Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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'The purpose, the meaning, the intent and the methodology of intelligence is the discernment of patterns.' The students are waiting, eager for the revelation that will grant them understanding, hone their edges into preparedness, allow them to survive and triumph. 'The ability to sense method, orderliness, design, is the greatest talent an intelligence officer can possess,' K.D. Yadav proclaims, projecting to the back of the room. 'The old saying goes: once is happenstance, twice is coincidence, three times is enemy action. Remember that. If you can see the connections between data points, see the shape they make, read the story the data is telling, you will win. A patrol notices bootprints on a ridge in the Karakoram, a field officer on posting in Brussels writes a report mentioning the sale of miles of toughened communication cables. He who sees meaning in that, wins.' K.D. says 'he,' but there is a woman in the first row, a girl. He has known her for years, he has seen her grow from a child into a serious-faced young person, and one of the great pleasures of his life has been observing that very distinct personality that gazed up at him from the pram growing into the self-possessed, independent woman who sits before him now. He likes to think he had something to do with that growth, with the nurturing of that courage. But what is her name? How can he not know her name? How could he have forgotten, when he has voiced that name for years, decades?

And then he knows. He understands how he has forgotten. He has not forgotten her name in that room in the house in Safdarjung, in the classroom they have hidden away in a nondescript bungalow. He has forgotten it now, in this hospital room he is lying in. I am here, I am Karpuri Dwarkanath Yadav, known always as 'K.D'. I am in a small white room with drawn curtains. I am lying on a white metal bed. I am not teaching, not lecturing. I am ill, which is why I have forgotten her name. In the real classroom, years ago, I knew it. Now I don't.

She is sitting in front of him now, in the hospital room. She is reading a book. He remembers her as a child, always reading. She carried a book from one room to another, took a book to the dinner table and was always told to put it away by her mother. K.D. gave her books, he saw in her his own desperate childhood hunger for books to read, and was drawn to her by her precocity. He gave her Classics Illustrated comics, Enid Blyton and then P.G. Wodehouse. She still reads with that same one-pointed concentration, curved over the book she holds with both hands. He remembers that tense arc, that need, as if she wanted to eat the words. 'What are you reading now?' he says.

She looks up, pleased by the question, pleased that he is talking. 'It's called A Search in Secret India .'

'Paul Brunton.'

'Is there anything you haven't read?'

'I read it years ago.' He remembers exactly when he read it, in June of 1970 in an army mess in Siliguri. The book was an old leather-bound copy, with faded gilt lettering and three raised ridges on the spine. He can feel it in his hands now. He found it on a glassed-in shelf, above Ming vases from a long-ago punitive expedition to Peking. Outside the mess, there is a veranda which a lance-naik is sweeping. A barbed-wire fence. A cracking road and fields. But he still can't remember this woman's name, in this yellow hospital room. 'They must have reprinted it. What do you think of it?'

'Orientalist nonsense. White man looking for sadhus and enlightenment in a mysterious dark land. Same old fantasy.'

K.D. laughs. 'Just because it's somebody's fantasy doesn't mean it's not true.' This is an old argument between them. He always tells her she has to be weaned away from her JNU-bred fantasies of world citizenship and anti-imperialism and eternal peace. She always tells him that his realism is a fantasy too. But the argument has become over the years a formal exercise, a ritual which looks like a quarrel but which is really a demonstration of affection. And he is aware that he has the advantage. After all, he has recruited her into the organization. She is one of us now, one of the shadow soldiers. She has no choice but to be a realist. I trained her, I taught her tradecraft, analysis, recognition, action. I drew her into the secret world, into our troubles, into the web of secret causes. He smiles at her. 'Do you mean to say that sadhus don't exist? Or enlightenment?'

She puts her book down, draws her chair closer to the bed. 'I'm sure sadhus exist.'

'They do indeed. Real ones and fake ones. Both are useful.' She nods, and he is sure she understands, that she has not forgotten her lessons. He had insisted on a knowledge of the organization's history, of its antecedents, and so he had taught them about the Pandits, Nain and Mani Singh Rawat, and Sarat Chandra Das, and others, small and unsung men who had a century ago plunged into the forbidden northern lands disguised as pilgrims, who had walked north and west of the Himalayas, who had measured out thousand-mile routes by counting their strides as they walked. Prayer-wheels hid compasses, thermometers were snuggled into walking staffs, and the distances the walkers had measured had resulted in the first survey maps of these wild territories. And a map is a kind of conquest, the precursor to all other conquests. K.D. had told his students: remember those prayer wheels, one kind of knowledge can conceal another. Information nests inside information. Watch everything, listen to everything. Useful hides inside useless, truth in lies. And so this girl, his student, is now reading an Englishman's quest for peace, which she believes is nonsensical. Good. She is a good student. She is a good reader. She is holding his hand now. K.D. says, 'Why are you reading Brunton?'

