Rick Moody - The Diviners

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The Diviners: краткое содержание, описание и аннотация

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During one month in the autumn of election year 200, scores of movie-business strivers are focused on one goal: getting a piece of an elusive, but surely huge, television saga. The one that opens with Huns sweeping through Mongolia and closes with a Mormon diviner in the Las Vegas desert; the sure-to-please-everyone multigenerational TV miniseries about diviners, those miracle workers who bring water to perpetually thirsty (and hungry and love-starved) humankind. Among the wannabes: Vanessa Meandro, hot-tempered head of Means of Production, and indie film company; her harried and varied staff; a Sikh cab driver, promoted to the office of theory and practice of TV; a bipolar bicycle messenger, who makes a fateful mis-delivery; two celebrity publicists, the Vanderbilt girls; a thriller writer who gives Botox parties; the daughter of a L.A. big-shot, who is hired to fetch Vanessas Krispy Kremes and more; a word man who coined the phrase inspired by a true story; and a supreme court justice who wants to write the script. A few true artists surface in the course of Moodys rollicking but intricately woven novel, and real emotion eventually blossoms for most of Vanessas staff at Means of Production, even herself. The Diviners is a cautionary tale about pointless ambition; a richly detailed look at the interlocking worlds of money, politics, addiction, sex, work, and family in modern America; and a masterpiece of comedy that will bring Rick Moody to still higher levels of appreciation. QUOTES A spirited, side-splitting romp through the scorpion-ridden wastes of U.S. showbizcool, hip and wickedly funnyA prodigiously talented writer, Moody offers a multitude of pleasures. His edgy prose is superb; his comedic talent raises, at a bare minimum, a giggle a page; his immersion in popular culture never compromises an acute, acerbic intelligence. Globe and Mail (reviewed by Guy Vanderhaeghe) A hugely entertaining social satire, The Diviners represents a real change for the writer, at least in tonethough he wasnt making any special effort to be more accessible, he has done just that.The book has such a lyrical, musical quality that its like an easy-to-read Finnegans Wake. Calgary Herald A rollicking novel about the interlocking worlds of entertainment, money and politics.The cast is huge and colourful, and the summing-up of a confused era is reminiscent of Jonathan Franzens The Corrections. Vancouver Sun

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“Is there a reason why we have to be so far out of town?” Allison asks Bo, from the backseat.

“We have to be this far out of town,” Bo shouts, and he seems to like to shout, “because right near here is where Brenda Mae Millerton was when she was abducted by the disk-shaped object I was telling you about. Right along this road is where the visitors, because that’s what we like to call them, visitors, made themselves known to Brenda Mae.”

“How did they make themselves known to her?” Vanessa inquires.

“That’s what I’m getting to,” Bo says. “Brenda was on her way into town from her family’s ranch, she was fixing on going to a restaurant, and she was on this road when she looked up and saw something gleaming in the night sky. What she saw was a disk-shaped object performing a rapid-fire Z-shaped maneuver —”

“What’s a —”

“This is military country. We know what kinds of maneuvers could be performed by the modern aircraft from our arsenal. We know it wasn’t any fighter jet or what have you. No stealth bomber could perform the kind of maneuver I’m speaking about. Brenda Mae saw the rapid-fire Z-shaped maneuver of the flying disk, and she felt cocky about it, prideful, because she knew that we live in a region where unidentified flying objects are part of life. I’m guessing you ladies might not feel the same way about it. I’m guessing that you think this is a big laugh, how this is the region where the visitors come. You think you’ve paid your fifty dollars and that’s a big laugh. And you get to hear a local citizen tell you tall tales of the night. Am I right?”

Vanessa says, “We’re here on a very important mission.”

How long havethey been driving? Forty minutes, and there has been nothing. Less than nothing. No city in the distance. No light pollution from a town twenty miles away. Nothing to separate or divide the immensity of the night from itself. Anything could happen here. Things without explanation, things that make mockery of the United Broadcasting Company and its parent corporation, all the employees thereof.

“Brenda thought she was safely out of the way of the craft that was performing the Z-shaped rapid-fire maneuver, and she thought, Well, it’s probably some kind of border patrol, and she kept driving, singing along with Tejano music on our local station until, at a certain moment, and for no reason other than a little bit of restlessness in her heart, she looked into the rearview. What she saw was that there was a light hovering right behind her, hovering above the road right behind her automobile.”

