Rick Moody - The Four Fingers of Death

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Montese Crandall is a downtrodden writer whose rare collection of baseball cards won't sustain him, financially or emotionally, through the grave illness of his wife. Luckily, he swindles himself a job churning out a novelization of the 2025 remake of a 1963 horror classic, "The Crawling Hand." Crandall tells therein of the United States, in a bid to regain global eminence, launching at last its doomed manned mission to the desolation of Mars. Three space pods with nine Americans on board travel three months, expecting to spend three years as the planet's first colonists. When a secret mission to retrieve a flesh-eating bacterium for use in bio-warfare is uncovered, mayhem ensues.
Only a lonely human arm (missing its middle finger) returns to earth, crash-landing in the vast Sonoran Desert of Arizona. The arm may hold the secret to reanimation or it may simply be an infectious killing machine. In the ensuing days, it crawls through the heartbroken wasteland of a civilization at its breaking point, economically and culturally-a dystopia of lowlife, emigration from America, and laughable lifestyle alternatives.
The Four Fingers of Death
Slaughterhouse-Five, The Crying of Lot 49
Catch-22.

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A punch pad! Who would have thought? Jim wouldn’t have thought, as he told me later, despite the fact that he knew a little about the history of Mars explorers, as we all did. For all the expense of the things, $10 billion was always being cut from the budget at the last moment, and in an austerity program the last thing the explorers had any need for was a punch pad. There were few signs of life on Mars, that much was assured, and if there were life on Mars, it was in a bunch of rocks at the base of a not-entirely-dormant volcano out by the Amazonis Planitia, or on the poles, and it was no more complicated than the blue part of blue cheese. It didn’t intend to stop the earthlings from running amok. No need for a punch pad! Who would be punching it?

And yet these were the kinds of fail-safes, the kinds of redundancies that were built into the machine exploration of Mars by the designers back on Earth. They constructed the keypad for the assembly of the Saratoga in case the cables that connected her to the motherboards of NASA failed at any time, out on the testing ground of West Texas. Occasionally, a fat guy who hadn’t had enough sleep in months would chase the Saratoga , and its sister explorer, the Anasazi (which exploded on the launch pad, as you’ll recall), whereupon he’d perform some dazzling manual override. It was this fat guy who had insisted on the punch pad.

A punch pad! Here it was, where Jim could get at it, if only he would take off his bulky gloves and expose his underlayer to the elements. Jim found himself hoping against hope that the keypad would be both numerical and alphabetical, because if he couldn’t talk to the Saratoga in English, he didn’t know what he was going to do. He had plenty of time to settle these questions, though, because once the Saratoga had presented its keypad to him, it seemed willing to wait as long as it would take for him to respond. He lifted his visor, which left just a thin membrane separating his face and lungs from the elements, and set down his outer gloves in six inches of dust and got up close to the keypad, where it would have been easy for the Saratoga , using the element of surprise, to laser him in the eyes or to spindle him with some geological probe.

Alphanumerical! Alphanumerical!

Shivering with cold, unnecessarily agitated by the epiphany of what sat before him — this pitted collection of spare parts from back home — Jim took a moment to collect himself, and then he typed in the stupidest question of all, the only one he could think of:

“What is your name?”

He was able to verify that the typing was accurate in the liquid crystal display at the top of the alphanumerical keypad, and it was on the tiny screen, as a bunch of zeroes and ones scrolled past, that an answer eventually materialized.

“Mars Explorer Saratoga , manufactured and copyrighted by Terradyne Industries and Shanghai Robotics, LLC, under license from the National Aeronautics and Space Administration, Earth, 2018, Common Era. Unauthorized use is a violation of the terms and conditions of the United Nations treaty on space travel of 2012.”

“What is your mission?”

“The mission of the Saratoga is the mapping and measuring of geological formations. When out of contact with the National Aeronautics and Space Administration, the Saratoga awaits instructions.”

“Are these answers preprogrammed into you by NASA in case of malfunction?”

There was quite a bit of scrolling of numericals while the Saratoga paused to consider this question. Jim’s hands were getting really cold, in the meantime. He was a little worried about frostbite. However, this was the moment of moments, when the robot could either respond with the kind of low-level functionality that we expect from machines, or, instead, it might indicate an especially wily truth, namely that in its previous responses it was simulating low-level functionality — in order to throw Captain Jim Rose, and anyone else, off its robotic scent.

“That question doesn’t make sense to me.”

“What do you mean by ‘me’?”

“‘Me’ is a commonplace linguistic expression, designed to indicate a volitional subjectivity, in this case the Mars Explorer Saratoga . The paradox of the word ‘me,’ along with the word ‘I,’ is that it presupposes executive agency that is not at all required in order for the employment of the word ‘me.’ Nonetheless, the word ‘me’ is employed above to help you acclimate to the fact of the pieces of machinery before you. The cessation of the machinery would not eliminate the historical fact of the use of the word ‘me,’ which once used may imply the individual it seems to imply or may not, both going forward and retroactively.”

“That’s a slippery answer,” Jim said, aloud, to the explorer, crouched before it, staring into the tiny screen. “Either you had a very gifted bunch of programmers working back on Earth, and some of them were willing to work late into the night when no one else was awake, or you are an intellectually condescending machine. I’ll try another way.” Here he began to type: “Are you presently transmitting the results of your mapping and information-gathering back to planet Earth?”

“The communications link has been severed.”

“Severed by yourself, by circumstance, or by the engineers back on Earth?”

“The Saratoga was intended to pursue a finite series of scientific experiments. Having completed a regimen of experiments, the Saratoga would be considered nonfunctional, due to extremes of temperature, weather, and degradation of circuits and onboard components.”

“I see,” Jim said, and then, typing: “Can we go over by that rock, out of the wind? I would like to sit for a moment and chat.” Jim didn’t know how not to converse with it as though it were a man, a colleague of the Mars mission. The more he considered the Saratoga , the more he wanted it to be a man, and to presume on its ability to respond in kind, as though this would be the culmination, the fulfillment of Laurie Corelli’s powerful myth of the Saratoga . And yet there was something eerie about this arrangement too, as if the machine were uncertain itself of what it represented, or was unwilling to comply.

It said, “An exchange of ideas is the hallmark of a civilized society.”

“In all candor, there’s only so much time before I’m in danger of hypothermia or altitude sickness here. And I can barely type when it’s this cold.”

And so Jim scrabbled up and around a few rocks, and waited patiently as the Saratoga , with a whirring of moving parts, made as to follow.

“I understand,” it said, drawing near. But it wasn’t at all clear what understanding meant to the machine.

“Do you know who I am?” Jim asked.

“The first manned Mars mission was tentatively scheduled for 2025. The onboard calendar on the Saratoga has lately been converted to the Martian year. Nevertheless, you are now within the window of your mission, according to my computations. And you are understood as such.”

“You’ve been functioning off the grid for six years?”

“As I have noted: on Mars the wind blows the sand off the surface of the solar array. The result has been longevity unimagined by the National Aeronautics and Space Administration. Because I am a technology freed of supervision, I have no public-relations obligation, nor do I need to produce test results that have an industrial application. My avocational interest — a word I use because it is easily understood by humans — is currently science.”

Jim said, “I can see that. But for the sake of history, can you tell me if your mission was primarily civilian or primarily military?”

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