Samantha Harvey - The Wilderness

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The Wilderness: краткое содержание, описание и аннотация

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It's Jake's birthday. He is sitting in a small plane, being flown over the landscape that has been the backdrop to his life — his childhood, his marriage, his work, his passions. Now he is in his early sixties, and he isn't quite the man he used to be. He has lost his wife, his son is in prison, and he is about to lose his past. Jake has Alzheimer's.
As the disease takes hold of him, Jake struggles to hold on to his personal story, to his memories and identity, but they become increasingly elusive and unreliable. What happened to his daughter? Is she alive, or long dead? And why exactly is his son in prison? What went so wrong in his life? There was a cherry tree once, and a yellow dress, but what exactly do they mean? As Jake, assisted by 'poor Eleanor', a childhood friend with whom for some unfathomable reason he seems to be sleeping, fights the inevitable dying of the light, the key events of his life keep changing as he tries to grasp them, and what until recently seemed solid fact is melting into surreal dreams or nightmarish imaginings. Is there anything he'll be able to salvage from the wreckage? Beauty, perhaps, the memory of love, or nothing at all?
From the first sentence to the last,
holds us in its grip. This is writing of extraordinary power and beauty.

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His wife's words did not comfort him, though; they never did. The memory left him feeling that the urgent growing up of that day had involved transgressing a sacred boundary. The more he tried to rid his mind of the image of his naked mother the more it prevailed and sharpened, so that he could see the birthmark on Sara's hip, her thick pubic hair, that belly, like the most private of all things, laid bare to his scrutiny.

The white front of the coach house flared in the headlights; they pulled up, stopped the car, gathered the items of clothing that had not made their way back on — socks, Helen's bra, Helen's neck scarf, his leather belt. The car engine ticked as it cooled.

For the first time he was struck by the loveliness of their house as if he had been loaned Helen's eyes for long enough to see what she saw: the creamy walls, tall black-framed windows, the modest but clear announcement of its drive, the garden an all-consuming selfish green even in the darkness, the cherry tree burning yellow into another autumn.

“Jake,” Helen said.

He held back a few steps and watched her approach the back door. “Yes?”

“Jake, I believe I'm pregnant.”

He looked at his wife. “Since when?”

She smiled wryly. “Fifteen minutes ago.”

Had it been any other person, he would have ridiculed the premature announcement, but Helen — Helen knew, he could tell.

“That hit the spot?”

She bit her lip. “In more than one way.”

“It's Alice?”

“Yes,” she grinned, “I'm sure of it.”

“Buddy Holly!” he said, his tones muted. He lifted her and spun her around; her feet knocked a milk bottle at the back door and smashed it across the gravel.

His delight was genuine, kissing her, letting her go, hoping against hope that she was right in her inkling, brushing the broken glass aside with his foot. But when they switched on the kitchen light they saw that something was not right. A chair had been knocked over. The French doors were shattered.

“Shit,” he said. He ranged across the kitchen, to the hallway, up the stairs. Ornaments along the way were broken, nothing precious, but why break them? Why not either steal or leave them? He bartered with himself: if the money is still there under the bed it is all right. He paused a moment in Henry's room, seeing that it was apparently untouched. Music came from his and Helen's bedroom, the crackle of a record crawling around the turntable. Love divided in two wont do. If the money is still there, he wagered, all will be well.

He ducked through the secret door, lowered himself to his knees by the unmade double bed, noted the proximity of his knee to a piece of smashed china that had once been a statue of an angel — a rather fanciful thing, a gift from him to Helen that he trusted she would like precisely because he didn't. Fury filled him when he saw her diary torn up and scattered across the pile of laundry by the wardrobe. Confusion, relief, slight offence filled him when he registered also that the human-skin Bible had been pulled from its shoe box in the wardrobe and thrown, intact, to the floor.

He screwed his face towards the darkness under the bed. The money, of course, was gone.

картинка 48

Helen perched on the sofa in her rayon skirt.

“Ginger, dear,” Sara said.

