Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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* * *

Mary Mascarenas sat on her bed and shuddered. She held herself around the belly, arms tightly wrapped, and lowered her head and shook. Sartaj waited. Maybe she had quarrelled with Jojo, perhaps she had even wished her sister dead, but now it had happened, a part of her life had fallen away, and she was trembling from the amputation. There was no use trying to talk to her until the agitation was over, and so Sartaj and Katekar were waiting, looking around her very small apartment, one room with an attached kitchen really, and a cupboard of a bathroom. She had a green and black bedspread on the single bed, some small plants on the window-ledge, an ancient black rotary phone, two framed paintings on the wall, a grey-patterned dhurrie on the floor. Sitting on the single wooden chair at the foot of the bed, Sartaj saw how she had built a haven for herself. The walls were a pale green, and he was sure that she had painted them herself, to complement the darker green of the plants and the jungle emeralds of the paintings, where cottages sat amongst exuberant foliage and parrots fluttered through the treetops. Now the bright Mumbai sun slipped through the white blinds and ignited the hues that Mary Mascarenas had arranged for herself, and the shimmering, jerking fall of her hair hid her face.

Katekar rolled his eyes. He padded into the kitchen, and Sartaj could see his head craning, turning. He was taking inventory. He would go into the bathroom next, and take careful note of buckets, toothbrush, face creams. This was something they had in common, this faith in details, in particulars. Sartaj had noticed it the first time Katekar had reported to him, many years ago, about a pickpocket who worked the line from Churchgate to Andheri Station. Katekar had droned on about name, age, height, and then added that the bastard had married three times, and that he had a weakness for papri-chaat and faluda, in the basti where he had grown up this was well known. They'd caught him three weeks later, at the Mathura Dairy Farm near Santa Cruz station, with his head lowered over a plate of bhel-puri after a profitable evening rush-hour, sitting across from a cross-eyed girlfriend who was well on her way to becoming wife number four. Close observation didn't always bring arrests, and success, but what Sartaj appreciated was Katekar's essential understanding of the fact that there were many ways to describe a man, but to say that he was a Hindu, a poor man, a criminal, all of this gave no grip, no hold. Only when you knew which shampoo he favoured, what songs he listened to, who and how he liked to chodo, what paan he ate, only then you caught him, had him, even if you never arrested him. So Katekar was in Mary's bathroom now. Sartaj was sure he was sniffing at her soap.

'Why?' she said suddenly. She pushed the hair back from her face, tugged it back angrily. 'Why?'

She had her sister's cheekbones, and a plumper, round jawline, all blurred now by her loss. She wasn't weeping, but was still quivering, squeezing it down until Sartaj could see it only in the tips of her fingers, and in her chin.

'Miss Mascarenas was involved in nefarious activities with the mafia don Ganesh Gaitonde,' he said. 'This resulted in…'

'I heard you before,' she said. 'But why?'

Why everything? she wanted to know. Why a bullet hole in the chest, why a concrete floor, why Ganesh Gaitonde? Sartaj shrugged. 'I don't know,' he said. Why do men kill women? Why do they kill each other? These were questions that bit at him sometimes, but he drowned them in whisky. Otherwise why not ask, why life? That way lay hurtling chasms, the temptations of long heights. Better to do the job. Better to put one apradhi in jail, and then, when you could, another. Katekar was at the bathroom door, his eyes alive with sunlight. 'I don't know, miss,' Sartaj said.

'You don't know,' she said. She nodded heavily, as if this confirmed some great suspicion. 'I want her,' she said.

'Miss?'

'I want her,' she said slowly, with hard-strained patience, 'for burial.'

'Yes, of course. Handing over of body is sometimes difficult when the investigation is still ongoing, you understand. But we will arrange for the body to be released. But I need to ask you some questions.'

'I don't want to answer any questions just now.'

'But these are questions about your sister. You just said that you want to know what happened to her.'

She wiped her face and sat forward a little and suddenly he was the subject of study. Her eyes were a lighter brown than they first appeared, and in a moment he was able to see the flecks dusted through them. He was now very uncomfortable, her scrutiny was shameless, direct and long, and at least his position should have shielded him from the unexpected intimacy of that unending look. But he wouldn't drop his gaze. At last she said, 'What did you say your name was?'

'Inspector Sartaj Singh.'

'Sartaj Singh, have you ever lost a sister?' Her voice rose. 'Have you ever had a sister murdered ?'

Her utter lack of fear was irritating. Citizens, and especially women, were always subdued with policemen, careful, scared, formal. Mary Mascarenas was dismissively casual. But she had just lost her sister, and so he took a breath and held down his annoyance. 'Miss, I'm sorry to ask you this kind of thing at a time like this…'

'Then don't.'

'This is a very important matter. This is a case that involves national security,' Sartaj said. And then he couldn't think of anything to say. He felt quite in the wrong, somehow, and therefore angry. Mary Mascarenas didn't look frightened, but she wasn't brave either. She was saddened, weary, and truly expecting nothing from him except more suffering. She was just going to be very stubborn, and shouting at her wasn't going to help. He took a breath. 'National security. Do you understand?'

'Are you going to hit me?'

'What?'

'Are you going to break my bones? Isn't that what you do?'

'No, we don't,' Sartaj snapped. He caught himself, steadied and held up a hand. 'Miss, we will arrange for the release of the body. Also, there were some possessions, and they are impounded currently, for the investigation. But those will be released to you eventually. I will phone when arrangements are complete. Here is the number at the station where you can get in touch with me.' He carefully put his card at the foot of the bed, at the very edge, and turned away.

On the stairway Katekar turned his head back up to Sartaj. 'She will talk, sir.'

'Why are you whispering?' Usually Katekar was the bulky threat, he was the looming promise of slaps and thumps and kicks, and Sartaj played the understanding friend, the unexpectedly benign and bearded face of authority. With women he was always kind. But Mary Mascarenas had been hostile, and Sartaj was irritated. From the bottom of the yard he looked up at her door, which was shutting as he watched. She had a good little PG at the back of an old house on a quiet residential street, shaded by the interlocked branches of two old trees. The house was one of those unexpected treasures that still survived in Bandra, an old grey cottage with slatted shutters and ironwork on the balconies and white trim on the doors and windows. The yard was covered with leaves which crackled underfoot. All very pretty, and vexing.

But Katekar was right, she would talk. Sartaj walked down the street. She would feed her anger, tell herself what a beast that sardar inspector was, what a bastard, but finally she would be left with only her guilt, and she would need to tell him what had happened, what had become of Mary and Juliet Mascarenas. She would confess to him because she had to make him understand. Forgiveness was not what they really needed, the survivors, it was always too late for that. What they wanted was only that someone in a uniform, a robe, somebody with three lions on their shoulder should say, yes, I see how it came about, first this happened, and then that, and so you did this and then this. So she would talk. But now it was time to leave her alone. Now it was time to save the body from disposal by incineration, so that Mary Mascarenas could bury her sister. People set great store by small dignities, small illusions. Mary Mascarenas would never see the cold room, he would save her from seeing what really happened to dead sisters. Let her bury Jojo. Then she would talk.

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