Aravind Adiga - Last Man in Tower

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A tale of one man refusing to leave his home in the face of property development. Tower A is a relic from a co-operative housing society established in the 1950s. When a property developer offers to buy out the residents for eye-watering sums, the principled yet arrogant teacher is the only one to refuse the offer, determined not to surrender his sentimental attachment to his home and his right to live in it, in the name of greed. His neighbours gradually relinquish any similar qualms they might have and, in a typically blunt satirical premise take matters into their own hands, determined to seize their slice of the new Mumbai as it transforms from stinky slum to silvery skyscrapers at dizzying, almost gravity-defying speed.

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In the kitchen the old calendar began to tap against the wall: once again he had the sensation that his wife was right there, chopping onions.

A key had been left in the lock of the almirah ; he turned it to find the shelves empty, except for one that was paved with newspaper and defended by camphor mothballs, with just an old silk sari lying in it.

Her wedding sari.

He closed his eyes and brought his hands near the gold border of the sari. He breathed in the camphor-tinted air from the shelf. He thought of the time he had not defended her from her brothers in Suratkal. The old calendar began to hit the wall faster, tap-tap-tap , and now he was sure that Purnima was speaking to him. Tap-tap-tap . She did not want to know about the past. She wanted to know about the girl next door. The journalist.

He breathed in more camphor-tinted air for strength, and confessed. A human being at sixty-one is shining lusts in between old bones, Purnima. The girl next door disturbed him, it was true. He thought his wife would be angry, but she was some place beyond anger now. The calendar tapped again: she was telling him not to agitate himself. She understood now that a man cannot punish himself for his desires, which are sent to him from another world, and she knew he must have felt the same feelings for other women — his colleagues at school, perhaps even some who lived in Vishram Society — but he had repressed those urges and stayed true to her, and this self-control was meritorious, something that helped her on her journey over the oceans. Why, she asked, now that she was dead, did he feel shame at being aroused? Shame and guilt, he replied, with a candour he could never have summoned when Purnima was alive, they had been more than half of a man’s life. For his generation, or for his type of man within that generation, this was always the case. True, she said, true, beating her wings and rising over the ocean. She understood that her husband’s life had bent to black magnetic poles marked ‘Shame’ and ‘Guilt’: yet one of the grey wavelengths in between must be Conscience. That faint line was the one he should find. To guide him through what was coming next.

The vapours of mothballs, old newspaper, and silk sari made him drowsy.

Instead of the image of his wife’s soul, Masterji saw himself, with the body of an eagle, flying over an ocean: as if his own death, and subsequent trial, had already begun.

When he heard a loud, steady knocking on the door, his first thought was that it must be a summoner come to take him to his trial.

He opened the door to find Mr Pinto.

‘Why didn’t you ring?’

‘It’s not working—’ Mr Pinto pressed the bell to prove it.

Now Masterji was conscious of voices in the compound, and feet in the stairwell. From the compound, he could hear the Battleship shouting: ‘Illusion! Illusion!’

The two old men went down the stairs, to the noticeboard, where half a dozen people had gathered. Masterji saw Ibrahim Kudwa, his wife Mumtaz, Mrs Saldanha, her daughter Radhika, and Mrs Abichandani from the first floor, along with the Secretary, who was saying, ‘How could I tell anyone sooner? I found out only this evening.’

Masterji asked in a soft voice that people move to the side, until he was close enough to read the notice pinned on the central panel.

General Offer of Redevelopment: To Vishram Societies, A and B. Proposal Made by Confidence Group (Headquarters Navnirman Building, Parel, Mumbai).

Attention: Secretaries, Society A and B, and all residents

In consideration of the proposed development of a new super-luxury residential project on the current site of the Vishram Societies A and B, the Confidence Group makes an offer to the Vishram Societies (A and B Tower) for the outright purchase of all flats in the said Societies on the following basis:

It being noted that the two Societies consist of apartments, both one-bedroom and two-bedroom, ranging in size from 450 square feet to 950 square feet, and of an average size of 790 square feet; also that the prevailing rate in Vakola is of the range of Rs 8,000 to 12,000 a square foot, which may even be lower in the case of a building of the age and condition of Vishram Society, a generous offer is made to all owners at the uniform rate of Rs 19,000 a square foot.

For instance, an owner of a flat of size 800 square foot will receive a payment of 1.52 crore (1,52,00,000) rupees before tax. This is opposed to a market-rate of likely 60 to 70 lakhs (60,00,000 to 70,00,000) maximum, and that too only after the residents have paid for the repair, repainting, etc of flat and Society. Numerous other financial and tax advantages to the offer will be stated by the Managing Director of Confidence Group, Mr Dharmen Shah, when he comes in person to your Society to address the residents.

If the residents accept this generous offer, the said sum is payable in three instalments. One instalment upon your signing the agreement, one upon the vacating of the building, and one payable within three months into the nominated bank account. In addition, eight weeks’ rent, calculated on the basis of average rental rates in the Vakola area for a decent-quality two-bedroom flat, will be paid to each family, so they can stay nearby while they search for a new home. All payments will be made by cheque. Nominated Accounts may be in any nationalized bank (likes of Corporation Bank, Punjab National Bank etc.) or recognized and reputable private bank (likes of HSBC, HDFC, Karur Vysya, etc.). Please check with Builder for list of acceptable banks.

About the Confidence Group: Our motto is: ‘From my family to yours.’ Founded in 1978, we are one of Mumbai’s leading developers, with new projects also under development in Thane and Pune. MD of the Confidence Group, Mr Shah, is the recipient of numerous gold medals and paper-based awards for excellence. He has been cited by the Rotary Club for his charitable contributions and philanthropic vision of humanity. A family man at heart, he avoids the high society and glamorous life and concentrates on the quality of his work and accomplishments. He is also passionate about chess and carom. You may visit his numerous projects and accomplishments via the prospectus of Confidence Group, which has been left with the Secretaries of the Societies.

Important: The last date for the acceptance of the offer is the day after Gandhi Jayanti: 3 October. (Non-negotiable.) The offer will not be extended one minute beyond this date.

BOOK TWO. Mr Shah Explains His Proposal

14 MAY

Yawning as he emerged from the car park of the Mirchandani Manor, Shanmugham walked out of the gate — the security guard, unsure whether this was a servant or friend of Mr Shah, stood up without saluting — and went down wide stone steps, passing old men doing stretching exercises, until he stood on fresh, clean sand.

Versova beach. He took a deep breath of early-morning ocean breeze. A few fishing boats were out on the ocean; he turned to the north to see the coconut palms in faraway Madh Island. Stretching his neck and raising his arms over his head he turned to the other side of the beach: and flinched.

He had forgotten about Versova in the mornings.

Here, in this beach in this posh northern suburb of Mumbai, half the sand was reserved for the rich, who defecated in their towers, the other half for slum dwellers, who did so near the waves. Residents of the slum that had encroached upon the beach were squatting by the water, defecating.

An invisible line went down the middle of the beach like an electrified fence; beyond this line, the bankers, models, and film producers of Versova were engaged in tai-chi, yoga, or spot-jogging. Behind the exercising crowd, a woman in a billowing red dress posed against rocks as a photographer snapped. Large silver-foiled boards held up around the model reflected light on to her body; and she forced her rouged face into another smile for the cameras. Homeless men stood in a semi-circle round the photo-shoot, from where they passed loud and accurate judgement on the model’s physique and posing skills.

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