Patrick White - Happy Valley

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Happy Valley: краткое содержание, описание и аннотация

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Happy Valley is a place of dreams and secrets, of snow and ice and wind. In this remote little town, perched in its landscape of desolate beauty, everybody has a story to tell about loss and longing and loneliness, about their passion to escape. I must get away, thinks Dr. Oliver Halliday, thinks Alys Browne, thinks Sidney Furlow. But Happy Valley is not a place that can be easily left, and White's vivid characters, with their distinctive voices, move bit by bit towards sorrow and acceptance.
Happy Valley is Patrick White's first novel. It was published in 1939 when he was just twenty-seven. This restless and jagged study of small-town life is a prolonged glimpse of literary genius in the making. White never allowed it to be republished in his lifetime, and the novel has been until now the missing piece in the extraordinary jigsaw of White's work.

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It made him feel superior to come from New England, where the big squatters drove into Muswellbrook for the picnic races. You had money to burn. You hadn’t, but somebody had, and that was the point. Somebody always stood you a drink. As you leant up against the bar somebody always said, come on, Hagan, what’ll you have? And it was intimate and friendly. You told stories, about the time the drought, about the time the floods, and they were always pretty tall, and everyone knew and tried to spin a taller one themselves.

He couldn’t see any pub. She had said at the top. But all he could see was the pale road meandering out of the town and two old shorthorn cows standing nose to nose at the bend. A little miserable sheep-dog bitch quivered at the side of the road and gulped down a piece of bone. He felt like a dog in the rain. He felt like a fool.

Of course there were houses. You could always ask. Over there for instance, that woman in a cap peeping out of her front door, seeing what she could see, and she looked a bit of all right with that jacket hiding only half the goods.

I say, he called. Then he took off his hat. Excuse me, he said, can you tell me the way to the pub?

Yes, she said.

She came out on the steps.

Yes, it’s just at the top. On the right. You can’t miss it, she said.

She got back on to the porch out of the rain. This was a bit of class, he felt, with all those ribbons and the brooch. You could see she took her time, probably ate breakfast in bed. So he stood with his hat in his hand.

There’s another one on the left, she smiled, but that’s closed. They couldn’t make two of them pay.

Well, that’s a pity now, isn’t it?

He had made her laugh. It came panting out very easily, perhaps a little too easily, but it showed she was ready to please. And when she laughed the little curls at the side jogged up and down.

Oh, she said suddenly, closing her mouth.

She ran back into the hall, as if she’d been bitten, as if…

No, she said, coming back. You’re all right, she said, smiling again, they were old friends. I suddenly thought of the time. But you’re all right. How the morning flies! And anyway you’re a traveller. They’ll always sell a traveller a drink.

That’s one advantage, I suppose.

Makes you want to keep on the road.

He laughed himself. His hair was getting wet in the rain. He ought to put on his hat.

Well, she said, up on the right.

As if she was telling him he’d better move, and he couldn’t stand there, right in front of her porch, but she’d like to keep him there all the same, or ask him in, or…She had a mole on her left cheek. And here he was standing in a puddle, and he ought to go.

So long, he said.

She nodded her head, smiled, her lips sank back again into a pout.

As she said, it was just a little way up on the right. It was a big brown building, wood, with baskets of ferns that hung down dead from the verandah ceiling. They drooped down very black and spidery out of the baskets of net. The verandah had a dirt floor. A child’s celluloid doll was lying on its face, one leg cocked up in the air. Well, this was the place and a drink was a drink anywhere. He looked back down the road. She was still standing on the porch of her house. As soon as he turned she went inside as if she did not want him to know she had watched him up the road. He waved, but already it was too late, she had gone inside, she had not seen. He smiled and opened the door of the bar.

Morning, said Hagan, going into the black atmosphere of the bar.

He slapped the black wood with his hand, just in a spirit of friendliness, to show he knew what was expected in a place like this. The publican nodded. He had a sharp, drawn face, his lips going in on the gums. It was not what you expected of a publican, any of this, or the bar, but it was Happy Valley after all, so he said to the publican sharply:

A double Johnnie Walker, Steve.

