes a dishwasher’s job on a whim, and becomes entangled in a criminal enterprise after agreeing to marry a beautiful immigrant for money.
A husband and wife’s tense relationship is exacerbated when a stranger enters their home and claims to have grown up there.
An urbanite out on his morning run suspects that the city in which he’s lived all his life has transmogrified into another city altogether.
These are among the wide-ranging creations in this stunning collection, resonant with the mystery, tension, and moral investigation that distinguish the fiction of E. L. Doctorow. Containing six unforgettable stories that have never appeared in book form, and a selection of previous Doctorow classics,
affords us another opportunity to savor the genius of this American master.

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Which brought her to Phoenix, Arizona, a hot flat city of the desert, but with a lot of fast-moving people who lived inside their air-conditioning.

SHE APPRECIATED THAT in the West human society was less tight-assed, nobody cared that much what you did or who your parents were and most everyone you met came from somewhere else. Before long she was working at a Dairy Queen and had a best friend, Kendra, who was one of her roommates, a northern girl from Akron, Ohio.

The Dairy Queen was at the edge of city life with a view over warehouses to the flat desert with its straight roads and brownish mountains away in the distance. She had to revert back to her real age to get this job. It involved roller-skating, a skill that she fortunately had not forgotten. You skated out to the customers with their order on a tray that you hooked to the car window. It was only minimum, but some men would give you a good tip, though women never did. And anyway that wasn’t to last long, because this cute guy kept coming around every day. He had long hair, a scraggly lip beard, and a ring in his ear — he looked like a rock star. He wore an undershirt with his jeans and boots, so you could see the tattoos that went up and down his arms, across his shoulders, and onto his chest. He even had a guitar in the back of his 1965 plum Caddy convertible. Of course she ignored his entreaties, though he kept coming back, and if another girl waited on him he asked her where Jolene was. All the girls wore name tags, you see. One day he drove up, and when she came back with his order he was sitting on the top of the front seat with a big smile, though a front tooth was missing. He strummed his guitar and he said, Listen to this, Jolene, and he sang this song he had made up, and as he sang he laughed in appreciation, as if someone else was singing.

Jolene, Jolene

She is so mean

She won’t be seen with me

At the Dairy Queen .

Jolene, Jolene

Please don’t be mean

Your name it means to me

My love you’ll glean from me

I am so keen to see

How happy we will be

When you are one with me

Jolene, Jolene

My Dairy Queen

Well, she knew he was a sly one, but he’d gone to the trouble of thinking it up, didn’t he? The people in the next car laughed and applauded and she blushed right through her freckles, but she couldn’t help laughing along with them. And of course with his voice not very good and his guitar not quite in tune, she knew he was no rock star, but he was loud and didn’t mind making a fool of himself and she liked that.

In fact, the guy was by profession a tattoo artist. His name was Coco Leger, pronounced Lerjay. He was originally from New Orleans, and she did go out dancing with him the next Saturday, though her friend Kendra strongly advised against it. The guy is a sleaze, Kendra said. Jolene thought she might be right. On the other hand, Kendra had no boyfriend of her own at the moment. And she was critical about most everything — their jobs, what she ate, the movies they saw, the furniture that came with the rental apartment, and maybe even the city of Phoenix in its entirety.

But Jolene went on the date and Coco was almost a gentleman. He was a good disco dancer, though a bit of a show-off with all his pelvic moves, and what was the harm after all. Coco Leger made her laugh, and she hadn’t had a reason to laugh in a long time.

One thing led to another. There was first a small heart to be embossed for free on her behind, and before long she was working as an apprentice at Coco’s Institute of Body Art. He showed her how to go about things, and she caught on quick and eventually she got to doing customers who wanted the cheap stock tattoos. It was drawing with a needle, a slow process like using only the tip of your paintbrush one dab at a time. Coco was very impressed with how fast she learned. He said she was a real asset. He fired the woman who worked for him, and after a serious discussion Jolene agreed to move in with him in his two rooms above his store, or studio, as he called it.

Kendra, who was still at the Dairy Queen, sat and watched her pack her things. I can see what he sees in you, Jolene, she said. You’ve got a trim little figure and everything moves the way it should without your even trying. Thank you, Kendra. Your skin is so fair, Kendra said. And you’ve got that nose that turns up, and a killer smile. Thank you, Kendra, she said again, and gave her a hug because, though she was happy for herself, she was sad for Kendra, whose really pretty face would not be seen for what it was by most men in that she was a heavyset girl with fat on her shoulders who was not very graceful on skates. But, Kendra continued, I can’t see what you see in him. This is a man born to betray.

Still, she didn’t want to go back to skating for tips. Coco was teaching her a trade that suited her talents. But when after just a couple of weeks Coco decided they should get married, she admitted to herself she knew nothing about him, his past, his family. She knew nothing, and when she asked, he just laughed and said, Babe, I am an orphan in the storm, just like you. They didn’t much like me where I come from, but as I understan’, neither of us has a past to write home about, he said holding her and kissing her neck. What counts is this here moment, he whispered, and the future moments to come.

She said the name Jolene Leger, pronounced Lerjay, secretly to herself and thought it had a nice lilt to it. And so after another justice of the peace and a corsage in her hand and a flowered dress to her ankles and a bottle of champagne, she was in fact Jolene Leger, a married woman once again. They went back to the two rooms above the store and smoked dope and made love, with Coco singsonging to her in her rhythm Jolene Jolene she’s a love machine , and after he fell asleep and began to snore she got up and stood at the window and looked out on the street. It was three in the morning by then, but all the streetlights were on and the traffic signals were going, though not a human being was in sight. It was all busyness on that empty street in its silence, all the store signs blazing away, the neon colors in the windows, the Laundromat, the check-cashing store, the one-hour photo and passport, the newsdealer, the coffee shop, and the dry cleaner’s, and the parking meters looking made of gold under the amber light of the streetlamps. It was the world going on as if people were the last thing it needed or wanted.

She found herself thinking that if you shaved off Coco’s scraggly lip beard and if his tattoos could be scrubbed away, and you took off his boots with the lifts in them and got him a haircut and maybe set a pair of eyeglasses on his nose, he would look not unlike her first husband, the late Mickey Holler, and she began to cry.

For a while she was sympathetic to Coco’s ways and wanted to believe his stories. But it became more and more difficult. He was away in his damn car half the time, leaving her to man the shop as if he didn’t care what business they lost. He kept all moneys to himself. She realized she was working without a salary, which only a wife would do — who else would stand for that? It was a kind of slavery, wasn’t it? Which is what Kendra said, tactlessly, when she came to visit. Coco was critical of most everything Jolene did or said. And when she needed money for groceries or some such he would only reluctantly peel off a bill or two from his carefully hoarded wad. She began to wonder where he got all his cash — certainly not from the tattooing trade, which was not all that great once the dry, cold Arizona winter set in. And when a reasonable-looking woman did come in, he carried on saying all sorts of suggestive things as if they were the only two people in the room. I really don’t like that, Jolene told him. Not at all. You married yourself a good-lookin’ stud, Coco said. Get used to it. And when Jolene found herself doing a snake or a whiskered fish for some muscleman, and, as you’d expect working so close-up, he’d come on to her, all Coco could say when she complained was, That’s what makes the world go roun’. She became miserable on a daily basis. The drugs he was dealing took up more and more of his time and when she confronted him he didn’t deny it. In fact, he said, it was the only way to keep the shop going. You should know without I have to tell you, Jolene, no artist in this USA can make it he don’t have somethin’ on the side.

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