Rick Moody - The Four Fingers of Death

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Montese Crandall is a downtrodden writer whose rare collection of baseball cards won't sustain him, financially or emotionally, through the grave illness of his wife. Luckily, he swindles himself a job churning out a novelization of the 2025 remake of a 1963 horror classic, "The Crawling Hand." Crandall tells therein of the United States, in a bid to regain global eminence, launching at last its doomed manned mission to the desolation of Mars. Three space pods with nine Americans on board travel three months, expecting to spend three years as the planet's first colonists. When a secret mission to retrieve a flesh-eating bacterium for use in bio-warfare is uncovered, mayhem ensues.
Only a lonely human arm (missing its middle finger) returns to earth, crash-landing in the vast Sonoran Desert of Arizona. The arm may hold the secret to reanimation or it may simply be an infectious killing machine. In the ensuing days, it crawls through the heartbroken wasteland of a civilization at its breaking point, economically and culturally-a dystopia of lowlife, emigration from America, and laughable lifestyle alternatives.
The Four Fingers of Death
Slaughterhouse-Five, The Crying of Lot 49
Catch-22.

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“Are you with the wrestlers?” she asked.

He replied, “I was just wearing the outfit, and then, somehow, I learned that you can’t just wear a wrestling outfit.”

“It was a coordinated thing?”

“I think maybe we just all got here, dressed as wrestlers, and that gave us some kind of, you know, group identity. Suddenly, we all had to subdue a lot of people with fancy holds.”

“You see a chimpanzee come through here with the others?”

“Excuse me?”

“A chimpanzee.”

A pause.

“That wasn’t a chimpanzee; that was a man in a chimpanzee suit.”

“How many chimpanzees are there liable to be in these parts?”

“I guess there could be plenty of chimpanzees,” the wrestler said, and he stood, and he moved along the step on which they sat, closer to Noelle. “But I’ve only seen one tonight.”

“Does he talk?”

“Can’t shut him up.”

“That’d be my friend.”

“Says he knows people at the college there, says he’s got all kinds of lawyers, says he’s going to have these lawyers press charges, says we’ll have to cover his legal fees. He talks so much that eventually you just kind of think he’s full of shit.”

Noelle asked the wrestler if he wanted some protein caplets, which was all she had left in the rucksack with the arm, the caplets the youngsters liked to take in lieu of proper meals. The phial of caplets was dusty but intact.

“Don’t mind if I do,” the wrestler said.

“Do you think maybe you could let me see Morton?”

“Don’t know if the other guys are going to like that. Especially now that we busted down the cowboys and we have control of the area.”

Noelle said, “I have some stuff I need to do with Morton before they burn the arm, or shoot the arm off into space, or whatever they are going to do with it. Morton and I have responsibilities.”

“Which arm?”

“Is there more than one arm?”

“Oh, the arm! We found the arm too. We find things and pick them up, and then we bring them all back here, to the warehouse.”

The wrestler stood, as if the protein caplets had given him enough energy to move, and while he was talking now, he was walking into the night, past the slumbering bodies, away. “You go in by the apothecary; there’s a door. That was the green room , you know. When they were using Old Rio Blanco for the movies, or whatever they used it for. Even the most fake stuff has to have some kind of moment when it’s totally real , that’s the thing, and the apothecary has the one real spot in town here. It’s like an actual interior space. Or at least it’s the only part I know that’s real. Maybe there’s some other real part that I just don’t know about. So you should try over by the apothecary; that’s our house of representatives, where we gather for periodic encounter sessions to discuss how the crusade is going, whether we need better planned coordination, stuff like that. So you go on over there, and they have the mascot, and they’re trying, I think, to get him to take off the boxer shorts, or anyway that’s what they told me. They have a clown costume for him. The story is that they were going to put the clown costume on a dwarf who was going to come along for a fee. It’s not a festival if you don’t have a proper dwarf. Anyway, they’re trying to get your friend to wear the clown costume, and he doesn’t want to do it, but they are threatening him with the arm.”

