Patrick White - Riders in the Chariot
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- Название:Riders in the Chariot
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- Издательство:Spottiswoode
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- Год:1961
- ISBN:нет данных
- Рейтинг книги:4 / 5. Голосов: 1
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Riders in the Chariot: краткое содержание, описание и аннотация
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is one of the Nobel Prize winner's boldest books.
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The weight of night fell heavy at last on the house in Abercrombie Crescent. Norm Fussell, a nervous type, said he was going walk-about. Hannah did not go on the job-she was done up-but took an aspro, or three, and knew she would not drop off. Yet, it was proved, she must have floated on the surface of a sleep. About five, the whore got up. She was not accustomed to see the grey light sprawling on an empty bed; it gave her the jimmies. She would have liked a yarn, to put the marsh-mallow back into life by offering right sentiments. There is nothing comforts like worn opinions. But in the absence of opportunity, she looked along the passage, touching her bruises. There she saw the abo's door was open. "Alf!" she called once or twice, but low. She began to go along then, running her hand along the wall. The room, it appeared, was empty. She had to switch on finally to see, although the electric light was cruel. But Dubbo had gone all right. Had taken his tin box, it seemed, and smoked off. All around, amongst the junk she had been in the habit of shoving away in that room, was matchwood. He had, she saw, brought the axe from the yard-it was still standing in the room-and split his old pictures up. Nothing else. All those bloody boards of pictures. There they were, laying. The thin light was screaming down from the bare electric globe. Well, she realized presently, she could let the stuff lay where it was, and use it up in time as kindling. She was glad then. She had known other men do their blocks, and bust up a whole houseful of valuable furniture. As she went back slow along the passage, in which the light was beginning to throb, from grey to white, gradually and naturally, it occurred to her the abo had not asked her for his money; it would still be in there under the handkerchiefs. He would come back, of course, and she would surrender up the envelope, because she was an honest woman. But sometimes a person did not come back. Sometimes a person died. Or sometimes what mattered of a person, the will or something, died in advance, and they did not seem to care. She remembered the abo the night before, after he got blown, propping himself in the middle of the carpet, on the bones of legs, all bones and breathlessness. If anyone had knocked on him at that stage, he might have sounded hollow, like a crab. But she did not think he had shown her his eyes, and in her anxiety to reconstruct a situation, she would have liked to remember. Still, Hannah was throbbing with hopes. In the cool of the morning, she was already on fire. She was back in her room by now. She would move the envelope from the drawer, for safety, since it had been seen. Not that Norm, of course. Norm was honest too.
Dubbo did not return to the house in Abercrombie Crescent. Hannah's place was connected in his mind with some swamp that he remembered without having seen, and from which the white magic of love and charity had failed to exorcise the evil spirits. Certainly he had never expected much, but was sickened afresh each time his attitude was justified. Angels were demons in disguise. Even Mrs Pask had dropped her blue robe, and grown brass nipples and a beak. Such faith as he had, lay in his own hands. Through them he might still redeem what Mr Calderon would have referred to as the soul, and which remained in his imagining something between a material shape and an infinite desire. So, in those acts of praise which became his paintings, he would try to convey and resolve his condition of mind. As far as the practical side of his existence was concerned, it was easy enough to find work, and he went from job to job for a while after he had run from Hannah's. He took a room on the outskirts of Barranugli, in the house of a Mrs Noonan, where no questions were asked, and where bare walls, and a stretcher with counterpane of washed-out roses, provided him with a tranquil background for his thoughts. He read a good deal now, both owing to a physical languor caused by his illness, and because of a rage to arrive at understanding. Mostly he read the Bible, or the few art books he had bought, but for preference the books of the Prophets, and even by now the Gospels. The latter, however, with suspicion and surprise. And he would fail, as he had always failed before, to reconcile those truths with what he had experienced. Where he could accept God because of the spirit that would work in him at times, the duplicity of the white men prevented him considering Christ, except as an ambitious abstraction, or realistically, as a man. When the white man's war ended, several of the whites bought Dubbo drinks to celebrate the peace, and together they spewed up in the streets, out of stomachs that were, for the occasion, of the same colour. At Rosetree's factory, though, where he began to work shortly after, Dubbo was always the abo. Nor would he have wished it otherwise, for that way he could travel quicker, deeper, into the hunting grounds of his imagination. The white men had never appeared pursier, hairier, glassier, or so confidently superior as they became at the excuse of peace. As they sat at their benches at Rosetree's, or went up and down between the machines, they threatened to burst right out of their singlets, and assault a far too passive future. Not to say the suspected envoys of another world. There was a bloke, it was learnt, at one of the drills down the lower end, some kind of bloody foreigner. Whom the abo would watch with interest. But the man seldom raised his eyes. And the abo did not expect. Until certain signs were exchanged, without gesture or direct glance. How they began to communicate, the blackfellow could not have explained. But a state of trust became established by subtler than any human means, so that he resented it when the Jew finally addressed him in the wash-room, as if their code of silence might thus have been compromised. Later, he realized, he was comforted to know that the Chariot did exist outside the prophet's vision and his own mind.
