Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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'Bhai, if you need anything else…'

I shut the door – I had to lean into the weight of it with my shoulder – and stood in complete, welcome darkness. There was a low hum of well-tuned machinery in my feet, but the squawking of crows outside was gone, cut short. From the blueprints, I knew exactly where the light-switch was, to my right on the wall, but I didn't want to reach over. For the moment, I was content to swim in this safety, to know that nothing could reach me here. My mind stilled, and I stood.

I jerked out of my reverie suddenly. I didn't know how long it had been, a minute or half an hour. I hadn't quite slept, but I had rested somehow. I willed myself into movement, switched on the light and pulled up the metal trapdoor in the middle of the room. A short ladder led down into the control room. Everything was as I had planned, the multiple video screens and the computers, the radios and the gas masks. The builders and technicians had followed the instructions precisely, down to the dry fruit stores and sealed bottles of water. There was a small gymnasium, and a shelf of DVDs, of old Dev Anand and Dilip Kumar films. A steel cabinet contained ranks of weapons, AK-56s and Glocks. A man could live here.

So I did live in my home, my house beneath the earth, for two weeks. I communicated with Bunty and the boys, and took calls from Nikhil in Thailand every morning and evening, and conducted business with Brussels and New York. The boys brought my files over, and all important incoming documents were handed over to me as they arrived. Everything was as before, except that I was not floating about on some foreign sea, or flying from one alien city to another. I did my work, safe in Mumbai's belly. Not that I was complacent about being back home. I followed all security procedures, and I wore a comfortable nylon shoulder holster always, with a readied Glock 34 in it. I was in a combat zone, and I protected myself.

But I couldn't sleep. I lay in bed, or on the ground, or on a special body-conforming mattress that Bunty's boys brought me, and none of these gave me a moment of slumber. I ate handfuls of Calmpose and Mandrax, and a bottle of Ambien was specially flown in from New York. But even the American pills couldn't drag me down into unconsciousness. All I could fight my way to was a twilight between wakefulness and sleep, a suspended paralysis in which my body was heavy and unmovable, but my mind was still awake and aware. Through half-open eyes, I watched driblets of fire crawl up the wall. I knew there was no fire, that what looked like sparks were reflections from the computer monitors and the little red lights on the disk drives, but even when the effects of the chemicals wore off, I could still smell – yes – the mogra and the burnt bodies. I consoled myself with the thought that the air-exchange systems couldn't completely scrub the city odours away. After all, the carbon filters weren't creating new air, they couldn't get out what was already in, at the very deepest levels. What I was smelling was the pollution of the millions above me, the effluvium of their living. From this there was no escape, there couldn't be, and I taught myself to get used to it. It was only a sharpness at the back of my throat, a small irritation in my eyes. I was Ganesh Gaitonde, I had suffered greater pains.

I couldn't get used to the worry, though. Being awake through the day and the night gave me time to sit around and think. Long after business had been taken care of, after I had gone through my to-do list and my accounts and my planning, I sat in my swivel chair in front of the computers and screens and thought. I was of course trying to debrief myself about my recent search for that bastard who called himself a guru, I painstakingly went through the files and papers we had taken from his offices, I tried to remember exactly each sentence he had uttered during our last conversation. Maybe there was some clue somewhere that I had missed, maybe there was some opening that I could squeeze through. I would turn the thing over, our entire history together, and go back and forth, and finally withdraw defeated. I was beaten. So then I worried. I would distract myself with simultaneous channels of television, news and a film and music all together, and yet the worry welled up from the maps behind the newscasters, and from the dances that the heroines and heroes threw themselves into, and the peace of Lata's voice.

'What are you worrying about now, Gaitonde?' asked Jojo. She now finally believed that I was back in some foreign country, because of the quiet I phoned her from. And as always, she could tell my mood from the moment I began to speak, and even before, from my silence.

'About you,' I told her. It was true. If the war came, I would survive in my shelter. But if Jojo was outside, I would lose her. But how would I live without this voice in my ear, without the knowledge that Jojo knew me? I was feeling alone now as I never had before. I had been by myself in my youth, I was then desperately poor and ignorant and quite alone, but the loneliness had hung lightly on my shoulders, like the swirling, streaming cape of a dashing hero. The screenplay of my life had arced upwards in a single continuous movement, and I had left lovers and yaars and enemies behind without regret. It was necessary. It was an essential part of my character, and without it I could never have become Ganesh Gaitonde. But now Jojo was inside me, and without her I would shatter. I knew it. 'I worry about you only, Jojo,' I told her. 'Kutiya that you are. I don't know why.'

'You've gone senile,' she said. 'If you don't know why, why are you worrying?'

'No, no. I know why I am worrying. Only I don't know why I'm worrying about you. You're such a rude, shameless, bad-tempered kutiya.'

She roared out her laughter, like the beast she was. 'Arre, Gaitonde, after all these years you still don't know? You really don't know? All right, all right, never mind. Let it go. But tell me what the worry is.'

'You need to live in a safer place.'

At this she became unreasonable, as she always did. She spewed abuse, and told me I needed to get my head checked, or my golis, or maybe both. And then that her life was just fine, her business was good, and she wasn't scared of anything. And that I needed to get my train off this annoying track or she would have to drive it up my gaand.

I, by contrast, was completely reasonable. I started to point out the rising crime rate in the city, the worrisome incidence of random robberies, the rapes, and also the aggressive posturing of governments and militant groups, leading to bomb explosions in restaurants, and what this might mean for the situation at the border. At this, she whispered fiercely, 'I wish they would put one of their bombs inside your head,' and hung up.

These days, ever since I had entered the bunker, our conversations seemed to be ending this way more often than ever. We had our usual discussions about the girls Jojo was representing, or the television shows she was producing, and trends in the business climate, but finally I would bring the talk around to the nature of the world we lived in, the mortal dangers it was planning to throw at us. Then, with a groan or a curse or a shout, she would hang up. And I would go back to my worrying.

Today, I began to consider alternatives for Jojo. I could present her with a shelter that looked like a house, and fool her into safety. But how would I guarantee that she kept the doors closed, and keep her from asking where the windows were? No, no. I flipped channels, and saw an advertisement for exotic foreign holidays. A happy couple walked on a beach. I could send her off to remote locations, give her free first-class tickets to some island in the southern oceans. Yes. Fly her off to some resort with plenty of muscular beach-boys and fancy shopping. Yes, here she was, buying a pair of high-heeled boots. I could see her. She was dressed in a tiny red skirt, and her legs were young and muscular. She had a row of shopping bags behind her, and she was happy. Next to her was a little black handbag, very soft leather. And in the handbag there were two phones, one ordinary mobile that she used for her life, and a red encrypted phone that was her link to me. She was safe and happy, and thinking about this made me content. Even if something happened, if fire rumbled behind the horizon, she would be protected.

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