Rick Moody - The Diviners

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The Diviners: краткое содержание, описание и аннотация

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During one month in the autumn of election year 200, scores of movie-business strivers are focused on one goal: getting a piece of an elusive, but surely huge, television saga. The one that opens with Huns sweeping through Mongolia and closes with a Mormon diviner in the Las Vegas desert; the sure-to-please-everyone multigenerational TV miniseries about diviners, those miracle workers who bring water to perpetually thirsty (and hungry and love-starved) humankind. Among the wannabes: Vanessa Meandro, hot-tempered head of Means of Production, and indie film company; her harried and varied staff; a Sikh cab driver, promoted to the office of theory and practice of TV; a bipolar bicycle messenger, who makes a fateful mis-delivery; two celebrity publicists, the Vanderbilt girls; a thriller writer who gives Botox parties; the daughter of a L.A. big-shot, who is hired to fetch Vanessas Krispy Kremes and more; a word man who coined the phrase inspired by a true story; and a supreme court justice who wants to write the script. A few true artists surface in the course of Moodys rollicking but intricately woven novel, and real emotion eventually blossoms for most of Vanessas staff at Means of Production, even herself. The Diviners is a cautionary tale about pointless ambition; a richly detailed look at the interlocking worlds of money, politics, addiction, sex, work, and family in modern America; and a masterpiece of comedy that will bring Rick Moody to still higher levels of appreciation. QUOTES A spirited, side-splitting romp through the scorpion-ridden wastes of U.S. showbizcool, hip and wickedly funnyA prodigiously talented writer, Moody offers a multitude of pleasures. His edgy prose is superb; his comedic talent raises, at a bare minimum, a giggle a page; his immersion in popular culture never compromises an acute, acerbic intelligence. Globe and Mail (reviewed by Guy Vanderhaeghe) A hugely entertaining social satire, The Diviners represents a real change for the writer, at least in tonethough he wasnt making any special effort to be more accessible, he has done just that.The book has such a lyrical, musical quality that its like an easy-to-read Finnegans Wake. Calgary Herald A rollicking novel about the interlocking worlds of entertainment, money and politics.The cast is huge and colourful, and the summing-up of a confused era is reminiscent of Jonathan Franzens The Corrections. Vancouver Sun

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Arnie got out of the consulting business because the rats were starting to jump off the ship at this one particular company, which company was under investigation for inflating the dollar value of some of its transactions, and that meant that soon they were going to start looking at the fine print, and Arnie didn’t want to be anywhere around when that happened. And yet when he set up his own company, he was using his references from before, and for some reason he was again landing the sorts of clients who would be attracted to certain kinds of transactions, a fictitious business with fictitious offices and fictitious transactions, or maybe a company that doesn’t make a product but just buys and sells ideas about products. These were all businesses where the rats were jumping off the ship. This one company, Arnie said, was being run by people from Salt Lake City, all Mormons, and their company had ties with the FBI, though that didn’t mean it wasn’t dirty. He got out. Except that he couldn’t get out entirely, because what was he going to do? Suddenly there were no clients at all, and the phone didn’t ring, and if it did, he didn’t answer it because he was afraid that it was the FBI, and so what he started doing, because he had time on his hands, was that he started taking some of the business money, the stake that had enabled his consulting business, and he began moving it around. Day-trading, that’s what they called it.

When he had lost that money, what he had to do in order to keep his business was to write a few things onto the books of this one client, the venture capital company from Salt Lake City. He saddled them with some bad trades. He concealed it all on their books as a business expense.

Now what he wanted was that Lois should forgive him for these things, because he knew what he’d done. Women had this magical capacity, according to Arnie, to forgive a man, and maybe it wouldn’t change the situation, but he’d feel a little better for a few hours. He wanted to go legit, he said, in the hotel by LaGuardia Airport, and he wanted her to see that he was a man who had no choice but to do what he did, namely, write off fifty thousand shares of a fly-by-night biotech stock onto the books of a Mormon venture capital company. Sooner or later those Mormons were going to find out. His story was confused; his despair was violent. His mood swung back and forth all over the place, on the bed in the motel.

When he’d calmed down a little, they went to sleep.

In the morning, Lois DiNunzio slipped out of the motel early, because she slept fitfully, and she paid the bill and left Arnie Lovitz there, temporarily peaceful. She drove back to Astoria and got herself into a clean outfit for work. Where another woman would have cried on that drive, on account of how passionately she had felt the night before, Lois didn’t cry, because she wasn’t the sort of woman who cried over things like failure. You’d end up crying too often.