In a dark square that was all you could see of an inner room (it was probably the kitchen or a scullery) the publican’s wife and two girls paused in wiping dishes and stared at the strange face. He did not feel moved to return their stare. It made you feel lumped down in nowhere, this black room. Only the woman standing at her front porch waving the direction with plump hands gave you a sense of being anywhere at all. You could see she was different, and that she saw you were different, a kind of mutual sympathy.

There were two men in the bar. One was perhaps a drover, wearing a plaid overcoat and spurs. The spurs tinkled when he moved his feet. And he had a black leather stock-whip over his arm. But the other was an old man, one of those static old men you see in country bars, who seem to have no significance at all, except as recipients of drinks that they pour in through the meshes of a yellowish moustache, just standing and nodding, willing to listen to a story, but never giving much in return. They are generally called Abe or Joe. Though this one was called Barney, as a matter of fact.

Just a dried-up old post, like a post rotten with ants. Hagan swallowed his drink. And the snakey drover, with a stock-whip coiled like a black snake.

Yes, said the drover to the old man, that was a nice little mare. Carry you a ’undred miles an’ not a sore on ’er back. She was game. An’ not too big. She was a pretty little mare. So I said to Walter, ’ow much do you want for your mare, Walter, I said. An’ Walter said, look, ’Erbert, if I was to sell that mare I’d be sellin’ me bloody self, ’e said. An’ I said, you’re right, Walter, you wouldn’t see a finer little mare in the country, Walter, I said.

The man nodded his head.

You wouldn’t see a finer mare, he agreed.

Hagan had another whisky. It made him sick, talking about some runt of a horse, as if you could breed a horse on sour country like this, that wasn’t a bag of worms with a couple of gammy legs. It just made him sick.

What you know about horses? he said.

Eh? said the drover, opening his eyes.

Hagan plunged his mouth in his glass. He would take his time. He would make them open their eyes. And he wished she could have seen, with her pink ribbons, how he dealt with people in bars, or how he got on a horse, that time in Singleton, and that was a horse. So he filled his mouth with whisky and swallowed it down, and it was no doubt whisky made you feel good, made you open your coat. He stood there with his legs apart staring impressively at the two men.

You haven’t got horses down here, he said, and waited for it to sink in. You won’t breed horses in hill country, nothing but runts, he said. Give us another whisky, Steve. You won’t have seen horses if you haven’t been up north. Nothing but runts down here.

An’ who said I haven’t been up north? said the drover, shifting his whip.

His spurs tinkled as he spat straight on the floor. The lip of the old man hung pinkly, stupidly, down.

Nobody said, said Hagan, taking his glass. I was making a statement, nothing more.

Two can’t play at that, I suppose?

Hagan bent his knees. He was talking to people in bars, and they listened because there was something to hear, because he could tell a story well, and he was feeling good for the first time, just as if the pub was full, in race week up north, and people coming in, and girls in the bedrooms upstairs changing their dresses for a dance.

There was a horse in Singleton, he said, swallowing down. That was a horse. A big brown colt. They couldn’t do a thing with that bloody colt. And there you could see, he was a beauty, plenty of bone and size, nothing runty about a horse like that. But there they were standing round, bringing twitches and God knows what, and the colt shaking them off, and the saddle-cloth they threw over his head. It made you laugh. There was a cove called Rube Isaacs, and Rube got a kick straight in the pants. Well, you couldn’t help laugh to hear Rube letting on. And the horse just stood there snorting, flattening his ears. So I up and said, what do you say if you leave off arsing about and let me have a go at the horse. The brute wasn’t having a chance. And I grabbed hold of the brute by the ear. I twisted his bloody ear all right. And I got on his back. And Christ, he didn’t half let fly round and round that yard, and everyone climbing on to the fence. I thought I was losing me guts, the way we kept on hitting the ground, with that big bastard heaving about. And then…well, what do you think?

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