Mavis Gallant - The Cost of Living - Early and Uncollected Stories

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A New York Review Books Original
Mavis Gallant is renowned as one of the great short-story writers of our day. This new gathering of long-unavailable or previously uncollected work presents stories from 1951 to 1971 and shows Gallant's progression from precocious virtuosity, to accomplished artistry, to the expansive innovatory spirit that marks her finest work.
"Madeleine's Birthday," the first of Gallant's many stories to be published in The New Yorker, pairs off a disaffected teenager, abandoned by her social-climbing mother, with a complacent middle-aged suburban housewife, in a subtly poignant comedy of miscommunication that reveals both characters to be equally adrift. "The Cost of Living," the extraordinary title story, is about a company of strangers, shipwrecked over a chilly winter in a Parisian hotel and bound to one another by animosity as much as by unexpected love.
Set in Paris, New York, the Riviera, and Montreal and full of scrupulously observed characters ranging from freebooters and malingerers to runaway children and fashion models, Gallant's stories are at once satirical and lyrical, passionate and skeptical, perfectly calibrated and in constant motion, brilliantly capturing the fatal untidiness of life.

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“Wishart,” his friend said gravely, without breaking her pose. Leaning on a furled peach-colored parasol, she gave the appearance of living a minute of calm in the middle of a hounding social existence. She turned to him the soft, myopic eyes that had been admired when she was a girl. Her hair was cut in the year’s fashion, like an inverted peony, and she seemed to Wishart beautifully dressed. She might have been waiting for something beyond Wishart and better than a friend — some elegant paradise he could not imagine, let alone attain. His admiration of her (her charm, wealth, and aspirations) flowed easily into admiration of himself; after all, he had achieved this friend. Almost tearful with self-felicitation, he forgot how often he and Bonnie had quarrelled in the past. Their kiss of friendship here outside the station was real.

“Did you get my telegram?” he said, beginning the nervous remarks that preceded and followed all his journeys. He had prepared his coming with a message: “Very depressed London like old blotting paper longing for sea sun you.” This wire he had signed “Baronne Putbus.” There was no address, so that Bonnie was unable to return a killing answer she would have signed “Lysistrata.”

“I died,” Bonnie said, looking with grave, liquid eyes. “I just simply perished.” After the nasal sculptress and her educated vowels, Bonnie’s slight drawl fell gently on his ear. She continued to look at him gaily, without making a move, and he began to feel some unease in the face of so much bright expectancy. He suddenly thought, “Good God, has she fallen in love?” adding in much smaller print, “With me?” Accidents of that sort had happened in the past. Now, Wishart’s personality being an object he used with discretion, when he was doubtful, or simply at rest, he became a sort of mirror. Reflected in this mirror, Bonnie McCarthy saw that she was still pretty and smart. Dear darling Wishart! He also gave back her own air of waiting. Each thought that the other must have received a piece of wonderful news. Wishart was not envious; he knew that the backwash of someone else’s good fortune can be very pleasant indeed, and he waited for Bonnie’s tidings to be revealed. Perhaps she had rented a villa, so that he would not have to stay in a hotel. That would be nice.

“The hotel isn’t far,” Bonnie said, stirring them into motion at last. “Do you want to walk a little, Wishart? It’s a lovely, lovely day.”

No villa, then; and if the hotel was nearby, no sense paying a porter. Carrying his suitcase, he followed her through the station and into the sudden heat of the Mediterranean day. Later he would hate these streets, and the milling, sweating, sunburned crowd; he would hurry past the sour-milk-smelling cafés with his hand over his nose. But now, at first sight, Cannes looked as it had sounded when he said the word in London — a composition in clear chalk colors: blue, yellow, white. Everything was intensely shaded or intensely bright, hard and yellow on the streets, dark as velvet inside the bars.

“I hope you aren’t cross because Florence isn’t here,” Bonnie said. “She was perishing to meet your train, but the poor baby had something in her eye. A grain of sand. She had to go to an oculist to have it taken out. You’ll love seeing her now, Wishart. She’s getting a style, you know? Everyone notices her. Somebody said to me on the beach — a total stranger — somebody said, ‘Your daughter is like a Tanagra.’”

