T. Johnson - Welcome to Braggsville

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From the PEN/Faulkner finalist and critically acclaimed author of
comes a dark and socially provocative Southern-fried comedy about four UC Berkeley students who stage a dramatic protest during a Civil War reenactment — a fierce, funny, tragic work from a bold new writer
Welcome to Braggsville. The City That Love Built in the Heart of Georgia. Population 712. Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large hyperliberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of "Berzerkeley," the nineteen-year-old white kid is uncertain about his place, until one disastrous party brings him three idiosyncratic best friends: Louis, a "kung fu comedian" from California; Candice, an earnest do-gooder from Iowa claiming Native roots; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the "4 Little Indians."
But everything changes in the group's alternative history class, when D'aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded "Patriot Days." His announcement is met with righteous indignation and inspires Candice to suggest a "performative intervention" to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious at first but has devastating consequences.
With the keen wit of
and the deft argot of
, T. Geronimo Johnson has written an astonishing, razor-sharp satire. Using a panoply of styles and tones, from tragicomic to Southern Gothic, he skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.
A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart,
reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.

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What’s that mean? What’s your friend into?

I don’t know. I never seen it before. Daron had avoided Loose’s Facebook page, Twitter feed, Instagram. What if he made one final post, uploaded his last vision? For a time, Louis and he’d shared a running dick slap joke, but those were threats about slapping the dick, not being slapped by the dick: Keep talking that Freud shit if you want! I’ll slap your dick with this psychology book. I’ll slap your dick with this remote control. I’ll slap your dick with this skateboard. It had been funny. How, though, to explain that to this man with the scarped brow of a Neanderthal?

On the photo closest to Daron, Sheriff placed his hands, palms down and thumbs out, cropping it so that only Bragg Tower appeared. He did the same with a photo of Bragg’s statue and again on a photo that needed no cropping because it was a fuzzy digital zoom close-up of the crotch of Bragg’s statue. Sheriff tapped the hashtag with his eraser, word by word, as if that was the only way he could utter, Zombie dick slap. Got to mean something.

Daron answered, This isn’t serious. They don’t mean this. Never seen them before.

You don’t friend your followers?

It’s… No… It’s… Well, yes, but they were all with me so I wasn’t checking. But I know they didn’t mean it. They were joking.

Well it’s some real black comedy, that’s for sure. Sheriff slid one of the sheets closer and read, If I’d known it would be like this I would have picked my own cotton. That’s not funny, not now, not in these times.

Exactly. It’s not funny. That’s why they posted it. They were being ironic.

Sheriff spit into the coffee can he kept on the floor beside his desk. He appeared to be chewing that over, literally, cheeks bellowing like he had a mouthful of nails. I know sometimes things don’t work out like you mean ’em to. But it looks how it looks, and some will say that’s how it is. He gave Daron a wink like they were sharing a joke. That, or his eye twitched. What did Miss Candice say? Call a spade a something or other?

She didn’t mean it like that.

Hmmph. Did you mean it when you reported her raped?

I thought she was.

There ain’t never been a rape here. Last one even reported was Mrs. Clark having the afterclap with her husband. And ain’t no way no Gull’s gonna sneak over here and do nothing. They know better. You live right back up on the Holler. You know it’s safe. So seems something else must be on your mind.

I really thought she was raped. She was messed up and bleeding and her pants were torn and she was missing her shoes. She came running from the direction of the Gully or the Holler — one of them.

Chicago called in an incident before you, and didn’t report a rape. Ain’t been a spit of polish out of the Gully since back in eighty-six when Mabel and Kendrid got caught up in that likening business and burned their luck trying to pass over in Doeville. Sheriff scratched the back of his hand against the edge of the desk. Hard. Like he was scraping something off. What about those hashtags? Don’t know nothing, huh? Sheriff cupped his hand to scratch behind his ear. Talk about calling spades.

