Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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'What is it?' Mata-ji said finally, still facing away.

'Is there some trouble with Ram Pari?'

Mata-ji took a long breath. 'These people.'

'Did she do something, Mata-ji?'

'No, no. Her husband.'

'She has a husband?'

'Beta, nine children she has. He's not been home in a year and a half. She was sure he had another wife somewhere. Then yesterday he came back. Like a laat-saab he spread his legs and shouted for his dinner. It's my house, he said.'

'Is it his house?'

'He hasn't earned ten rupees in his life.'

That was very conclusive, somehow. Mata-ji's shoulder shifted and settled and her breathing changed, and Prabhjot Kaur let herself down slowly to the floor, her cheeks stinging. Ram Pari was still trudging away somewhere, in a line as straight as fate, but all Prabhjot Kaur could think about was that she herself had never earned a rupee in her life, only stolen one. She stood in the shadow of the fluted pillars at the edge of the courtyard, watching her brothers and the red stains on their pants from the cricket ball, their pleasant exhaustion, and wondered if this house was hers. It slid away from her all evening, the feeling of home that she'd had from the first day she had seen the rising beams and the hole in the ground half-lined with bricks. Even as the sun walked up the pillars and she sprinkled water in the courtyard and the smell rose of fresh evening, she was not able to plant herself in the place. She slept fluttering and light, wafting and skipping and windblown in her dreams over the white rooftops of Sabhwal city, where she had been born.

She awoke to quarrelling. Mani was arguing that Ram Pari must be allowed to stay. 'She has nowhere to go,' she said, and Prabhjot Kaur could hear the effort it cost her to keep her voice low and reasonable, how it thickened her throat.

'That's all very sad,' Mata-ji said. 'But since when has she become my mausi that I should take care of her? Let her go to her relatives.'

'Mata-ji, I told you already, she has nobody here. Her husband brought her here from her village. Do you want her to sleep on the streets, with all of those children?'

'When did I say I want her to do anything?' Mata-ji was sitting cross-legged near the kitchen, with a big thal in her lap piled high on one side with wheat. The grains skittered across the metal to the other side under her rapid fingers, without cease, and on the floor next to her there was a small pile of black pebbles and husks and stubble. 'I don't want her to do anything at all.'

Prabhjot Kaur ran through the courtyard, out to the front gate. Ram Pari was squatting just inside the gate, her wrists resting on a rolled-up blue mattress. She was surrounded by children, an incredible sprawl of them. A toddler naked but for a black thread tied around its waist clambered over ankles and shins, its fat legs pedalling rapidly. When he had almost escaped the circle of bodies, a girl of Prabhjot Kaur's age bent and reached for his arm and dragged him back.

'Ram Pari,' Prabhjot Kaur said. 'What happened?'

'What to say, Nikki?' Ram Pari said. 'What to say? My man, he came back.' She spread her hands wide, taking in not only the children and Prabhjot Kaur but the world itself.

'But he can't just drive you out. That's not right.' Now Ram Pari was quiet, and Prabhjot Kaur had the uncomfortable feeling that they were all looking at her, even the baby, all these hot black eyes, quite expressionless but still making her shift about and look for somewhere else to go. She made herself back away, and then turned and ran into the house. In her chest there was a panic, a biting dread that was coloured black and crimson, that tasted like a rotten apple she had bit into once, all spongy and brown under the crisp skin. She flung herself at Mata-ji's shoulder. With her face in Mata-ji's hair, she panted, 'Oh Mata-ji, let her stay.'

'You also?' Mata-ji rolled her eyes. 'Saints and social workers my daughters have become.'

Navneet-bhenji laughed. She was sitting at the hall table, a little cup of oil in front of her, and she was combing it through her hair with long, slow strokes that lifted up the black lengths and let them fall like undulating waves. In the new light the heart-shape of her face was glowing, and her lips curled red, and Prabhjot Kaur had never seen her so beautiful.

'Navneet-bhenji,' Prabhjot Kaur cried, close to tears. 'Tell Mata-ji to let her stay.'

'Mixing up in these people's quarrels will only lead to trouble,' Mata-ji said. 'Do you want that man walking about in the lane outside, and in and out of this house? And that dirty brood of hers…'

'Mata-ji,' Navneet-bhenji said, 'you can wash them all, three times.'

'Don't you start, Navneet,' Mata-ji said. 'And you two, get dressed for school.'

When she got that swollen look about her face, Mata-ji was as unmovable as a full canister of desi ghee. Prabhjot Kaur buttoned her uniform with trembling fingers, and all day at school was completely distracted by visions of Ram Pari walking through an endless thorny wasteland, her children whimpering from thirst and dropping one by one. Manjeet and Asha watched Prabhjot Kaur quizzically as she struggled to take notes. At recess she told them about Ram Pari's plight, but they were unmoved, or at least only half as, or quarter as, moved as she was. If that. 'These people keep fighting like that only,' Asha said. Prabhjot Kaur heard the words, and saw the prim little twist to Asha's mouth, and fought down a surge of tears. Manjeet just shrugged. Then they both turned to more urgent matters, to the question of whether it would be possible to persuade Manjeet's father to sponsor an outing over the next weekend. Their heads were close together, and Prabhjot Kaur saw their bright plaits and the clean white of their dupattas, and she wanted to speak, but her feeling for Ram Pari belonged in some dim interior fold, in a turn in a cave, and it was impossible to drag it out squirming and scared into the hard summery light. So Prabhjot Kaur took a deep breath, and was quiet. She was quiet all day, and quiet on Daraq Ali's tanga, all the way home.

The children were still outside, still scrambling in the patch of shade, which had moved across the courtyard and narrowed. Ram Pari was inside the house, scrubbing the last of the pots. Navneet-bhenji was dozing with a book spread over her belly, flapping a fan lazily. Without opening her eyes, she told Prabhjot Kaur the tale of the day's struggle: Ram Pari had come in, without asking, and had started sweeping the courtyard, just as usual; she had gone about her tasks, and Mata-ji watched her, and the two women passed each other in silence. They had not said a word to each other the whole day. Even now, as Prabhjot Kaur watched, Mata-ji came diagonally across the baking bricks, holding a wet knot of clothes in her hand, and she passed within a foot of Ram Pari as she went to the staircase leading to the roof, but both of them swept their eyes away from each other, as if clothes and pots left no attention available for anything else.

'She didn't look at her, yes?' Navneet-bhenji said, still with her eyes closed.

'Who?'

'Mata-ji. She didn't even look at Ram Pari?'

'No, she didn't.'

'That's what she's been doing all day. Oof, Nikki, she drives me crazy. All these silences full of meaning, and everyone else is supposed to understand them and do what she wants. And she's very good at it. Everyone does do what she wants.'

Prabhjot Kaur was silent herself now. She had felt, herself, little stabs of resentment at her mother, when she wasn't allowed to go on a school picnic, when she was served last from the bowl of kheer and less than her brothers, but all of these small angers vanished daily under the vast presence of her mother's warm influence, under the damp, all-enfolding embrace of her motherly arms, which you could feel as soon as you entered the main gate, in the half-bricks painted white with which she had lined the walkway, in the lacy trimmings on the table cloths on the tables in the baithak. But to hear this strange, tinny edge of contempt in Navneet-bhenji's voice was to suddenly know a separation between mother and daughter, between Mata-ji and herself, that Prabhjot Kaur had never imagined before. It made her feel queasy and very alone.

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