Andrew O'Hagan - The Illuminations

‘Hot, man.’

‘Like boiling,’ Flannigan said. ‘And the cocknoshes up there, man, the fucken Chunkies, giving it fuck-o-nometry with some cunting Rupert from Bastion nodding all impressed like and we’re sitting up here getting Kit-Kat arse in the sun.’

‘Some officers are dicks and they’ll always be dicks,’ Lennox said. ‘Not you, Captain.’

‘Steady,’ Luke said.

‘Jesus,’ Dooley whispered. ‘I wish something would happen. I want to be all over this map. I want a whole lot of kills and then I don’t give a fuck what happens. They can take me home.’ His voice had gone down a level with the heat and he swigged water from a plastic bottle and then threw the bottle into the road among the rocks.

‘I don’t care what anybody says,’ Lennox said. ‘Megadeth is not Thrash Metal. It’s Death Metal, so it is.’

‘The guitars are gunning, man. It’s Thrash.’

‘Bollocks, it is.’

‘They practically invented Thrash. Them and Metallica.’ Lennox began poking himself in the chest. ‘I’m telling you, man. I was into them before any other kid at St Gerard’s.’

‘Cop on, Lennox, you daft bitch. Get real. You were about two when

Countdown to Extinction

came out.’

Lennox pondered this. ‘I was definitely listening to

Youthanasia

when I was in primary school, so I was.’

So the conversation went, all day, half the night, between joints and scran, boredom and mortars. The time to start worrying on a mission, Luke always said, is when the boys are being too nice to one another. And in a firefight, you only panic when the boys go silent.

He smiled and walked off the road. He could see the wavering line of the horizon and everything in the distance looked like a form of sunstroke. There was a mud house by an irrigation ditch, a smell of shit and rotten hay, a man in a pink turban strolling with his goats. Out there, the ragged mountains appeared like a video still, not reality but a screen-grab. The whole scene looked parched and ruined. A clear picture came into Luke’s mind of a fresher landscape, Loch Lomond in the black-and-white summer of an old photograph at his grandmother’s. He could almost taste a pint of lager, and taste Anne’s art. He didn’t think that any of his Helmand images would end up in a frame.

There was heat inside the heat. Sweat ran down the back of his neck and between his shoulder blades. Luke hated the hours it took to dig out landmines and the wait for incoming fire. Scullion said the mission would be the biggest logistical task of the war. Two hundred vehicles and a shitload of grunts desperate as fuck to get out there and banjo the Taliban. Luke felt weak. Just as

there was heat inside the heat, there was weakness inside his weakness. Everything is dense with itself out there; everything is thick with its own crazed lack of known limits. Things could escalate. You could sense it in your nerves and feel it on your skin.

Jesus, the boys were mad for action. They were mad for wild-eyed bogeymen covered in rags, for teams of degenerates to appear on the horizon wearing beards and mucky sandals, pouring through the heatwave with their sabres held high. By late August the men in the platoon were chin-strapped and breathing through their arses. They needed a story to tell and they needed pictures. They longed for something they would hate the moment it arrived. But they wanted it and their want appeared to seep into the deadly hot distances that surrounded them.

‘Jesus,’ Luke said. They’d given up on the famous victory long ago and now they gave a toss for nothing but the regiment. To everybody it was a cluster fuck where nobody wins.

‘Mad out here,’ he said quietly.

Luke walked a dozen yards away from the convoy. The horizon was a bundle of grey and brown garments, a heap of old linen, surely not stones and mountains. The distance seemed to come and go in the heat, it appeared to liquefy before him and he felt lost on the empty map with the troops and vehicles ranged at his back. At Bastion he’d told the boys to write their last letters. A quick note just in case. Two seconds. They wrote them while waiting for their turn on Xbox.

It began early on that first day. It began with the melting horizon and the threat of forces lying outside his vision. He felt the Kajaki Operation was cursed and he wanted to be out of there. He felt the pressure of his younger self, the one who missed his father, the boy in touch with beautiful ideas. Back then, Luke often

walked through Kelvingrove Park in Glasgow to spend the day with his gran. Anne was a woman who lived quietly and knew how to disappear into her own experience. He could still see her standing near the window with a magnifying glass and an old catalogue, sitting him down to explain things. Even when speaking to a boy she spoke as a person not only ready to invest in you but ready to bear the costs to the end. In Helmand, he already understood that Anne was now ill, and, thinking of her, he realised her quest had long since become part of who he was himself. It was inside him. He didn’t yet know what her quest was, but he had never forgotten that by going round galleries with him and talking about books, Anne had given him the world not as it was but as it might be. He could see himself as a boy on her sofa with a large seashell clamped to his ear. He felt he needed her more than ever, he wanted her close, the person who once revealed to him a world beyond the obvious. He recalled the time she took him to Dunure Harbour. He was twelve years old and they stood holding hands on the jetty, the wind pushing them back as they took great gulps of air. ‘Breathe, Luke!’ she said. ‘You can’t argue with that! Fresh wind off the sea. Oh my. I wish I could catch it with the camera.’

It all felt different now, the ethos, the habits, the taste he and his fellow soldiers had developed for a high kill ratio. Out there, staring into the mountains, it occurred to him that he had travelled far from his old resources, far from Anne Quirk and her mysterious belief that truth and silence can conquer everything. Was she even real in herself, he asked. Or was she just another of life’s compelling hopes? He remembered her bringing books back from the library and then disappearing down to England for weeks at a time. His mother wouldn’t tell him anything about Anne’s story and the books stood, in his mind, for everything

missing. ‘You’re the first officer I’ve met in years’, Major Scullion had told him, ‘who knows that Browning is not just a small arms weapon.’

Luke and the major were now miles from the shared conscience that had once elevated their friendship. Something was wrong. ‘Jesus,’ he said again. ‘This war is dirty as fuck. There’s nothing good here. And we the police are coming to our end.’ He blew out his breath and watched his thoughts vaporise against a wall of daylight. Some crazy box of frogs out here, he thought, goats and fuck knows what, Fat Alberts flying overhead dropping cannon on the wrong people.

MAJOR SCULLION

Some men say they love it. They love the flamingos that once nested in the alkali lakes of Ghazni. Major Scullion could speak a little Pashtun: he was that kind of man, a perpetual scholar of green river valleys, an inspector of old travel books. And now he was a veteran of long hot days spent eating pomegranates in the Afghan mire. Like many people who love walking, Charles Scullion was a professor of his own singularity, yet he preferred to speak of himself as a dot in a majestic landscape. He liked the clichés, the phrase ‘harsh beauty’. In his mind he had reformed all images of blood so that now he only saw Kipling’s vistas of white carnations. The major came with recent memories of Sierra Leone and Kosovo, but it was Afghanistan he loved more than home, and he spoke of the Caspian tiger the way others spoke of the nightclubs in Temple Bar.