Vikram Chandra - Sacred Games

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Sacred Games: краткое содержание, описание и аннотация

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Seven years in the making,
is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh — and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India.
Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize.
Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai,
evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

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Mary shut the door to her room behind her, locked and bolted it. She switched on only one lamp, close and low to the wall, so that the shadows held her with a candle-lit cosiness. There was some fish curry left from last night's dinner, and she made a small bowl of rice with swift efficiency. She ate sitting on the bed, sipping from a large steel tumbler of water that she kept on the bedside table. She liked the animal shows on Discovery channel, the eternal round of birth and migration and breeding. Against the high dome of African sky, even the gory killings of deer and zebras by lions seemed only proper, a necessary link in an enormous cycle of harmony. Mary's friend Jana, who was addicted to the night-time serials about three-tier families and straying husbands, called her morbid and strange and made her change the channel when she came over. But the ceaseless longings and betrayals of the serials were offensive to Mary, she grew restless and upset and angry. Sharks at least were honest in their appetites, and beautiful besides.

She washed her plate, and the pots, and then reached to the back of the fridge for her chocolate. She had half a box of rum balls from Rustam's in Colaba, glorious in their individual gold-foil wrappings. She allowed herself one after dinner, and only she knew what a supreme act of self-control it was not to eat the whole box at once. She took the leftmost ball back to the bed, and turned up the sound on a leopard sliding through brush. The foil came off slowly under the very tips of her fingers, crinkling deliciously, so delicate. Then there was the golden waft of the cocoa, and she inhaled it deeply, and then tilted her head away so that she could come back to it anew. The first bite was always a small one, just a little nip so that her palate pinged from the clarity of the warm taste, and an ache started at the back of her jaws. Only after she had lost that first exhilaration did she allow herself a substantial chunk. And it was heaven. The dark taste of the rum swirled around her tongue, and she let out a little hiss of satisfaction at the leopard.

Then she was ready for sleep. She wore no make-up, ever, so her night-time ritual was short: a fast wash with a neem soap, and a good brush with Meswak toothpaste. She put on a faded pink caftan, softened by years of washes, and lay on her back, with her hands by her sides. When they were children, Jojo used to tease her about this pose of the dead, this corpse's motionless pause, but then Jojo even in sleep was a spiralling wind, and awoke often with her feet pointing at the pillow. She kicked and thrashed but wanted to sleep close, and Mary used to grumble about her lost sleep at breakfast.

Mary sat up, went to the bathroom, came back and lay down again. She tried breathing evenly, deeply. But her mind still turned and moved. Sleep, she whispered. Tomorrow is a long day. And, and. And Jojo had loved rum balls from Rustam's, but they hadn't been able to afford them more than once a month. And today there was that Sartaj Singh, plonked like a squatting toad on her sea-wall. The last time she had spoken to him had been in his car, when she had told him about John and Jojo. She had slept very badly after he had come to her with the news of Jojo's death, for a month she had walked around with a reeling heart, feeling dizzy through the day. Then finally the knowledge had settled in, become part of the structure of the new world: your sister is dead. That's how it was, when you confronted something impossible – your husband is sleeping with your sister – at first there was a nausea, a loss of all landmarks. Your own home became a hostile borderland. And then one day you knew that this raw wasteland, this garish alien light, was your home. You just had to have patience and will enough to survive the first terrors.

Mary sat up, propped a pillow against the wall and switched on the television. She found a documentary about space stations, and turned down the sound, and watched spidery white contraptions spin against stars. They were man-made, but soothing. It was always Jojo who had been the religious one, who at eleven had slept with a cross under her pillow, who had gazed up at the church altar with bright, sunlit eyes. Later, she had the same soaring love for celebrity, she had pursued its grail with the same marvellous faith. The closest Mary had ever come to this big- big feeling that Jojo told her about was when she watched wildebeest rumbling across a valley, or when she saw some unmanned spacecraft's pictures of the rings of Jupiter. She had been saving, for three years and five months now, for a safari holiday to Africa.

'Chutiya, you could go to Africa tomorrow if you claimed what is yours,' Jana had said, burning with real-estate lust for Jojo's flat, which she had never seen. 'That's a flat at Yari Road that we're talking about, not some smelly kholi.'

'It's not mine.'

'What, it belongs to me, then? Thank you,' – in English, with a bow – 'thank you.'

'You can have it.'

'Like they'll give it to me. Listen, gaandu, these are the facts: she was your sister. She is dead. There are no other living, immediate relatives. So it comes to you. All of it, flat and bank accounts and whatever.'

Jana had a gaali for every occasion and every other sentence, and she was a very good manicurist, an expert at fancy nails. She had a contemptuous bafflement for Mary's scruples. 'Listen, so your sister was a randi. Okay, so that's where some of the money came from. She also made television programmes, na? So you take the money thinking it's from television. What's the harm? After all she took your husband, na?'

This, to Jana's mind, was justice: good money for a husband. This was fair. There was no way to make her understand that this was exactly what Mary didn't want, to be paid off. She didn't want to take Jojo's dirty money, made from filth done on filthy hotel sheets with filthy men, she didn't want to take money in exchange for a husband, for happiness, for a childhood. Maybe Mary had never been able to believe quite wholeheartedly in heaven, but she had once believed quite naturally and easily that life on earth was good, that her future would be one long, gentle story of husband and children and grandchildren, marred just a little by scraped knees and fevers but always buoyant with love. Despite her father's early death, she had believed this, that she would find the contentment that had eluded her mother. Jojo had expelled her for ever and without possibility of return from this garden of innocence. Jojo had changed her world. For this, there could be no forgiveness, and no purchasing of indulgences. This Mary was sure of.

Mary clicked off the spaceships and lay back. She took a breath, let it out slowly, tried to find an easy, even rhythm. But Jojo came back tonight and bothered her, kept her awake as she never had during those nights of thrashing about and fast-asleep kicking. Even after Jojo's death, in that first week of shock, she had never lain awake like this. Of late, with days passing when she didn't think of Jojo once, Mary had started believing that she was rid of her at last. But the flat and the money were unfinished business. Mary didn't like slack ends, she had always been the responsible sister. That's why she would have been such a good mother. Again that upward stab of anger in the chest. Forget it. Breathe, breathe. Let it go. Let it be.

Mary woke the next morning to her alarm with a tired head, she felt the exhaustion even as her feet hit the floor. Four or five hours of sleep were nowhere near enough, not anywhere close to her usual nine, and still there was the day to get through, work to be done. So she went. Jana noticed it straightaway. In a break between her clients, she slid past Mary and whispered, 'So got a boyfriend at last, sleepy-jaan?'

Mary shook her head, but Jana grinned and made back-and-forth humping motions with her hips. Mary looked away quickly, and moved to the other side of her own client, afraid of provoking Jana into some further outrages. It was a small miracle that she hadn't been fired already. Over lunch, which they ate from tiffins outside the salon, Mary tried to convince Jana that she had just had a sleepless night. Jana wasn't having any of it.

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