“Of which there are so many fakes,” Wishart remarked.

He did not have a great opinion of his friend’s intelligence, and may have thought that a slight obtuseness also affected her hearing. It was insensitive of her to mention Flor now, just when Wishart was feeling so well. From the beginning, their friendship had been marred by the existence of Bonnie’s daughter, a spoiled, sulky girl he had vainly tried to admire.

“There are literally millions of men chasing her,” Bonnie said. “I’ve never seen anything like it. Every time we go to the beach or the casino—”

“I’m surprised she hasn’t offered you a son-in-law,” he said. “But I suppose she is still too young.”

“Oh, she isn’t!” Bonnie cried, standing still. “Wishart, that girl is twenty-four. I don’t know what men want from women now. I don’t even know what Flor wants. We’ve been here since the eighth of June, and do you know what she’s picked up? A teeny little fellow from Turkey. I swear, he’s not five three. When we go out, the three of us, I could die, I don’t understand it — why she only likes the wrong kind. ‘Only likes,’ did I say? I should have said ‘only attracts .’ They’re awful. They don’t even propose. She hasn’t even got the satisfaction of turning them down. I don’t understand it, and that’s all I can say. Why, I had literally hundreds of proposals, and not from little Turkeys. I stuck to my own kind.”

He wanted to say, “Yes, but you were among your own kind. The girl is a floater, like me.” He sensed that Bonnie’s disappointment in what she called her own kind had affected her desires for Flor. Her own kind had betrayed her; she had told him so. That was why she lived in Europe. Outside her own kind was a vast population of men in suspenders standing up to carve the Sunday roast. That took care of Americans.

They walked on, slowly. A store window they passed reflected the drawn, dried expression that added years to Wishart’s age but removed him from competition and torment. He found time to admire the image, and was further comforted by Bonnie’s next, astonishing words: “Someone like you, Wishart, would be good for Flor. I mean someone older, a person I can trust. You know what I mean — an Englishman who’s been in America, who’s had the best of both.”

He knew that she could not be proposing him as a husband for Florence, but he could have loved her forever for the confirmation of the gentleman he had glimpsed in the window, the sardonic Englishman in America, the awfully decent American in England. He slipped his hand under her elbow; it was almost a caress.

They reached the Boulevard de la Croisette, crossed over to the sea side, and Bonnie put up her parasol. Wishart’s good humor hung suspended as he looked down at the beaches, the larva-like bodies, the rows of chairs. Every beach carried its own social stamp, as distinct as the strings of greasy flags, the raked pullulating sand, and the squalid little bar that marked the so-called “students’ beach,” and the mauve and yellow awnings, the plastic mattresses of the beach that were a point of reunion for Parisian homosexuals. Wishart’s gaze, uninterested, was about to slide over this beach when Bonnie arrested him by saying, “This is where we bathe, Wishart, dear.” He turned his head so suddenly that her parasol hit him in the eye, which made him think of her falsehood (for it was a falsehood, unquestionably) about Flor and the grain of sand. He looked with real suspicion now at the sand, probably treacherous with broken bottles, and at the sea, which, though blue and sparkling, was probably full of germs. Even the sky was violated; across the face of it an airplane was writing the name of a drink.

“Oh, my sweet heaven!” Bonnie said. She stood still, clutching Wishart by the arm, and said it again. “Sweet heaven! Well, there she is. There’s Flor. But that’s not the Turk from Turkey. No, Wishart, her mother is to have a treat. She’s got a new one. Oh, my sweet heaven, Wishart, where does she find them?”

“I expect she meets them in trains.”

From that distance he could admire Bonnie’s girl, thin and motionless, with brown skin and red hair. She leaned on the low wall, looking down at the sea, braced on her arms, as tense as if the decision between this beach and some other one was to decide the course of her life. “She does have extraordinary coloring,” he said, as generously as he could.

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