PART SIX
12
PASSOVER and Easter would fall early that year. The heavy days were still being piled up, and no sign of relief for those who were buried inside. Little wonder that the soul hesitated to prepare itself, whether for deliverance from its perennial Egypt, or redemption through the blood of its Saviour, when the body remained immured in its pyramid of days. Miss Hare burrowed deep, but uselessly, along the tunnels of escape which radiated from Xanadu, and parted the green, her skin palpitating for the moment that did not, would not come. Mrs Godbold, standing in the steam of sheets, awaited the shrill winds of Easter, which sometimes even now would sweep across her memory, out of the fens, rattling the white cherry boughs, and causing the lines of hymns to waver behind shaken panes. But this year, did not blow. For Mrs Flack and Mrs Jolley, mopping themselves amongst the dahlias at Karma, it was easier, of course, to invoke an Easter that was their due, as regular communicants, and members of the Ladies' Guild. For Harry Rosetree, however, in his cardboard office at the factory, the season always brought confusion. Which he overcame by overwork, by blasphemy, and by tearing at his groin. There the pants would ruck up regularly, causing him endless discomfort during rush orders and humid weather. "For Chrissake," Harry Rosetree bellowed, as he thumped and bumped, and eased that unhappy crotch, in his revolving, tillable, chromium-plated chair, "what for is Easter this year so demmed early? A man cannot fulfil his orders." In the outer office Miss Whibley, the plumper of the two ladies who were dashing away at their typewriters, sucked her teeth just enough to censure. Miss Mudge, on the other hand, sniggered, because it was the boss. "Can you tell me, please, Miss Whibley?" Mr Rosetree would insist. He could become intolerable, but paid well for it. "Because it is a movable feast," Miss Whibley replied. She thought perhaps her answer had sounded clever without being altogether rude. Miss Whibley was an adept at remaining the right side of insolence. "Well, move it, move it, or see that it is moved, Miss Whibley, please," Mr Rosetree insisted, plodding through the wads of paper, "next year, well forward, Miss Whibley, please." Miss Mudge sniggered, and wiped her arms on her personal towel. The boss would start to get funny, and keep it up during whole afternoons. Miss Mudge approved, guiltily, of jolly men. She lived with a widowed, invalid, pensioned sister, whose excessive misfortune had sapped them both. "Because I will not rupture myself for any Easter, Miss Whibley, movable or fixed." Mr Rosetree had to kill somebody with his wit. Miss Whibley sucked her teeth harder. "Dear, dear, Mr Rosetree, it is a good thing neether of us is religious. Miss Mudge is even less than I." Miss Mudge blushed, and mumbled something about liking a decent hymn provided nobody expected her to join in. "I am religious." Mr Rosetree slapped the papers. "I am religious! I am religious!" Mr Rosetree sang. Indeed, he attended the church of Saint Aloysius at Paradise East, on Sundays, and at all important feasts, and would stuff notes into the hands of nuns, with a lack of discretion which made them lower their eyes, as if they had been a party to some indecent act. "You gotta be religious, Miss Whibley." Mr Rosetree laughed. "Otherwise you will go to hell, and how will you like that?" Now it was Miss Whibley's turn to blush. Her necklaces of flesh turned their deepest mauve, and she took out a little compact, and began to powder herself, from her forehead down to the yoke of her dress, with the thorough motions of a cat. "Well, I am not at all religious," she said, wetting her lips ever so slightly. "I suppose it is because my friend is a dialectical materialist." Mr Rosetree laughed more than ever. He could not resist: "And what is that?" He was quite unreasonably happy that afternoon. "I cannot be expected to explain _every-__thing!" Miss Whibley sulked. "Ah, you intellectuals!" Mr Rosetree sighed. Miss Mudge coughed, and shifted her lozenge. She loved to listen to other people, and to watch. In that way, she who had never thought what she might contribute to life, did