For years, Daron tried to hide that accent, even though more than one professor said it was cute. Quaint he didn’t mind, but cute was unbearable. After a few drinks he would sometimes imitate Sheriff (which was damn near as reckless as Louis playing at communion with incredible edibles). Now, he imagined that Sheriff knew of his mockery and relished this moment, slowly pronouncing each word as if Daron didn’t speak English.

Hear this. Hate crimes is Fed time, Little D, and Fed time is straight time. It’s also inconvenient that the deceased was competing with you for a certain young lady’s affections, according to other reports. It sounds like a complicated enough relationship to implicate you in a number of ways, none of them exactly funny. Or ironic.

Daron had never liked irony. He and Louis often argued about it, Daron insisting that if no one understood a joke it wasn’t funny, and sometimes it was better to say what you meant. Louis would only answer, Yes, but in a maddeningly insincere tone. Daron would get frustrated, growing more so when Louis would innocently ask the professor if sarcasm, social niceties, and euphemism were all irony’s close cousins. (Louis sideways: If it helps you understand better, Daron, think of them as kissing cousins.) The professor agreed. Maybe so, but Daron didn’t think that sarcasm, social niceties, and euphemism could be mistaken for hate speech.

They’d read about this in class, how stereotypes distorted, affected, reflected reality. Asians were peaceful. Gays were nonviolent. As were women. Blacks (and sometimes Mexicans) were rarely accused of hate crimes for a number of reasons, but the underlying logic was that they were naturally predisposed to violence and mischief, and so seldom was any attack on whites motivated by hate. Contrarily, it was extremely easy to claim, and prove, that a white perpetrated a hate crime. In fact, popular opinion among the liberals was that conservatives were motivated by hate in everything they did wrong: hiring practices, legal negotiations, and any criminal activity affecting blacks, Mexicans, or gays. If Denver decided that Daron had intended to send a message of terror, then Daron’s every denial must have sounded like an attempt to protect his co-conspirators. But he honestly knew nothing about any militia. Or about #ZombieDickSlap, and neither did Charlie when he texted him. Candice, even though she had used it for one photo, didn’t respond.

Sheriff ended the interview looking as frustrated as he began it. I just can’t figure why, D’aron. I just can’t figure why.

Chapter Thirteen

Why? 1, 2, 3

Chapter Twenty-1

A week after the Incident, it looked like Sheriff was correct in his prediction that matters would be well right settled. During their last meeting, he told Daron, I’ll tell you how the inquest’s gonna go: The cause of death is asphyxiation. One person will testify that he climbed up there voluntarily. About twenty-plus witnesses will testify that the young man was not moving when they arrived and that they attempted to render aid, but it was too late. Sadly. The EMTs will corroborate this. One person will claim that the deceased was alive until the men arrived, and that he was whipped. The coroner will testify that there were no marks to indicate that he was struck by a whip, and it will be ruled an accidental death and the Chans — Changs, I mean — can bury their boy. The only thing left will be for the Feds to call their play. That was how it went.

It had been a long week. Terror-stricken by the prospect of being charged with Louis’s murder, Daron considered running away, and might have, had not the attorney his father hired finally convinced him that the inquest was intended to determine the cause of death, and that he, Daron, would not actually be on trial. Without his friends around, his father made it plain that he thought Daron was an idiot for putting his dick in this blender, of all the blenders in the free world. Worse yet, Daron was instructed to cease contact with his friends, especially in public, because, Everything you do will be deemed conspiratorial — and public means online.

(Ceasing contact had felt like one of those errant instructions adults barked to fill space when they didn’t have a legitimate answer. Daron would not have believed that a conspiratorial stink was so easily raised, but there was that couple celebrating their twenty-fifth anniversary in Waffle House who asked the waitress to take their photo. She of-course-honeyed and pushed the magic button once their sausage mustaches were arranged. In the background of this festive scene Daron and his friends hunched over their menus. It’s a moment he remembers clearly because Louis is counting on his thumbs as he liked to, listing the different ways hash browns could be served. When this photo made its way to TV, print, and Web, the caption was, The Comanches Plot. Rush Limbaugh called it a modern Indian massacre, an assault on tradition and family values. After that, Daron knew he would find no solace in common sense.)

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