'Uncle,' she says quietly. 'I need help. I need to know about Gaitonde. I need more. I need to know why he would be interested in sadhus.'

Ganesh Gaitonde is a bad man, but he was once an ally of the good men. K.D. had recruited him too. The organization needed bad men sometimes, for certain tasks, for specific missions. Only bad men had access to positive information in certain areas. So K.D. had found Gaitonde, in a jail, and recruited him. And Gaitonde had been a good source, his data had been cross-checked and corroborated and verified, and it had proved solid, and useful. He had executed commissions as well, performed jobs efficiently and with discretion. At the end he had gone renegade, he had betrayed the service and made up data and used their resources to expand his empire, but early on Ganesh Gaitonde had been a bad man on the right side, and K.D. had been his handler. To play this game well, you had to handle bad men, you had to have them do bad things which were finally good things. It was necessary. Only those who had never been on a real battlefield asked for unstained virtue and unblemished deeds. On the field, all actions were only provisionally moral, and the game was eternal. So was Ganesh Gaitonde a bad man? Was Nehru a bad man?

Hold on, cling tightly to lucidity. Don't think of Nehru, he is a distraction. Your mind is weaving, slipping. You are ill. K.D. clenches his fists, raises his head. The girl is intent, frowning a little. Just like her father. Her father's name was Jagdeep Mathur, and they had met each other early on a winter's day, in a conference room in Lucknow, on the campus of Lucknow University. The conference table has a green felt surface and is overlooked, from all four walls, by paintings of grand Europeans in academic gowns. There are seventeen men seated around the table, all of them in their early twenties, all of them sharp-eyed, intelligent, educated. K.D. has never seen any of them before, each has been told to report to this room at nine a.m. sharp. They are not talking to each other, they are waiting, they are practising discretion because they all know they are being recruited for secret work, in an agency which has not been named to them yet, which most of them have never heard of. K.D. has been interviewed twice already, after a very quiet approach by the vice-chancellor of his university in Patna. He thinks he knows why: he has a BA Honours in History and an LLB, and a National Cadet Corps 'C' certificate, and state-wide fame as a sportsman. He is tight, taut and very ambitiously educated. He has been thinking mainly of a career in law, but now he is vividly interested in this sequestered world, in these secret interviews and this promise of urgent and all-important work. So he waits at this table, with these other men who he recognizes as mirror-images of himself, from their strong forearms and alert glances he knows them to be sportsmen-scholars. The big double doors at the end of the hall swing open, and two men with military haircuts enter. Hard on their heels is an older man in a grey jacket, a professor perhaps, judging by his thick, wire-rimmed glasses. The professor walks towards the table, then turns back to the door, his neck bent forward expectantly. And Nehru enters. K.D. feels himself flush. It is unbelievable but it really is Jawaharlal Nehru. 'Gentlemen,' Nehru says, and his voice is hoarse, almost cracking. All the young men spring to their feet with a tremendous scraping of wood and shoes, and he waves them down impatiently. He sits without ceremony, leans forward and puts his elbows on the table. His hands are white, and K.D. can see how clean the nails are. But he looks tired, this Nehru. His eyes are yellowed, his cheeks are puffy. It is 18 February 1963. 'Gentlemen, you have all experienced the crisis India has struggled through recently. We live in dangerous times, we are struggling through an hour of crisis. Our borders have been invaded, our trust shattered. And that by the Chinese, who we thought were our friends. We must make sure such a thing never happens again. And so the nation must call upon its young men, its best and brightest. As I look at you I see the blessed light of an ancient past in your faces, and so I am confident again. I will ask much of you. In your work, your country will want the impossible from you. But you must endure. On your shoulders is our future. I trust in your strength, and in your unfailing dedication to your duty. Jai Hind.' He rises abruptly, and shakes hands with the man to his left. And then the next interviewee. K.D. has time to watch Nehru as he waits his turn to shake hands. He finds that he is breathing hard, as if he has just sprinted a quick mile. When his turn comes, Nehru reaches out and says something. K.D. is startled: 'Sir?' Nehru is already reaching for the next man's hand, but he says – without looking at K.D. – 'Do your best, son.' There is a trace of impatience in his voice at having to repeat himself, but K.D. treasures the words, and he watches carefully, but Nehru doesn't say a word to anyone else, not even to the professor. Nehru leaves, the doors shut behind him. Nehru has only spoken to K.D., only him.

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