Means of Production was in one of its flush periods. The market was “top ticking.” That’s the kind of thing Arnie said. It seemed as if there was more money around for their kinds of movies, or this is what Vanessa told her whenever she called Lois into her office. Means of Production was on the gravy train with a Dutch conglomerate, with the guy who helped pioneer some programming language for servers, and with some French producers for a film about Catholic priests molesting kids in the suburbs. Cauldron of Belief, it was called. Lois thought the subject of this movie was appalling. She thought the movie painted a bad picture of her church because it claimed that the higher-ups were always protecting the lower-downs, that they didn’t care what these priests did.

It was the day after Arnie had said what he said. Lois didn’t have the usual DiNunzio detachment, the kind that comes from losing your mother to congestive heart failure and taking care of your younger brothers, those spoiled brats. And so she made the mistake of saying to Vanessa that she didn’t think Catholic priests really did stuff like that. She reminded Vanessa that the church gave a lot of money to the poor, and it was a place for people to go who didn’t have anything, and anyway the church was the sum of all its parts and it didn’t need to be demonized just because of a couple of rogue priests who couldn’t keep their privates under their robes.

“Leave the development issues to me,” Vanessa said.

“I’m just saying.”

“Have you read the script?”

“I don’t need to read it,” Lois said. A big mistake.

“When I start developing a movie about accountants, I’ll be sure to call you in.”

She was eating, of course. Vanessa was always eating when she was in a mood for a tirade. Today it was jelly beans. Vanessa turned her back on Lois, looking in the direction of the window, toward the deluge.

Lois said, “Your boorish displays don’t wash with me. I’ve heard it all before. You can say what you like, but I don’t pay attention to your rudeness. I’ve worked for you for two years. I’ve made sure you could keep the company going. I’ve kept the rest of the girls in line, and I make sure they are okay when you’re behaving like a little child. So you watch your mouth with me.”

Vanessa needed a couple of breaths to really get going, but when she got going, it was as if she were a superhero swelling up in some fabulous demonstration of strength from the sheer force of her dissatisfaction.

“You’re the accountant. You’re like the back part of the set, where all the two-by-fours are showing. You’re the classic example of a person who’s never had a creative thought and who never will have a creative thought, and that may play well at the big studios, where they have not had a creative thought in twenty-five years, but in here, in this office, it means that we tolerate you. We tolerate you here just because we need someone to cover the books. But don’t ever get the idea that your opinion is welcome or that it matters, because we barely recognize that you’re here. You were hired to do the numbers and to shut up. And, for the record, I’m a Catholic, too, in case you haven’t noticed, and every day that I have failed to slump in the pews of the Catholic Church is a day that I’ve improved as a person. I could show you some of the spots where I was personally scarred for life by the priests and nuns I’ve known, but I’m not going to because you’re not smart enough for that particular conversation, the one in which I get stronger and begin to overcome these things through the vitality of disgust. I’m the one developing Cauldron of Belief. I’m the one who story-edited a story where a priest in Wisconsin abuses a bunch of boys and tries to get away with it, okay? And every day that they shoot the movie, I feel a little bit better, just on principle, but also because every day that they shoot that movie, I’m getting paid. And so are you. And so are the women out there in the hall, right? They’re getting paid now because this movie is being made, because some French people hate the church as much as I do. So let’s collect the checks, and let’s deposit them, and let’s bill this particular conversation as a general administrative expense, all right? Now get the fuck out of my office.”

What followed did not include any slamming of doors, nor any bitter tears. Lois DiNunzio simply walked out of Vanessa’s office and back into her own, passing, on the way, Annabel and Jeanine. They were blushing at what they’d overheard. But Lois didn’t pay any attention to this because she’d already made her decision. She wasn’t at her desk fifteen minutes before she’d cut a check made out to St. Patrick’s Cathedral in the amount of a thousand dollars, which, as accountant, she was empowered to sign in the absence of Vanessa Meandro, who was leaving that afternoon for the West Coast to sit in on the beginning of editing on Cauldron of Belief. The check was backdated by one day. It was legal tender in every one of the fifty states. She took a package of foreign cigarettes from her purse, and she rode the elevator down to the promenade, and she smoked for a few minutes, and then, with a lightness in her step, she carried the check across the street to St. Patrick’s Cathedral and slipped it into one of the little boxes where people leave coins in exchange for an illuminated candle. Lois said a little prayer, the gist of which was that Vanessa Meandro should be struck with grace, as if grace were a safe falling out of the sky, and should, in that dizzy experience of being so concussed, suffer with a love for her fellow mankind and womankind that was so overwhelming that her present life would be rendered unlivable because of it. And also, dear Lord, please make her business acumen seize up and make her smitten with some fabulous unrequited longing for some grossly unpleasant and homely person. That is my prayer, amen.

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