Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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So, using cords and rods, and orientating by the sun, the priests laid out their square, and its peripheries, and its intertwining circles. Meanwhile Guru-ji talked to us about sacrifice. He told us how the universe was created through a sacrifice, how the gods sacrificed Purusha and from his limbs and his flesh all of creation was born. Everything that exists, everything that has ever been and will be is created by that first sacrifice. In any sacrifice, the sacrificer emulates that first great giving of the self, that first immolation. The sacrificer rehearses that sacrifice, and in doing so sustains the universe. 'In sacrifice the sacrificer becomes Purusha, he becomes the original being who divided himself to create all things. Since this is so, properly speaking, at the end of the sacrifice the yajman should immolate himself. If he is Purusha, he should die to give life. But we will not ask this of you, and this is not how sacrifice has been conducted for many years. Instead of the self, we put into the sacred fire certain objects that are worthy of sacrifice. Instead of humans, once cows were sacrificed, and horses, and goats and rams. We will use certain cereals, certain flowers, certain grasses. But remember, as we fling these into the fire, what is being sacrificed is the self. If you are the yajman, all of you, then what you are sacrificing is your own selves, your bodies, you. What we put into the fire are merely substitutes, which the gods accept. What is being sacrificed is you. You are Purusha. You must die, so that the universe may live.'

Meanwhile the priests built the altar. We watched them over the televisions. At a point on the precisely measured and orientated ground, they laid a lotus. Over this they put a golden disc. These were the first waters and the sun. On this they gently balanced a small golden figure, who was Purusha, who was the yajman, who was us. Over Purusha they built the altar, in five layers of bricks, in the shape of a great eagle. 'An eagle first brought the sacred soma from heaven to earth,' Guru-ji told us. 'And so, through sacrifice, we will drink of that divine bliss again. Through the flight of sacrifice, we will taste knowledge. We will know the self, and the universe.'

Under the coloured canvas of the tents there was a white, lucid light. It was a cloudy day, quite cool for a day far after monsoon-end. There was a quietness in the crowd. People came and sat, stepped around each other with a friendly hand on the shoulder, left when they had to. Holding us all was Guru-ji's calm voice, as deep as the sea, and the slow swells of the slokas, eternal and steady and unstoppable. Guru-ji translated and explained some of the slokas to us.

Sacrifice is a loom

Its many threads are these rituals

The Fathers sit by the loom and weave the fabric

They cry: 'Lengthwise! Crosswise!'

This Man unreels the thread and sets it on the loom,

he notches it on the bar of heaven.

And the pegs are fastened to this altar.

On this sky-spanning loom,

the Sama hymns are the shuttles,

blazing back and forth.

'Each god covered himself with a poetic metre,' Guru-ji said, 'and this metre became the source of their power as sacrificers. Agni was suffused by the Gayatri metre, and Savitar by the Usnih metre. Indra's energy came from the Trishtubh. The Jagati metre moved through all the gods. So from metre, through sacrifice, from this warp and weft, this weaving, this geometry, this form, this poetry, the universe was born.' Sitting cross-legged on the ground, anonymous and alone, I could see – in my mind's cinema screen – that moment of creation, the hymns sliding across each other like ghee and sandalwood, the heated sparks of the metres, the flames of the universe being born. 'When we sacrifice,' Guru-ji said, 'when we chant, when we allow the metres to move through us, we weave the world. We are creators. We sustain all that is, we hold it up, we make it. We are the universe.'

* * *

Back at our room, Bunty had a good dinner waiting for me, brought from his wife's kitchen. While I ate we talked business, and I gave instructions and answered queries. By now the boys on the yacht had probably figured out that I wasn't in Jakarta, that I wasn't available on the phone there, but nobody would imagine that I was here, sitting at a yagna in Andheri or eating parathas in Santa Cruz. They sent me reports, and Bunty took my orders to be passed back. With reference to our job for Mr Kumar, our boys were already in London, in safe houses, waiting for the mullah. I told Bunty to secure our communications with them, to see to weapons and logistics. Me, I slept a deep, outstretched sleep, a sleep as confident and happy as a well-loved and well-fed child's who knows that he will wake to care and love and laughter. I was smiling even as I woke.

Back I went, back to Guru-ji. On this second day I was early, one of the very first few people on the maidan, apart from the policemen and the volunteers. I made my way to the very first shamiana, and found myself a seat right behind the VIP section, very close to the altar. The sadhus were seated about the fire, which had not gone out, which would not go out for twelve days. The yagna had continued through the night, staffed by teams of priests. But now, in the morning, they were only beginning to switch on the loudspeakers. At eleven, on the dot and dash of eleven, Guru-ji arrived. Now I was able to see him up close. Sometimes, when he appeared on television broadcasts, he wore Nehru suits, exquisitely tailored but simple jackets in linen and silk. I myself had had some made, similar in line and cut. But today he was wearing a white dhoti, and a sheer white cloth thrown over one strong shoulder, leaving the other one bare. His hair swept up and back. He was handsome. He was sixty-four years old, but his skin was taut and clear, his eyes were alert and alive.

'This is a sacrifice that includes each type of person,' he told us that day. 'This is not a sacrifice for rishis or munis or emperors only. Whether you are from the highest sections of society, or from the lowest, you can participate in our Sarvamedha sacrifice. We invite you all. You are the yajman. But you must give. That is the meaning of the Sarvamedha sacrifice. You must give everything. Sarvamedha is the universal sacrifice, it is the all-sacrifice. In the old days, every type of animal was sacrificed to the gods during this sacrifice, and humans from every walk of life, from every profession, gave themselves to the sacred fire, they died during the Sarvamedha and were blessed. In the old days, brahmins and tailors, dhobis and warriors, all were immolated in the fire of the Sarvamedha. In the old days, the yajman of the Sarvamedha sacrifice gave all his possessions as the fee, everything he owned. When the father of Nachiketas hesitated at everything , Nachiketas himself reminded the father that his son was his last possession. Nachiketas gave himself to death, and so achieved heaven for his father, and through his confrontation with death revealed to us the secrets of death, and life. Wisdom belongs to those who can burn themselves, and so discover the true self.' There was an absolute silence in the shamianas, a breath-stilled pause as we listened. And Guru-ji laughed. 'Don't worry,' he said. 'I won't ask you to give up your sons, and I won't ask you to jump into this fire.' The fire was leaping above the heads of the priests. 'The times have changed. We will complete the Sarvamedha, and we will sacrifice animals and humans, all that lives. But we will do it symbolically. We will substitute. You will burn, but only in effigy, only through a model of you. Like this one.'

He held up his hand, palm up, revealing a small model of a man. With the motion of his hand I noticed, across the flames and across the way, a policeman. I must have seen him before, in the bandobast outside and under the tents, but he caught my eye now. He was a sardar, wearing a tall khaki turban with a green patka underneath. He had just escorted someone to the VIP enclosure, and was backing away, but he turned back now to listen to Guru-ji. For a quick moment, the length of a snapping flame, the policeman and I held each other's gaze. And then we shifted back to Guru-ji.

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