Of course, Allison looks behind, because she’s sitting in the backseat, and Vanessa looks back at Allison, longingly, and there is nothing out the back window at all.

“How big was it?” Allison asks.

“How big was it? Many have asked, of course,” Bo says. “And the answer is that questions of size are earthbound questions, because, according to Brenda Mae, the scale of the lights of the visitors varies depending on where you are in the story. At this point, when the lights are flying right behind her vehicle, the lights are about what you’d expect on a standard-issue farm tractor. But before you get the idea that these lights are just the headlights of the car following her, you need to know that they were hovering above ground and they were, as she watched, rising up above the stern of her car, up above the trunk, and, as she looked back, the lights were now above her car, and she was afraid.”

“What kind of sound did the thing make?”

“A very good question, and it’s not a question that most people would think to ask. Most people just want to know about the shape of the unidentified aircraft and the size and stature of the visitors. Most people get right to those kinds of questions, and those questions would indicate that they haven’t thought much about issues of propulsion, fuel, aerodynamics, plasma, things of that nature. The question of what kind of sound the unidentified aircraft made is an interesting question, of course, especially for the reason that the aircraft made no sound at all.”

“Oh, come on,” Vanessa says. “How would she know if it made no sound at all?”

Bo applies the brake as though he’s test-driving the four-by-four for its manufacturer, as though he’s in one of those commercials invariably filmed in landscapes just like this and he wants to highlight his antilock braking system. The four-by-four, recently driven well above the legal limit, lurches to the dirt shoulder with a minor skid. Bo shuts off the engine.

“The answer to the question, ma’am, is that she knew the unidentified aircraft made no sound because she pulled the car over, just like I’ve done, and she shut the car off, and, you know, this was in early September, and so it was the time of year when you might have your windows open because you like a breeze. So Brenda Mae had her windows open, and she pulled her car over because she was afraid, and she turned off her car, and she heard nothing. In the wide open plains of the great state of Texas, here, she heard nothing, not even crickets, like everything had come to a stop, like the night had come to a stop, and she could feel the light shining on her from above because the light had warmth, heat, even, and she knew that there was something up there, all right, but all she could hear was her own breathing, her shortness of breath, and that was when the light, because the aircraft was experienced by her as a kind of light, got in the car with her, into the backseat of the car with her, just like if the light was your friend back there. What’s your name again? What I’m saying to you is that the size of the vehicle, the unidentified flying object, seemed to expand or contract based on a lot of individual factors, and for now it was small enough to waver like a mobile of lights in the backseat of Brenda Mae’s car.”

For dramatic effect, Bo throws open the door on the driver’s side of his four-by-four and climbs out onto the pavement. There are some pinging tones — the engine cooling from its gallop — but otherwise, around them, there’s only the night. Vanessa and Allison get out, too, and they are brought up short in the perception of the night sky. It’s a night sky that they would never see back east, where industrial residue enhances the sunset but forbids the glow of unmediated stars. Here they can see the planets low on the horizon before them and, above, the ceaseless churning of the Milky Way and its constituents.

“The period of her blackout started right at this point —”

“Her —”

“Memory loss,” Bo says. “Could have been traumatic, of course. Because she was seeing things no one has ever seen before, things that you don’t expect to see in this life. Maybe she bumped her head somehow and suffered a concussive injury in her brainpan. The fact is that Brenda Mae was in her car, and she remembers having pulled over the car, and she remembers seeing the blinding light in the back of the car, and she remembers looking out the window and seeing it, seeing something out there, and asking herself What is that thing? And then she remembers nothing. She doesn’t remember walking away from her car, even though she certainly did walk away from her car, since she was found wandering, in an unclothed state, forty miles from here; and did I say that those forty miles were in the middle of the range? Forty miles as the crow flies in the middle of the range. By roads, it would take hours to get there, and you’d still have to hike in. Maybe, you’re thinking, she used some kind of ATV, the kind that leaves no tracks. Maybe she parachuted in. I’m in no position to judge, but that range, that meadow where she was found, is this very field, that’s what I’m saying, this very field right beyond the road here. If you look out in that direction, that’s the field where Brenda Mae was found thirty-six hours later, wandering in an unclothed state, disoriented and measuring extra high on a Geiger counter. With a story about being shoved out of the craft, the unidentified flying object, and no memory of what the visitors looked like.”

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