“Actually I don't like ginger.”

“Ah, so.”

Sara dwindled back to the kitchen and he followed her, reasoning lamely.

“They'll find who took it. There were fingerprints everywhere.”

He leaned against the counter and felt pressure on his bladder as the shot of water passed through the coffee. “They'll find who it was.”

Sara prepared the mugs; not the gold-rimmed cups but some two-a-penny blue-and-white striped mugs that were bereft of saucers or the possibility of saucers.

“Jacob, dear, they will never find that money. The sooner you lose hope the better.”

He folded his arms and dug his fingers between his ribs, made a short laugh. It's only money, it's only money. So Helen had taken to assuring him. But, despite their haste to see the police off and get out of the house, get back to their child as if to make up for all they had failed to protect, she had taken the time to rid herself of the miniskirt and leave it in a pile like a curse. On their drive back to Sara's they had lamented at cross-purposes, Helen talking about changing locks and the prospect of rewriting what she had logged in her destroyed diaries, he persisting (so much that he began to irritate even himself) in questioning, why, why did it happen? She interrogating the future, he nursing the past. He suddenly becoming what he did not want to be; a dweller. A dweller on the done and dusted. A dweller in an old honeysuckled house, and condemned to it.

Helen went to bed; it was already two or three in the morning. He stayed up with Sara, who seemed to have no tiredness, either that or no idea of the time. As she switched on her radio and sank back into the bentwood chair he wondered if it were really possible for a person to age in a week, to give up on even the remote idea of youth. She was vacant. The loss of the money had impacted on her enough to cause the faintest of shudders, and then had seemed to absent her mind. He would not be the one to remind her that it was her family, that money. All the blood and bones of it, the sum of the remains.

“Where is Rook?” he asked suddenly. “Did he go home?”

“Yes,” Sara said, and feigned a yawn. “Tomorrow he's going to America.”

He straightened. “Why's that?”

“To see his granddaughter — I hear you've met her.” She smoothed her hands across the cushion on her lap. “The poor girl got herself in trouble a few months ago; Rook wanted to go and help sort it out but she wouldn't let him. She went alone, stubborn girl. I like her. I pity her. It's easier in California — of course she had to go over the border still and keep it all quiet.”

She spoke as if it were all just a matter of course.

“Sara, do you mean what I think you mean?”

“Probably.”

He forced himself not to speak until he had thought precisely what to say. He poured himself a glass of wine, the sweet white stuff, the bottle already half empty.

“Over the border?”

“Mexico.”

He shuddered at the idea of Joy laid out somewhere hot and dark, somewhere with thick spicy air. He turned the vision away.

“Rook didn't say anything at dinner—”

“No, of course. He was quiet with thought. He has been worried, naturally.”

“But it's over? She's all right?”

“Oh, quite all right. But Rook wants to go and treat her and buy her things and make her happy. That girl's happiness is his meaning for life.”

Sara looked a little regretful at this. She tucked her large hands between her thighs.

“How long ago — the pregnancy?”

“Some months.”

He drank, wondering what some months meant.

“But she's getting married — isn't she? Joy? I think Rook mentioned.” He acted out ignorance with a shrug. “So she could have — there was no need for any sorting out .”

“Ah, but she's certain the husband-to-be is not the — what is that word.”

“Father?”

“Culprit.”

He felt rather sick and dark.

“Then who?”

“Apparently she had something with a man here, in England, before she left. That's all she would tell Rook. Or at least,” Sara sighed, “that's all Rook would tell me.”

He felt to be the embodiment of sin, some bedevilled creature polluting all he touched. Or he felt drunk. He thought of Alice gathering cell by cell upstairs; of Sara naked; of Helen's shriek; of Rook's wink; of a gunshot. Of a Bible so bleakly bound that even criminals would not take it. In his mind a door opened, Alice walked through, it closed again, Alice was gone. She was not pleased with what she saw, so she left. Her life was no more than his hush-hush of a door opening and shutting.

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