seem to participate. Now she observed that her colleague was becoming annoyed. Miss Mudge could feel the heartburn rise in sympathy in her own somewhat stringy throat. "My friend is a civil servant," Miss Whibley was saying. "In the Taxation Office. He is considered an expert on provisional tax." Then she added, rather irrelevantly, only she had been saving it up for some time as a kind of experiment, "My friend is also a quarter Jewish." Mr Rosetree was disengaging the wads of paper, which could only be prized apart, it seemed, at that season. Miss Whibley did not watch, but sensed. "A quarter Jew? So! A quarter Jew! I am a quarter shoe-fetichist, Miss Whibley, if that is what you wish to know. And five-eighths manic-depressive. That leaves still some small fraction to be accounted for. So we cannot yet work it out what I am." Miss Whibley flung her typewriter carriage as far as it would go. Miss Mudge did not understand, but Miss Whibley knew that she should take offence. And she did, with professional efficiency. "A quarter Jew!" chanted Mr Rosetree. But Miss Whibley would not hear. She lowered her head to study her shorthand notes, though inwardly she had crossed the line which divides reality from resentment. Presently it was time for the ladies to leave. They went out most conspicuously on that afternoon. In the workshop the men were knocking off. Some had begun to move towards the bus-stop, others towards the paddockful of ramshackle cars. Whether they marched, carrying prim-looking ports, or gangled leisurely, with sugar-bags slung by cords across the shoulders, no other act performed by the men during the day so clearly proclaimed their independence. Only a boss, it was implied, would presume that their going out was inevitably linked to their coming in. Although the boss should have left, now that the walls no longer shook, and silence was flowing back into the shed which ostensibly he owned, Harry Rosetree continued to sit. Because he had decided to work on. But did not, in fact. The silence was so impressive he became convinced he was its creator, along with the Brighta Lamps, the Boronia Geometry Sets, the Flannel-Flower Bobby-Pins, and My Own Butterfly Clips. Of course, if he had not been possessed by his irrational joy long before the factory had begun to empty, the illusion might not have endured; he would most probably have been caught out by that same silence which now increased his sense of power and freedom. But his joy, which had made him so distasteful during the afternoon to the ladies he employed, was too rubbery and aggressive to allow itself to be bounced aside. Nor could he have restrained it, any more than he could have halted time, which went ticking on through the last week before the Easter closure, and the most formidable silence of all, when the soul is reborn. Not that Rosetrees were all that observant. But Harry Rose-tree was an honest man. If you signed a contract, you had to abide by the clauses. And religion was like any other business. Rosetrees were Christians now; they would do the necessary. Shirl complained, but of course she was a woman. Shirl said she had been brought up to stay at home, to stuff the fish and knead the dumplings, not to pray along with the men. She did not go much on early mass, but Harry would sometimes persuade, with a bottle of French perfume or pair of stockings. Then Shirl would get herself up in the gold chains which were such a handy investment, and derive quite a lot from the subdued and reverential atmosphere-it was lovely, the elevation of the Host-and the wives of upper-bracket executives in their expensive clothes. But that Easter they had made their reservations at My Blue Mountain Home. It was all very well to be Christians, Shirl said, but surely to God they were Australians too. So they were going to sing "The Little Brown Jug," and "Waltzing Matilda," and "Pack Up Your Troubles," after tea. Along with a lot of bloody reffos, Harry said. What he understood best, usually he suspected most. So that it was not altogether the sweet scent of Easter which had flooded Harry Rosetree's soul, as he worked on, or sat in his office, in the brassy light of late afternoon. As he