Jon McGregor - So Many Ways to Begin

I'm sure she'd feel better if she got out of the house more. Standing in the doorway of her office, always on the way to somewhere else, just stopping for a quick hello. Or noticing that they both happened to be working later than everyone else, and popping his head round the door to see if she was okay, to see if she wanted a hand with anything, to see if she was alright for getting home. Walking around the building together, checking the lights and the windows and saying she's always got an excuse for not going out; that's the thing Anna, there's always some reason. I don't know if it's me, or something to do with her family. I don't know what she's scared of.

Maybe you just have to be patient, Anna said, looking out at the cars passing along the street outside. I mean, it's an illness, isn't it? Maybe you just have to wait for her to get better. And it can't be easy either, she added, turning to him, losing touch with your family and everything like that. Maybe it's just caught up with her and it's taking some getting used to. He smiled tiredly.

No, he said, I know, of course. It's just sometimes, I wish. He unlocked the main front door. Sorry, he said. I should get back. Are you catching the bus?

No, she said, I've got some work to finish off here.

Right then, he said. See you tomorrow.

Yes, she said. See you tomorrow. She locked the door behind him and they looked at each other through the glass for a short moment before he turned and walked away.

The vase was still on their kitchen windowsill now, empty. And each time he looked at it he was reminded of the day he'd bought it, when they'd gone out walking and talked about things that were usually left unspoken, and had seemed to bridge the gap which had grown between them; when they'd walked from the clapboard bus shelter across fields waiting to be cut, the ripened stalks crackling against their legs, over stiles and gates and narrow streams, through a small patch of woodland which opened out into the next village, Eleanor picking flowers along the way; when he'd noticed the small narrow-necked vase with the cracked blue glaze in the window of a potter's gallery by the village green, and bought it for her while they waited for the next bus home; when, back at home, he'd watched her peel off its veils of white tissue paper and set it on the kitchen windowsill, the delicate and still warm flowers rising out from its mouth towards the light.

It was late August. He'd persuaded her out of the house, out of Coventry, out to the open country between Warwick and Stratford, to walk and sit and breathe fresh clean air together. The air was thick with drowsy warmth and distant traffic, the huzz and hover of blur-winged insects, the sentry song of a lofted lark. He looked at Eleanor walking beside him, and although he knew they'd only be here for a few hours, it felt like an achievement to have got out of town at all. They'd already seen dragonflies, and butterflies, and even the flash of a kingfisher hurtling along the stream, and he'd noticed Eleanor's hands unclenching, her shoulders losing some of their anxious hunch. An unfamiliar contentment washed through him as they walked together, quietly, slowly.

He said it reminds me of when we first met, don't you think? All those walks we used to go on, down along the coast and places. She smiled and nodded, and for a moment he had to stop walking, caught out by how long ago that suddenly seemed, how much older they both already were. He stopped her, put his hands against her hips, her shoulders, her cheeks, tilting her face towards him, looking at her. She laughed, embarrassedly, as if to say what, what are you doing? He studied her. There were no lines on her skin, no wisps of grey hair, but she was no longer the girl she'd been when they met. She'd put on weight over the last year or so, and her body felt different against his touch. There was a tiredness in her face, a weatheredness, as he realised there must now be in his own, and although he thought she was as beautiful as he had always done, it shocked him to realise how much time had passed since they'd first met, how the months had become years and the years had slid ungraspably away.

She looked at him, wondering what he was thinking. He kissed her face, and lowered his hands.

He said, I should tell you something; I've been meaning to tell you for a while. He said, I've been speaking to your brother a little, to Donald, on the phone. She jolted, as if she'd brushed her hand against a stinging nettle, and she said oh? Yes? What have you told him?

Just, how things are, he said. That we're well. That you were working but you're not at the moment, bits and pieces. He asked me to say hello, he added. He wanted you to know that everyone's okay, that any time you wanted to get in touch you'd be welcome. He told me your dad's been ill but he's okay now.

They walked on, reaching a stile between two fields, and she turned to him as she climbed over it.

You didn't tell him where we were at all? she asked.

Well, no, David said, only that we were living in Coventry.

You didn't give them our address though? Our phone number? David shook his head.

I didn't think you'd want me to, he said.

I don't, she said. Promise me you won't, will you? He nodded.

Of course, he said. She jumped down from the stile, stumbling as she landed, and stood looking out across the rise of the field, over towards a strip of woodland with a church tower rising behind it. She brushed dry mud and grass from her hands and made a noise that sounded like the beginning of a laugh.

You don't mind that I rang him then? he asked.

No, she said, I don't suppose so. But I don't want to speak to them myself. Not yet.

He climbed over the stile and jumped down beside her, and almost without meaning to he carried the conversation further.

He said, but when do you think you will? When do you think you'll want to see them again?

She said, don't ask me that. Come on David, don't say things like that.

He said, don't you think you should at least write and tell them you're okay?

And she said, utterly unexpectedly, I have done.

A letter when she first got to Coventry, a photograph of their wedding, a Christmas card once or twice. The envelopes addressed only to her father, the messages brief and uninformative: I am well; I hope you all are well; take care. She told him this, and he wondered if there would ever be a time when they knew everything there was to know about each other.

And it was after this, walking away from the stile and up over the hill to the woods, once the echo of her confession had faded, that something slipped inside him. Perhaps because they were suddenly talking about these things, perhaps because she was answering him so calmly and firmly, in a way that made it seem fine to be talking that way at all, perhaps because he felt some kind of safety in being out of sight in the field there, with a barely clouded sky overhead and the slow groan of a tractor three hedgerows away; something slipped and he felt a rush of tears rising to the surface like bubbles of air bursting through him as he turned to her and said:

Eleanor I can't stand it she's out there somewhere and I don't know where she is or who she is or why she did it and I need to know Eleanor I so so so want to know what am I going to do why can't I know I need—

And she turned to him, immediately, and he was still speaking as he bowed his head into her embrace, and her whole body shook with the force of his shuddering tears. She didn't need to ask him what he meant, and there was nothing more she could say than I know David, I know, I'm sorry, I know.

It was the first time he'd said these things so clearly, and it was years before he said them again.