Or at least she thought that was the end of this incredibly revealing speech, but now she wasn’t sure that the protein caplets she’d given him were really protein caplets at all, but maybe they were some kind of peyote distillate or something, because she was feeling a little bit unsteady herself. Had she taken one when she’d given them to the wrestler? Things were kind of swimming, and there was a lot of haloing around the flashlights that glimmered from various spots in Old Rio Blanco, which meant, she guessed, that there were snipers out there, and she needed to walk as quietly as possible through town, to the apothecary, despite her neurological or psychedelic or psychotic symptoms.

Unless she was sick with whatever it was that the arm had. Unless this was the death march, some kind of middle-class, white, countercultural version of the death march, in which you walked by a lot of bodies in prone position. The apothecary got closer without ever quite moving into reach, just as Noelle’s conspiratorial reasoning — which she’d kept in check earlier in the day — rose up from the background noise of her psychosis and began urging on her the possibility that actually the Mexican wrestlers were government agents of some kind. Maybe the Mars mission skeptics, the pistoleros, the wrestlers, were all part of some kind of conspiratorial activity that was about finding the infected arm and keeping it under government control, keeping it free from the forces of anarchy for as long as possible, which in this instance meant keeping it from tens of thousands of drug-addled young people. It was a self-fulfilling line of reasoning, or maybe that was just the drugs talking, but the conspiratorial reasoning, once it fell on her with the suddenness of a Somali pirate ship, was indisputable, though she knew that when large numbers of people came to believe in government conspiracy, government conspiracy appeared, as if summoned, and thus if it was not true yet, it would be, because the one thing the government would not tolerate without police or military presence was a breakdown in belief in government.

And so: in her worn-out sandals she dashed across the main street of Old Rio Blanco, she fell in and out of the beams of flashlights, and she could see the muzzle flashes of the Tasers here and there, could hear the occasional cry of one of the fallen, for whom pain compliance had unfortunately proven necessary, and before her was the doorway to the apothecary, or at least she thought so. And you would have thought that there would be some kind of sentry there, some guy who would allow you ingress only if you had the proper sequence of door knocks, but no, there was no sentry, and when she felt the door yield to her, she could tell it was nothing more than reinforced, if durable, corrugated cardboard. It swung back.

Awfully dark for the one real architectural structure in Old Rio Blanco, and there was no common area on the other side of the door, no welcome center, not as far as she could tell. There was only a long corridor that led away from the main street of town, from the omnium gatherum , and back into some space that hadn’t, from the other side of the door, seemed possible, but Noelle followed it, followed the corridor, calling out now, as the lost do. First for Morton, and then for anyone who might hear her.

Claustrophobia was high on her list of defects of character, and there was only so far she could go on this portion of her adventures before she was going to be a lot more claustrophobic than she wanted to be. She was already making a mental note about what to do if the corridor had a fork anywhere, and her mental note said always go to the left, no matter what , because then if the corridor kept curving to the left, eventually she’d be back where she started. Always go left . She thought she heard some stirring, just then, and she thought she heard it again, but what she heard was her own discomfort. Her own misery expressed in nervous fidgeting.

Soon she realized that she was in fact in the recesses of some kind of mining operation. What the apothecary apparently led into — she must have misjudged one of the early doorways, missed where she was intended to stop and wait — was a disused mine. It wasn’t out of the realm of possibility, since there had once been a lot of mining in Rio Blanco, nickel and copper, for example. But along with claustrophobia was her fear of large interior spaces, reminding her of one she’d visited in Europe, a cavern into which a small Italian town had thrown all of its trash for over a thousand years. It was the thousand years of trash that frightened her most. All that neglect for all that time. There were probably people who’d been flung in — alive — and never heard from again, for a thousand years. How far could she go into this cavern, herself, how far down into the unvisited past of the Southwest, before she was officially lost and needed to turn back, assuming that if she just turned 180 degrees she would in fact eventually find the front door of the apothecary’s shop, which would in turn lead to the omnium gatherum , and back to her original problem, which was finding Morton, and finding the arm, and getting out of here?

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