Jon McGregor - So Many Ways to Begin

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In this potent examination of family and memory, Jon McGregor charts one man's voyage of self-discovery. Like Kazuo Ishiguro's
is rich in the intimate details that shape a life, the subtle strain that defines human relationships, and the personal history that forms identity. David Carter, the novel's protagonist, takes a keen interest in history as a boy. Encouraged by his doting Aunt Julia, he begins collecting the things that tell his story: a birth certificate, school report cards, annotated cinema and train tickets. After finishing school, he finds the perfect job for his lifetime obsession — curator at a local history museum. His professional and romantic lives take shape as his beloved aunt and mentor's unravels. Lost in a fog of senility, Julia lets slip a secret about David's family. Over the course of the next decades, as David and his wife Eleanor live out their lives — struggling through early marriage, professional disappointments, the birth of their daughter, Eleanor's depression, and an affair that ends badly — David attempts to physically piece together his past, finding meaning and connection where he least expects it.

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They strode to the middle of the room, offering each other their hands and waists just as the conductor was tapping his podium. William smiled, and their dance began. Neither of them said very much at first, beyond an exchange of polite enquiries, a compliment on the other's dancing, a remark on the weather, concentrating instead on their crisp and flowing movement around the circular stage of the room. Moving away from her table, where her friends were speaking into their hands and offering gestures of encouragement as she looked over his shoulder towards them; turning across the floor to within earshot of her mother and father, her father looking rather glazed, her mother smoking a cigarette in an ivory holder and dropping her a wink in the middle of one of her actress friends' long anecdotes; past a table of boys she recognised from the school opposite hers, boys she'd once gossiped about and spied upon but who from the vantage point of Major William Pearson's arms now looked far more like boys than the men they were trying so hard to be with their fuzzy moustaches and their freshly signed papers; deftly sidestepping a waiter with a tray of drinks; twirling quickly away from a raucous gaggle of tail-coated medical students; changing direction, and pausing for a brief moment, in front of his table by the corner of the stage, the officers of his party in uniforms as smart as his, raising their glasses and making comments from the sides of their mouths before roaring with laughter and slapping each other's knees — ignore them, he said quietly, smiling a little nonetheless — and she blushed and dropped her eyes for a moment; sweeping past the orchestra which seemed to be playing for the two of them alone, as if nobody else was there, and although she'd partnered dozens of men in that same dome-ceilinged venue, and although the music was more than familiar, the dance still felt brand new for them both.

They found themselves talking a little more, confident in their dancing, asking about each other's lives, his short career in the army, her studies at drama school and her hopes of following her mother on to the stage. He talked about the prospects of war, the slim chance of it still being avoided. They both described their favourite walks, restaurants, pastimes, and they were both surprised by how soon they were sharing these small secrets and intimacies. And as they talked, almost forgetting that they were dancing at all, quite forgetting that others were dancing around them, or that they were not passing unobserved, they found that they were holding each other a little closer, a little firmer, his hand resting lower on her waist, his chest brushing lightly against hers, their hips even pulling tightly together once or twice; and they found that their voices were dropping lower, taking on a secretive inviting tone obliging the other to lean in a little closer to hear, tilting their heads to whisper in each other's ear, turning their faces to catch the murmuring lips against their cheeks.

I still don't really understand how it happened, she told David, dancing past the record player. I wonder if anyone really understands how it happens, when it's like that, so immediate. How could we possibly have known what we were doing? What did we think we knew about love, or any of that business? He didn't know how to answer her. He wasn't sure if she was still talking about one dance, one evening, or the first weeks and months of their being together. He didn't really understand her questions, and he was too busy concentrating on matching their steps to the music without colliding with the furniture. But she wasn't really asking him at all, he realised later; she was asking the photograph of Major Pearson on the wall, or the music which skipped and bumped beneath the worn-out stylus, or the rain which spattered against the windows outside.

Later, she told him how reckless she thought they'd been. He presented it as a matter of practicality, she said, almost the same day as war was declared. He said that he'd soon be leaving for France, that an opportunity had arisen for the purchase of a house, this house, which would be unsuitable for a bachelor. He said there was no benefit to our endlessly hanging around. But the truth really, David, is that we were stupidly and drunkenly in love. We didn't quite stop to think, she said. Not that I would have had it any differently of course, she added, but one does wonder.

One does wonder was a phrase she often repeated, always pausing before correcting herself in one way or another. But he was such a handsome man David! Such a handsome and exciting man! And when you're young nothing else very much matters, does it? Only that this handsome chap is offering you a ring and wants you to be his wife. Patience and caution weren't really in my vocabulary in those days, she told him, smiling, and he replied, teasingly, that he didn't think they would ever be.

And as the record started again — we danced for a very long time, she told David; it seemed to go on for ever but then it was over far too soon — Julia and William danced once more around the room, past her friends, past his colleagues, past the waiters and the medical students, and back to her parents, pausing and turning while William cocked an eyebrow at her father, inclining his head towards Julia, and her father nodded, lifting up the palm of his hand as if to say certainly, be my guest, and they turned, stepped, stepped, turned away, their waltz bringing them over to the centre of the room where William dropped quickly to one knee. The conductor raised his baton, the musicians paused and the whole room leant forward to listen. Yes of course, she said. I'd be glad to, she said. And the music resumed, and the whole room applauded, and the pace of their dancing quickened as they whirled back and forth across the floor, rushing to make the arrangements, a best man, a bridesmaid, a church and a vicar, choosing the hymns and booking the hotel room, and before she knew quite what was happening her father had taken her by the arm and danced her down the length of the room, up past a pressing throng of friends and well-wishers, up to where the vicar waited and nodded his head in time to the waltz. Will you? he intoned to Major Pearson, and Major Pearson replied I will. Will you? he asked of Julia, and Julia smiled. Of course, I will. The vicar joined them hand in hand, and they danced back down the hall, confetti showered at their feet, William's colleagues lining up to form an archway with their bayoneted rifles, a waiter leading the shout of hip-hip-hooray as Major and Mrs Pearson danced right out through the doors and into the hotel lobby, sweeping up the thickly carpeted stairs and straight into the first available room, William lifting Julia into his arms and slipping a coin into the bellboy's hand.

And when they emerged, sometime later, the music was still playing. So they waltzed back down the stairs into the ballroom, and it seemed as though no one had noticed their return, the whole room dancing together now, and when Julia looked around she saw faces fixed with concentration, eyes focused on distant points beyond the room, people moving with a stiff-limbed determination, lips pulled up into forced blank smiles.

David had long sat down by then, too embarrassed to dance any more, muttering that he thought he had the hang of it and he was out of breath. But Julia had barely seemed to notice him moving away, still stepping around the room with her hands held out in front of her. She was talking quickly, stumbling, not looking at David or following the music, saying and then, and then, no, that's not right, we, and then, as if everything had happened all at once, in that one room, on that one night, and not in the space of a few hurried months.

We only had a few days, she said, before he went away. It was difficult not to think about it, she said, raising her voice against the rain, turning to a slow halt, her hands falling to her sides, her face lined with shadows. The details of her story were becoming confused, and she seemed breathless, unsteady, nodding slightly in time with the music or in agreement with her own muddled recollections. He wanted the music to stop, or Julia to say something like, well really I think that's enough for now, let me just sit down, but she didn't. She leant back against the writing bureau, her eyes half-closed and her hands seeming to conduct the music, and she carried on talking.

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