drifted, he was uplifted, but by something faintly anomalous. Until finally he was stunned. It could only be the cinnamon. It was Miss Mudge: my chest, sir, if I do not take precautions in humid weather, hope you do not object to such a penetrating odour. It smelled, all right. Even now that she was gone, it shrieked down the passages of memory, right to the innermost chamber. They were again seated in the long, but very narrow, dark parlour, raising the mess of brown apples to their lips. The mother had arranged special cushions, on which the father was reclining, or lolling, rather. Such an excess of blood-red plush, with the nap beginning to wear off, filled the chair and made for discomfort. It was the occasion that mattered, and the father throve on occasions. Whatever the state of their fortunes, whatever the temper of the _goyim__, the father would deliver much the same homily: our history is all we have, Haïm, and the peaceful joys of the Sabbath and feast days, the flavour of cinnamon and the scent of spices, the wisdom of Torah and the teaching of the Talmud. What had been the living words of the father would crackle like parchment whenever Haïm ben Ya'akov allowed himself to remember. Or worse, he would see them, written in columns, on scrolls of human skin. But now it was the _scent__ of words that pervaded. Whatever the occasion-and how many there had been-the father wore the _yarmulka__. And the wart with the four little black bristles to the side of the right nostril. At Pesach the father would explain: this, Haïm, is the apple of remembrance, of the brown clay of Egypt, so you must eat up, eat, the taste of cinnamon is good. Haïm Rosenbaum, the boy, had never cared for the stuff, but long after he had become a man, even after he was supposed, officially, to have stripped the Ark of its Passover trappings, and dressed his hopes in the white robe of Easter, the scent of cinnamon remained connected with the deep joy of Pesach. Now as the molten light was poured into the office where Harry Rosetree sat, the two eyes which were watching him seemed to be set at discrepant angles, which, together with the presentation of the facial planes, suggested that here were two, or even more, distinct faces. Yet, on closer examination, all the versions that evolved, all the lines of vision that could be traced from the discrepant eyes, fell into focus. All those features which had appeared wilfully distorted and unrelated, added up quite naturally to make the one great archetypal face. It was most disturbing, exhilarating, not to say frightening. Until Mr Rosetree realized the old Jew he had employed for some time, that Himmelfarb, that Mordecai, had approached along the passage without his having heard, and was glancing in through a hatchway. Passing, passing, but hesitating. So the moment fixed in the hatchway suggested. It was one of these instants that will break with the ease of cotton threads. Mr Rosetree was trembling, whether from anger-he had never been able to stand the face of that old, too humble Jew-or from joy at discovering familiar features transferred from memory to the office hatchway, he would not have been the one to decide. Although his dry throat was compelled, still tremblingly enough. He was forced to mumble, while his joy and relief, fear and anger, swayed and tittupped in the balance, "_Shalom! Shalom, Mordecai__!" The face of the Jew Himmelfarb immediately appeared to brim with light. The windows, of course, were blazing with it at that hour. "_Shalom, Herr Rosenbaum__!" the Jew Mordecai replied. But immediately Mr Rosetree cleared his throat of anything that might have threatened his position. "Why the hell," he asked, "don't you knock off along with other peoples?" He had got up. He was walking about, balanced on the balls of his small feet, rubbery and angry. "Do you want to make trouble with the union?" Mr Rose-tree asked. "I am late," Himmelfarb explained, "because I could not find this case." He produced a small fibre case, of the type carried by schoolchildren and, occasionally, workmen, and laid it as concrete evidence on the hatchway shelf. Mr Rosetree was furious, but fascinated by the miserable object, which had already