Jon McGregor - So Many Ways to Begin

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In this potent examination of family and memory, Jon McGregor charts one man's voyage of self-discovery. Like Kazuo Ishiguro's
is rich in the intimate details that shape a life, the subtle strain that defines human relationships, and the personal history that forms identity. David Carter, the novel's protagonist, takes a keen interest in history as a boy. Encouraged by his doting Aunt Julia, he begins collecting the things that tell his story: a birth certificate, school report cards, annotated cinema and train tickets. After finishing school, he finds the perfect job for his lifetime obsession — curator at a local history museum. His professional and romantic lives take shape as his beloved aunt and mentor's unravels. Lost in a fog of senility, Julia lets slip a secret about David's family. Over the course of the next decades, as David and his wife Eleanor live out their lives — struggling through early marriage, professional disappointments, the birth of their daughter, Eleanor's depression, and an affair that ends badly — David attempts to physically piece together his past, finding meaning and connection where he least expects it.

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Did it hurt awful bad? she said.

I've still got a very small scar, he said. It bled all the way back to Julia's house and they had to put a bandage on it. As he said this, they were both looking down at his knee, as if they could see through his trousers to the tiny pink stitch of a scar which was hidden there. He rubbed at it with the palm of his hand.

The room was very quiet again. She looked down at the floor, put her hands on the edge of the chair, crossed and uncrossed her feet. His shoes squeaked as he rubbed them together. He looked around the room, at their jackets folded together on the back of the chair by the door, at the clock ticking loudly on the mantelpiece, her parents' wedding photo on one side, photos of her and her four brothers on the other. She looked up at him and smiled. This feels a little strange, don't you think? she said.

She told him that her earliest memory was of being lifted on to her father's shoulders, having to hold on tightly as his long steps bounced her up the hill leading out of their side of town and on until they could turn round and look out over the city and the sea. She turned and pointed as she said this, as if the high open moorland was just in the next room. He told her that he was ten years old before he saw the sea.

I couldn't believe how cold and grey it was when I finally got there, he said, or how huge.

Aye, she said, but I'll bet you it's even colder up here, and she laughed.

Their voices were soft and low, pressed close together, and when one of them spoke, murmuring, their words seemed to curl towards each other like a twist of smoke from a candle flame. Tell me something else, she said.

He told her about how when it was very hot in the summer his father liked to spray them with the hosepipe while he was watering the rose bushes, and how his sister and her friends would creep up behind his father until he span suddenly round and sent them all scattering into the road to escape the icy shock. He told her about the summer holidays they spent at his grandparents' house in Suffolk, about vague memories of pink cottages and fields full of poppies, of being taken by his grandfather to watch the blacksmith at work, of his uncle driving them all down to the sea. She told him about racing a cart down the steep streets, and how much trouble she'd got into when she fell out one time and hurt herself.

When neither of them had spoken for a few moments, he leant forward, resting his hand on the arm of her chair, and kissed her.

What was that for? she said.

He shrugged. Just because, he said. She lifted her face towards him, and he kissed her again, slowly this time, and she raised her hand to touch the side of his neck, his jaw, the faint rub of stubble around his chin. He moved his hand from the arm of the chair and up on to her shoulder. He lifted a finger to her cheek, trailing his hand down the neckline of her shirt. Their movements were slow and tentative, as if this was still the first time they had kissed. She leant away from him, opening her eyes, and he pulled his hand back. She looked at him for a moment, touching his lips with the knuckle of her thumb, then looked away.

Just, she said, just, I want to keep talking for a while, okay?

He said, but I thought—

I want to hear you talking, she said. I like the sound of your voice. There's things I want to know still.

He told her about the museum he and a friend had made in his bedroom, and about the exhibition he curated at school, and about how he tried to get his first Saturday job at the archives, and about how he would one day have a museum of his own. He'd told her these things before, but she listened again. He didn't tell her what had happened with Julia, what Julia had said, the unbelievable truth she'd revealed. It seemed an impossible thing to say out loud. She asked about his first kiss, and he told her about a girl called Rebecca. She laughed and told him about a boy called Jack.

There was a muffled sound from somewhere, from next door, footsteps going up and down the stairs, low voices clouded by the thin walls. She looked round, bringing the tips of her fingers to her mouth, staring at the wall, her breath held tight in her chest. She looked back at him and smiled, faintly, her bottom lip dented by her two front teeth. The voices faded.

They looked at each other, waiting uncertainly. He shivered, suddenly very cold, a draught coming in through the kitchen and the open door and skidding across the bare wooden floorboards. He rubbed his hands on his trousers to warm them up.

You want to hear more? she asked him, turning in her seat and pulling her legs up beneath her, straightening her skirt around her knees.

Yes, he said.

Well then, she said. When I was seven I fell in the water by the harbour and a man had to jump in and rescue me.

Really? he said. What happened? How long were you in the water for?

Oh, not very long, she said, smiling, looking pleased with herself. I don't think I was in any danger; they didn't have to give me the kiss of life or any of that. But it was a big upset all the same; I near choked myself with crying until my mam told me to stop making a scene. He leant forward, fascinated.

But how did you fall in? he asked her. Was it cold?

I don't know really, she said. I was just standing there waiting for Ma and Da to come back from doing something and next I knew I was in the water. Aye, course it was cold, she added, rolling her eyes and crooking the arch of her eyebrow at him. Was it cold, she repeated, laughing. I remember hearing a ship's hooter out at the harbour mouth, she said, so l must have turned to look and just slipped in. This man was in something fast though — felt like he was there by the time I came back up above the water almost. And he just grabbed me by the neck and pulled me over to the side, and he said don't worry love you'll be fine, or something the likes of, and I couldn't see him, I could only feel his great big hands on my neck, and I could see all the lights from the harbour front shining off the black water, and the cranes along the jetties further off, and the ship that had blown its hooter still out by the mouth, and when he got me over to the wall there were all these faces looking down at me — my ma and da, some other people I didn't know — and they were all talking at once and reaching down towards me and it felt like they were miles away. It was only once they'd hauled me out and I was stood there with them all looking at me and someone asked if I was alright that I started crying my eyes out. She spoke quickly and breathlessly, her hands fluttering around her mouth, or sweeping her hair back behind her ears, or smoothing down the hem of her skirt.

He watched her talking, the room suddenly bright and loud with it, and when she'd finished he said but Eleanor, what if that man hadn't been there? What if he hadn't seen you?

Aye, she said, I know. She reached out and ran her finger along the back of his hand, a little out of breath. But he was, she said. And he did. So it's okay.

He leant forward again and kissed her cheek, touching the corner of her jaw with two fingers as he did so, running his fingers across her face as he pulled away, nudging the tip of one finger between her lips. She kissed his finger, and he drew it back, and they both dropped their eyes, looking across the floor, looking around the darkened room, waiting.

She looked up at him again. Do you want to go upstairs? she said.

It was a small room. There were two beds, one along the end wall and one under the window, opposite the door. There was a chest of drawers and a wardrobe next to the door, and a small wooden chair in the corner. Opposite the bed, there was a small table with an oval mirror hanging above it, cluttered with make-up and hairbands and books, folders and files and notes for her Highers revision, an underlined timetable of exam dates pinned to the wall, a stack of seven-inch records against a record player.

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