begun to assume a kind of monstrous importance. "How," he exploded, "you could not find this case?" He might have hit, if he would not have loathed so much as to touch it. "It was mislaid," the old Jew answered very quietly. "Perhaps even hidden. As a joke, of course." "Which men would play such a wretched joke?" "Oh," said Himmelfarb, "a young man." "Which?" The room was shuddering. "Oh," said Himmelfarb, "I cannot say I know his name. Only that they call him Blue." The incident was, of course, ludicrous, but Mr Rosetree had become obsessed by it. "For Chrissake," he asked, "what for do you need this demmed case?" How repellent he found all miserable reffo Jews. And this one in particular, the owner of the cheap, dented case. Then the old Jew looked down his cheekbones. He took a key from an inner pocket. The case sprang tinnily, almost indecently open. "I do not care to leave them at home," Himmelfarb explained. Harry Rosetree held his breath. There was no avoiding it; he would have to look inside the case. And did. Briefly. He saw, indeed, what he had feared: the fringes of the _tallith__, the black thongs of the _tephillin__, wound round and round the Name. Mr Rosetree could have been in some agony. "Put it away, then!" He trembled. "All this _Quatsch__! Will you Jews never learn that you will be made to suffer for the next time also?" "If it has to be," Himmelfarb replied, manipulating the catches of his case. "A lot of _Quatsch__!" Mr Rosetree repeated. That intolerable humid weather had the worst effect on him. As his face showed. The wretched Jew had begun to go. "Himmelfarb!" Mr Rosetree called, through rubbery, almost unmanageable lips. "You better take the two days," he ordered, "for the Seder business. But keep it quiet, the reason why. For all anyone will know"-here he became hatefully congested-"you could have gone…" but still choked, with some disgust for phlegm or words. His veins were protesting, too, to say nothing of his purple skin."… SICK," he succeeded finally in shouting. The employee inclined his head with such discretion, the favour could have been his due. As for the employer, he might have taken further offence, but was a fleshy man, suffering from blood pressure, and already emotionally exhausted. "Who will decide," he sighed, "what forms sickness takes?" But very soft. And was in no way comforted. "_Hier! Himmelfarb__!" he bawled, as his inferior was preparing for the second time to leave. Mr Rosetree had just the strength to remember something, however embarrassing the thought. And was floundering around in his breast pocket. He was flapping a wallet. "_Für Pesach__," Mr Rosetree grunted. The old Jew was rather startled. His employer was dangling what appeared to be a five-pound note. "_Nehmen Sie! Nehmen Sie__!" Mr Rosetree threatened. "_Himmelfarb! Für Pesach__!" Harry Rosetree was not so innocent he did not believe a man might pay for his sins. Yet, an abominable innocence seemed to have washed the face of Himmelfarb quite, quite clean of any such suspicion. He had come back. He said, "I would ask you, Mr Rosetree, to give it, rather, to somebody in need." With that sweetness of innocence which is bitterest to those who taste it. Then Mr Rosetree grew real angry. He began to curse all demmed Jews. He cursed himself for his foolishness. He dared to curse his own father's loins. "This is where I will give these few demmed quids!" Harry Rosetree shouted. As he crumpled up the note. And worried it apart. He did not tear it, exactly, because his fury could not rise to an act of such precision. "So!" Revenge made him sound hoarse. If he had been able to atone in any way for the burst of destruction he had inspired, Himmelfarb would have done so, but for the moment that was impossible. Because, whatever the hatchway suggested, the wall prevented. He could not even have picked up the irregular pieces, which, he saw, had settled round his employer's feet. So he had to say, "I am sorry to have caused you such distress." Aware that humility can appear, at times, more offensive than arrogance itself, he tried to soften the blow by adding, "_Shalom, Hen Rosenbaum__!" And went.
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